Genre: religious and mythological subject / Height [cm]: 23 - YCBA Collections Search Search Results

1. Mary and Joseph Outside the Inn

Creator:: John Runciman, 1744–1768
Date:: 1763 to 1768
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "Los shudder'd at beholding Albion..." (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "Thus Albion sat, studious of others..." (Plate 42)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "To labours mighty, with vast strength..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "His Children exil'd from his breast..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "To the Public. After my three years slumber..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Frontispiece, The Ancient of Days (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "Why wilt thou give to her a Body..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Turning his back to the Divine Vision..." (Plate 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "Then the Divine hand found the Two Limits..." (Plate 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "And One stood forth from the Divine Family..." (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "His face and bosom with petrific hardness..." (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "By Satan's Watch-fiends tho' they search..." (Plate 39)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "Bath, healing City!..." (Plate 45)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Bath, mild Physician of Eternity..." (Plate 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "Was living: panting like a frighted wolf..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "Such are Cathedrons golden Halls..." (Plate 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "The Four Zoa's clouded rage..." (Plate 74)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "And Rahab Babylon the Great..." (Plate 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "And formed into Four precious stones..." (Plate 59)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "Jehovah stood among the Druids..." (Plate 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Chapter 4 Frontispiece (Plate 76)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "The banks of the Thames are clouded..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Chapter 3 Frontispiece (Plate 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "Shot from the heights of Enitharmon..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "The shrill winds wake!..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Cupid's Tent

Creator:: Print made by Isaac Beckett, 1652/3–1719
Date:: 1680s
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 7/16 × 7 5/16 inches (24 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Lucretia Romana

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 13/16 inches (24.2 × 19.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. Juno, Venus, and Cupid

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 9/16 × 7 1/4 inches (24.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. Madonna, Child, and Angel

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 7 1/8 inches (23 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. Madonna, Child, and Angel

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 7 15/16 inches (26.5 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. Bacchus et Ariadne

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 7 15/16 inches (27.1 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Judith with the Head of Holofernes

Creator:: Print made by Anton Joseph von Prenner, 1683–1761
Date:: 1728
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 6 13/16 inches (23.2 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Bacchus and Ariadne

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. Endymion and Diana

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 7 1/16 inches (22.5 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 9/16 × 7 1/16 inches (24.3 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Daniel in the Lyons Denn

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 × 7 5/8 inches (25.4 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Doctor Parvulorum

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Aeneas Entering Hades

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1675 and 1680
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 × 7 5/16 inches (25.3 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Christ and the Woman of Samaria

Creator:: Print made by John Simon, 1675–1751
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 × 12 1/8 inches (22.9 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Ego Dilecto Meo

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: ca.1700
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 7 9/16 inches (26.7 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Maria Magdilena

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 7 inches (25.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Judith with the Head of Holofernes

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 8 inches (26.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Virgin and Child

Creator:: Print made by Isaac Beckett, 1652/3–1719
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 7 inches (22.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Prométhée

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 × 10 1/8 inches (22.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. Mary Commended, Martha Reprehended

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1690 and 1703
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 12 11/16 inches (23.2 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Mary Commended, Martha Reprehended

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1752 and 1768
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.1 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Juno and Iris

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1695 and 1703
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. A Satyr Family

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 11/16 inches (24.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. A Satyr Family

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. The Quakers' Meeting

Creator:: Print made by Isaac Beckett, 1652/3–1719
Date:: between 1683 and 1688
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 1/16 inches (24.8 × 18 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Design for a Ceiling

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 3/4 inches (22.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Cloisters of Whalley Abbey

Creator:: Print made by James Basire II, 1769–1822
Date:: 1800
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Milan

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/4 inches (22.9 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Pastoral

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, rough, cream laid paper
Dimensions:: Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

82. Moses and the Brazen Serpent - Design for the chapel at Dunster Castle

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 x 14 1/8 inches (22.9 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Distant View of Whalley Abbey

Creator:: Print made by James Basire II, 1769–1822
Date:: 1800
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, beige wove paper
Dimensions:: Scale:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Stonyhurst

Creator:: Print made by James Basire II, 1769–1822
Date:: 1801
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Crypt in Kirkstall Abbey, Yorkshire

Creator:: Print made by John Scott, 1774–1828
Date:: 1814
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 11 3/4 inches (25.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Magdalen

Creator:: Print made by Prince Rupert, 1619–1682
Date:: 1659
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 6 3/4 inches (23 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. The Magdalen

Creator:: Print made by Prince Rupert, 1619–1682
Date:: 1659
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 6 3/4 inches (23.2 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. After Pinnelli - Group of Peasants Outside a Church

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Sherburne Chapel in Mitton Church

Creator:: Print made by James Basire II, 1769–1822
Date:: 1801
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Crypt in Kirkstall Abbey, Yorkshire

Creator:: Print made by John Scott, 1774–1828
Date:: 1814
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 14 1/4 inches (28.3 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. View of Redcliff Church &c. Bristol

Creator:: Print made by John Pye, 1782–1874
Date:: 1814
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Isaac Watts

Creator:: Simon François Ravenet, 1706–1774
Date:: undated
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 6 11/16 inches (23.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Carolus Scribanius

Creator:: Print made by Peeter Clouwet, 1629–1670
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 3/4 × 11 inches (37.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Bay of Baiæ, Apollo and the Sibyl

Creator:: Print made by Robert Brandard, 1805–1862
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Goddess of Discord

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Temple of Jupiter Panhellenius

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Apollo and Daphne in the Vale of Tempe

Creator:: Print made by Edward P. Brandard, 1819–1898
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Genre religious and mythological subject

Height [cm] 23

Search Results

1. Mary and Joseph Outside the Inn

2. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

3. The Deluge

4. The Deluge

5. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

6. Jerusalem, Tailpiece (Plate 100)

7. "From every-one of the Four Regions..." (Plate 18)

8. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

9. "What have I said? What have I done?..." (Plate 24)

10. "Los shudder'd at beholding Albion..." (Plate 40)

11. "Thus Albion sat, studious of others..." (Plate 42)

12. "To labours mighty, with vast strength..." (Plate 11)

13. "One hair nor particle of dust..." (Plate 14)

14. "His Children exil'd from his breast..." (Plate 19)

15. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

16. "But when they saw Albion fall'n..." (Plate 20)

17. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

18. "To the Public. After my three years slumber..." (Plate 3)

19. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

20. "Appear to the Americans upon the cloudy night..." (Plate 6)

21. Frontispiece, The Ancient of Days (Plate 1)

22. "Why wilt thou give to her a Body..." (Plate 12)

23. "Turning his back to the Divine Vision..." (Plate 33)

24. "Then the Divine hand found the Two Limits..." (Plate 35)

25. "And One stood forth from the Divine Family..." (Plate 37)

26. "His face and bosom with petrific hardness..." (Plate 38)

27. "By Satan's Watch-fiends tho' they search..." (Plate 39)

28. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

29. "Bath who is Legions..." (Plate 41)

30. "Bath, healing City!..." (Plate 45)

31. "Bath, mild Physician of Eternity..." (Plate 46)

32. "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

33. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

34. "Was living: panting like a frighted wolf..." (Plate 7)

35. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

36. "Such are Cathedrons golden Halls..." (Plate 73)

37. "The Four Zoa's clouded rage..." (Plate 74)

38. "And Rahab Babylon the Great..." (Plate 75)

39. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

40. "And formed into Four precious stones..." (Plate 59)

41. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

42. "Jehovah stood among the Druids..." (Plate 63)

43. "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

44. Chapter 4 Frontispiece (Plate 76)

45. "The banks of the Thames are clouded..." (Plate 5)

46. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

47. Chapter 3 Frontispiece (Plate 51)

48. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

49. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

50. "Shot from the heights of Enitharmon..." (Plate 17)

51. "The shrill winds wake!..." (Plate 6)

52. Cupid's Tent

53. Lucretia Romana

54. Juno, Venus, and Cupid

55. Madonna, Child, and Angel

56. Madonna, Child, and Angel

57. Bacchus et Ariadne

58. Judith with the Head of Holofernes

59. Bacchus and Ariadne

60. Endymion and Diana

61. Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death

62. Daniel in the Lyons Denn

63. Doctor Parvulorum

64. Aeneas Entering Hades

65. Christ and the Woman of Samaria

66. Ego Dilecto Meo

67. Maria Magdilena

68. Christ Descending into the Grave

69. Judith with the Head of Holofernes

70. Virgin and Child

71. Prométhée

72. Mary Commended, Martha Reprehended

73. Mary Commended, Martha Reprehended

74. Juno and Iris