The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
7
Henry Howard, 1769–1847
Venus and Cupid
1809
Not on view
8
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
9
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
10
unknown artist
The Choir, Canterbury Cathedral
between 1712 and 1715
Not on view
11
Joseph Highmore, 1692–1780
The Angel of Mercy
ca. 1746
Not on view
12
unknown artist
The Assumption and Coronation of the Virgin
1450 to 1500
Not on view
13
George Romney, 1734–1802
Fall of the Rebel Angels
undated
14
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
15
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
16
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
17
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
18
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
19
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
20
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
21
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
22
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
23
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
24
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
25
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
26
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
27
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
28
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
29
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
30
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
31
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
32
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
33
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
34
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
35
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
36
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
37
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
38
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
39
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
40
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
41
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
42
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
43
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
44
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
45
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
46
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
47
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
48
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
49
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
50
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
51
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
52
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
53
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
54
Print made by William Blake, 1757–1827
Pity
ca. 1795
55
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
56
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
57
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
58
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
59
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
60
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
61
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
62
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
63
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
64
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
65
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
66
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
67
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
68
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
69
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
70
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
71
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
72
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
73
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
74
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
75
Print made by William Say, 1768–1834
The Ecstasy of St. Francis
1809
76
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
77
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
78
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
79
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
80
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
81
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
82
Edward Francis Burney, 1760–1848
The Arts
undated
83
Edward Francis Burney, 1760–1848
Pastoral
undated
84
Edward Francis Burney, 1760–1848
Allegory of Painting and Literature
undated
85
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments
undated
86
Edward Francis Burney, 1760–1848
Pamphilia
undated
87
Edward Francis Burney, 1760–1848
Pamphilia
undated
88
Edward Francis Burney, 1760–1848
Charity
undated
89
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
90
Augustus Welby Northmore Pugin, 1812–1852
Sketches of the Butler-Bowden cope
undated
91
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
92
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
93
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
94
Richard Westall, 1765–1836
The Birth of Christ (Luke 2:15)
before 1836
95
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
96
Print made by John Smith, the mezzotinter, 1652–1743