Genre: literary theme / Height [cm]: 45 - YCBA Collections Search Search Results

James Stephanoff, 1787–1874

Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

1832

Not on view

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

Thomas Watson, 1743–1781

Resignation

1772

Giuseppe Marchi, ca. 1735–1808

Samuel Dyer

1773

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

William Woollett, 1735–1785

Dido and Aeneas

1787

Francesco Bartolozzi, 1728–1815

Queen Katherine's Dream

1788

Samuel Middiman, ca. 1750–1831

Shakespeare's Winter Tale Act III Scene III

1794

John Watts, active 1766–1786

Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

1780

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

John Raphael Smith, 1752–1812

The Lady in Milton's Comus

1789

Johann Jacobus Haid, 1704–1767

Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"

1765

Robert Thew, 1758–1802

Shakespeare's Tempest Act IV Scene I. Prospero's Cell

1800

Print made by John Henry Robinson, 1796–1871

The Death of Raphael

1830

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Print made by Richard Earlom, 1743–1822

Mordecai

1787

Print made by Daniel Allen, active 1830s

Cristina

1830

Edward Alfred Goodall, 1819–1908

A Tomb

1830

Print made by Daniel Allen, active 1830s

Buondelmonte

1830

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

Print made by John Henry Robinson, 1796–1871

The Tarentella

1830

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

William Finden, 1787–1852

The Sailor

1834

James Henry Watt, 1799–1867

St. Cecilia

1834

Print made by Robert Wallis, 1794–1878

Tornaro

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

John Blackmore, active 1740–1780

Samuel Foote

1771

John Raphael Smith, 1752–1812

Bellsane and Parcival under the Enchantment of Urma

1782

Robert Pollard, 1755–1838

The Hermitage of Warkworth

1787

James Parker, 1750–1805

Fainasollis, Borbar and Fingal

1783

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1833

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Print made by Edward Goodall, 1795–1870

Datur Hora Quieti

1834

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Print made by James McArdell, ca. 1729–1765

Ghismonda

undated

Print made by William Ward, 1766–1826

The late Mrs Pope as Juliet

1804

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Height [cm] 45

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