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Genre religious and mythological subject

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Henry Howard Venus and Cupid
Henry Howard, 1769–1847
Venus and Cupid
1809
Not on view
John Atkinson Grimshaw "The Lady of Shalott"
John Atkinson Grimshaw, 1836–1893
"The Lady of Shalott"
ca. 1875
Not on view
Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Print made by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Procris and Cephalus
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
Henry Bonnart Mater Purissima
Print made by Henry Bonnart, 1642–1711
Mater Purissima
undated
Edward Fisher Hope Nursing Love
Edward Fisher, 1722–1785
Hope Nursing Love
1771
James Tibbits Willmore Mercury and Argus
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
John Simon Christ and the Woman of Samaria
Print made by John Simon, 1675–1751
Christ and the Woman of Samaria
undated
John Simon The Devout
Print made by John Simon, 1675–1751
The Devout
undated
Bernard Lens II Bacchus and Ariadne
Print made by Bernard Lens II, 1659–1725
Bacchus and Ariadne
undated
unknown artist St. Francis
Print made by unknown artist
St. Francis
between 1681 and 1688
Robert Robinson Elijah
Print made by Robert Robinson, active 1674–1706
Elijah
undated
John Smith, the mezzotinter Venus Witholding Adonis From the Chase
Print made by John Smith, the mezzotinter, 1652–1743
Venus Witholding Adonis From the Chase
undated
John Smith, the mezzotinter Venus Holding the Apple of Paris
Print made by John Smith, the mezzotinter, 1652–1743
Venus Holding the Apple of Paris
1695
John Smith, the mezzotinter Cupid
Print made by John Smith, the mezzotinter, 1652–1743
Cupid
undated
John Smith, the mezzotinter Diana and Acteon
Print made by John Smith, the mezzotinter, 1652–1743
Diana and Acteon
1705
John Smith, the mezzotinter Tobias and the Angel
Print made by John Smith, the mezzotinter, 1652–1743
Tobias and the Angel
ca. 1685
Samuel Freeman Iris
Print made by Samuel Freeman, 1773–1857
Iris
1808
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
Francesco Bartolozzi St. Nil
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
William Woollett Dido and Aeneas
William Woollett, 1735–1785
Dido and Aeneas
1787
Francesco Bartolozzi Cupid Disarmed by Venus
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
Francesco Bartolozzi Cleone
Print made by Francesco Bartolozzi, 1728–1815
Cleone
1784
Francesco Bartolozzi Atalanta and Hippomanes
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
Thomas Burke Cephalus and Procris
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
Simon François Ravenet The Pool of Bethesda
Simon François Ravenet, 1706–1774
The Pool of Bethesda
1772
Simon François Ravenet The Good Samaritan
Simon François Ravenet, 1706–1774
The Good Samaritan
1772
Richard Earlom A Landscape, with the Story of Apollo and Marsyas
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Apollo and Marsyas
1775
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
John Baptist Jackson The Rich Man and Lazarus
Print made by John Baptist Jackson, 1701–1780
The Rich Man and Lazarus
1743
Richard Earlom A Landscape, with the Story of Europa
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Europa
1802
Frederick Landseer Maur Griggs Epiphany
Print made by Frederick Landseer Maur Griggs, 1876–1938
Epiphany
1919
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
Edward Francis Burney The Arts
Edward Francis Burney, 1760–1848
The Arts
undated
John Alexander Lot and His Family
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
Arthur Burgess Venus, after Masters of Tarrochi
Print made by Arthur Burgess, 1844–1886
Venus, after Masters of Tarrochi
undated
Edward Francis Burney Pamphilia
Edward Francis Burney, 1760–1848
Pamphilia
undated
Lady Diana Beauclerk An Allegory of Love
Lady Diana Beauclerk, 1734–1808
An Allegory of Love
Undated
unknown artist A Large Christmas Card
Print made by unknown artist
A Large Christmas Card
1895
Austin, Robert, 1895-1973 Romance
Print made by Austin, Robert, 1895-1973, 1895–1973
Romance
1922
Edward Calvert The Bacchante
Print made by Edward Calvert, 1799–1883
The Bacchante
ca. 1827