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Vanessa Bell Dahlias
Print made by Vanessa Bell, 1879–1961
Dahlias
1918
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
George Stubbs A Tiger and a Sleeping Leopard
Print made by George Stubbs, 1724–1806
A Tiger and a Sleeping Leopard
1788
George Stubbs A Lion [A Lion resting on a Rock]
George Stubbs, 1724–1806
A Lion [A Lion resting on a Rock]
1788
Joseph Mallord William Turner Near Blair Athol, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Near Blair Athol, Scotland
1811
Joseph Mallord William Turner Sheep-Washing, Windsor
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake The Ancient of Days; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake Thomas Hayley the Disciple of John Flaxman, from a Medallion
Print made by William Blake, 1757–1827
Thomas Hayley the Disciple of John Flaxman, from a Medallion
1800
Peter Pasquin One of a set of 6: A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6: A Day's Journal of a Sponge
1824
J. C. Varrall Malmsbury Abbey, Wiltshire
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
William Radclyffe Eaton College, Berkshire
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
Thomas Jeavons Pembroke Castle, Wales
Print made by Thomas Jeavons, ca. 1800–1867
Pembroke Castle, Wales
1831
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
John Thomas Smith Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed
John Thomas Smith, 1766–1833
Inside the Painted Chamber as it was in the year 1800 before the old tapestry was removed
1806
Léopold Desbrosses The Cornfield
Léopold Desbrosses, 1821–1908
The Cornfield
Peter Pasquin One of a set of 6 (2): A Day's Journal of a Sponge
Peter Pasquin, active 1824–1826
One of a set of 6 (2): A Day's Journal of a Sponge
1824
William John Cooke The Thames at Mortlake
Print made by William John Cooke, 1797–1865
The Thames at Mortlake
1836-1838
Pierre Charles Canot Marine Study No. 1
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
Pierre Charles Canot Marine Study No. 2
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
Pierre Charles Canot Marine Study No. 3
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
Pierre Charles Canot Marine Study No. 4
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
George H. Phillips Countess Wilton
Print made by George H. Phillips, active 1819–1825
Countess Wilton
1838
unknown artist Prométhée
Print made by unknown artist
Prométhée
undated
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
John Faber the Younger The Choice
Print made by John Faber the Younger, ca. 1695–1756
The Choice
1737
William Faithorne the Younger Sylvio and Dorinda
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1680 and 1703
William Faithorne the Younger Sylvio and Dorinda
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1752 and 1768
William Faithorne the Younger Juno and Iris
Print made by William Faithorne the Younger, ca. 1669–1703
Juno and Iris
between 1695 and 1703
William Faithorne the Younger Mary Commended, Martha Reprehended
Print made by William Faithorne the Younger, ca. 1669–1703
Mary Commended, Martha Reprehended
between 1752 and 1768
William Faithorne the Younger Mary Commended, Martha Reprehended
Print made by William Faithorne the Younger, ca. 1669–1703
Mary Commended, Martha Reprehended
between 1690 and 1703
Jacob Gole La paresse du toucher
Print made by Jacob Gole, 1660–1737
La paresse du toucher
undated
Jacob Gole Le Hollandois sur la glace
Print made by Jacob Gole, 1660–1737
Le Hollandois sur la glace
undated
Jacob Gole L'Age du Fer
Print made by Jacob Gole, 1660–1737
L'Age du Fer
undated
Jacob Gole An Old Woman Drinking
Print made by Jacob Gole, 1660–1737
An Old Woman Drinking
undated
Bernard Lens II Bacchus et Ariadne
Print made by Bernard Lens II, 1659–1725
Bacchus et Ariadne
undated
Anton Joseph von Prenner Judith with the Head of Holofernes
Print made by Anton Joseph von Prenner, 1683–1761
Judith with the Head of Holofernes
1728
William Pether A Smoker
Print made by William Pether, ca. 1738–1821
A Smoker
1768
William Daniell Sir Charles Bingham, first Earl of Lucan
Print made by William Daniell, 1769–1837
Sir Charles Bingham, first Earl of Lucan
between 1802 and 1814
William Daniell John Hoole
Print made by William Daniell, 1769–1837
John Hoole
1810
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Henry Thomas Alken The School-Boy
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
Henry Thomas Alken The Infant
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
Henry Thomas Alken The Justice
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824