"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
2
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
3
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
4
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
5
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
6
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
7
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
8
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
9
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
10
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
11
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
12
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
13
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
14
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
15
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
16
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
17
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
18
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
19
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
20
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
21
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
22
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
23
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
24
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
25
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
26
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
27
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
28
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
29
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
30
unknown artist
The Destruction of Sodom and Gomorrah
undated
31
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
32
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
33
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
34
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
35
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
36
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
37
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
38
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
39
Edward Francis Burney, 1760–1848
Pamphilia
undated
40
Edward Francis Burney, 1760–1848
Pamphilia
undated
41
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
42
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
43
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
44
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
45
circle of John Linnell, 1792–1882
The Creation
undated
46
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
47
circle of John Linnell, 1792–1882
The Fall of Satan
undated
48
circle of John Linnell, 1792–1882
Job and His Family
undated
49
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
50
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
51
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
52
Richard Cosway, 1742–1821
Cupid Overpowering a Satyr
undated
53
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
54
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
55
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels