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Francis Danby Hampstead Heath, Sunset
Francis Danby, 1793–1861
Hampstead Heath, Sunset
ca. 1845
Not on view
John Constable Hampstead Heath looking towards Harrow
John Constable, 1776–1837
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
George Smith A View Supposedly Near Arundel, Sussex, with Figures in a Lane
George Smith, 1714–1776
A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
John Vanderbank A Scene from Don Quixote (Vol.II, Ch.XXIII)
John Vanderbank, 1694–1739
A Scene from Don Quixote (Vol.II, Ch.XXIII)
between 1730 and 1736
Not on view
Joseph Stannard Buckenham Ferry, on the River Yare, Norfolk
Joseph Stannard, 1797–1830
Buckenham Ferry, on the River Yare, Norfolk
1826
Not on view
unknown artist A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
unknown artist
A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
ca. 1804
Not on view
Francis Towne Old Walton Bridge
Francis Towne, 1740–1816
Old Walton Bridge
1785
Not on view
Sir John Lavery On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
Sir John Lavery, 1856–1941
On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
1890
Not on view
George Chinnery A Man Carrying Faggots
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
George Morland Pheasant Shooting
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
George Morland Partridge Shooting
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
Walter Richard Sickert Portrait of Carolina dell'Acqua
Walter Richard Sickert, 1860–1942
Portrait of Carolina dell'Acqua
1903
Not on view
Jules Clarke Dancing on Ice
Jules Clarke
Dancing on Ice
2011
Not on view
Mary Beale Charles Beale
Mary Beale, 1633–1699
Charles Beale
ca. 1660
Not on view
Glynn Williams "Stop"
Glynn Williams, born 1939
"Stop"
1988
Not on view
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
George Stubbs Tiger Skeleton, Lateral View (Finished Study for Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Skeleton, Lateral View
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
William Hogarth An Election Entertainment, Plate I
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
William Hogarth Chairing the Members, Plate IV
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Hogarth Self-portrait
William Hogarth, 1697–1764
Self-portrait
1749
William Hogarth The Bruiser
William Hogarth, 1697–1764
The Bruiser
1763
Edward Lear Siracusa, 12. June 1847
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Glade in a Forest
George Romney, 1734–1802
Glade in a Forest
undated
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Edward Francis Burney The Elegant Establishment for Young Ladies (study for)
Edward Francis Burney, 1760–1848
The Elegant Establishment for Young Ladies (study for)
undated
John Buckler FSA The Spanish Pointer
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
John Pye A View of Oxford from the Abingdon Road
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
James Bruce Lower Arch at Makther on Back
James Bruce, 1730–1794
Lower Arch at Makther on Back
undated
James Bruce Details of Lower Arch Mactar, Modern Makther
James Bruce, 1730–1794
Details of Lower Arch Mactar, Modern Makther
undated
James Bruce XVLL Arch at Makther
James Bruce, 1730–1794
XVLL Arch at Makther
undated
James Bruce Arch of Trajan Makther
James Bruce, 1730–1794
Arch of Trajan Makther
undated
James Bruce Temple Above Spring at Zaghouan
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
James Bruce Details of Temple Above Spring at Zaghouan
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
James Bruce Sketch of Arches in Perspective
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
James Bruce Plate XV Back of Temple at Sheitla [sic]
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
James Bruce Architectural Details of Arch at Makther
James Bruce, 1730–1794
Architectural Details of Arch at Makther
undated
James Bruce Trajans Arch, Makter
James Bruce, 1730–1794
Trajans Arch, Makter
undated
James Bruce Entrance Gate, Zaghouan
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
Andrew Fyfe Eragrostis Tef
Andrew Fyfe, 1752–1824
Eragrostis Tef
1775
William Green The Devil's Bridge, Kirkby Lonsdale
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
William Green Landscape with Vale and Mountains
William Green, 1760–1823
Landscape with Vale and Mountains
undated
Julius Caesar Ibbetson Robbing the Mail
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
Samuel Prout The Monnow Bridge, Monmouthshire
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
Sir Charles Barry Perspective View: the New Houses of Parliament
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
Thomas Barker Woodland Landscape
Thomas Barker, 1769–1847
Woodland Landscape
undated
Samuel Austin Church of Notre Dame, Bruges
Samuel Austin, 1796–1834
Church of Notre Dame, Bruges
undated
James Wyatt Goodwood, West Sussex: Ceiling Design
James Wyatt, 1746–1813
Goodwood, West Sussex: Ceiling Design
undated
unknown artist Tintern Abbey
unknown artist
Tintern Abbey
undated
Paul Sandby Munn Shanklin Chine, Isle of Wight
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
Arthur Bradley Record Drawing of the 1639 Altarpiece in Exeter Cathedral
Arthur Bradley, active 1740
Record Drawing of the 1639 Altarpiece in Exeter Cathedral
undated
Sir John Soane Design for Hyde Park and St. James' Park Entrance
Sir John Soane, 1753–1837
Design for Hyde Park and St. James' Park Entrance
ca. 1826
George Richardson Design for a Ceiling
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Daniel Lysons Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
Daniel Lysons The Environs of London: Brass plate for Unidentified Infant from East Ham Church
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
between 1796 and 1811
Hugh William "Grecian" Williams View of the Forum in Rome
Hugh William "Grecian" Williams, 1773–1829
View of the Forum in Rome
1828
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Richard Henry Nibbs Hay and Log Barges on the Conway
Richard Henry Nibbs, 1816–1893
Hay and Log Barges on the Conway
undated