Genre: literary theme / Work Type: intaglio print / Subject Terms: women

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Print made by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

James Fittler, 1758–1835

'The Gamester,' Act V, Scene IV

1792

James Gillray, 1756–1815

Sophia, Honour, and the Chambermaid

1780

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Print made by Daniel Berger, 1744–1824

Die Maussalle.... - "Hamlet," Act III, Scene II

between 1778 and 1780

William Greatbach, Born 1802

Falstaff and his Friends

ca. 1868

Robert Smirke, 1752–1845

Taming of the Shrew

1821

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

Print made by George Cruikshank, 1792–1878

London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

after 1857

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Peltro W. Tomkins, 1760–1840

The Three Witches

1786

Print made by Valentine Green, 1739–1813

Pamela and Philoclea

ca. 1777

Print made by John Faber the Younger, ca. 1695–1756

Kitty Clive as Lady Easy in "The Careless Husband"

1739

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

1797

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

James Gillray, 1756–1815

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

Print made by James Gillray, 1756–1815

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

1791

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808

Print made by Ralph Hudson, active ca. 1820

Pilgrim's Progress Illustrated, Uncut Panorama

ca. 1820

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