Samuel Thomas Russell in Samuel Foote's "The Mayor of Garratt"
between 1810 and 1811
Not on view
6
George Jones, 1786–1869
The Passing of the Great Emancipation Act
ca. 1829
Not on view
7
Thomas Hickey, 1741–1824
Purniya, Chief Minister of Mysore
ca. 1801
Not on view
8
George Henry Harlow, 1787–1819
Henry Fuseli
1817
Not on view
9
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
10
Richard Redgrave, 1804–1888
The Deserter's Home
1847
Not on view
11
Daniel Turner, active 1782–1805
A View of London Bridge
early 19th century
Not on view
12
Daniel Turner, active 1782–1805
A View of Westminster Bridge
early 19th century
Not on view
13
Godfrey Sykes, 1824–1866
Interior of an ironworks
1850
Not on view
14
Sir Edwin Henry Landseer, 1802–1873
Favourites, the Property of H.R.H. Prince George of Cambridge
1834 to 1835
Not on view
15
Edward Burne-Jones, 1833–1898
Fair Rosamund and Queen Eleanor
1861
Not on view
16
Charles West Cope, 1811–1890
Home Dreams
1869
Not on view
17
Charles Robert Leslie, 1794–1859
Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
1825
Not on view
18
James Ward, 1769–1859
Heath Ewe and Lambs
1810
Not on view
19
James Ward, 1769–1859
Interior of a Stable
between 1830 and 1840
Not on view
20
Alexander Nasmyth, 1758–1840
Stage Design for Heart of Midlothian; The Tolbooth
ca. 1819
Not on view
21
Alexander Nasmyth, 1758–1840
Stage Design for Heart of Midlothian; Deans' Cottage
ca. 1819
Not on view
22
Charles Hunt, 1803–1877
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Not on view
23
John Jackson, 1778–1831
Antonio Canova
1819 to 1820
Not on view
24
John Cawse, 1779–1862
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
25
James Holland, 1799–1870
The Lady Betty Germain Bedroom at Knole, Kent
1845
Not on view
26
George Chinnery, 1774–1852
Josiah Andrew Hudleston (1799-1865)
1832
Not on view
27
John Scarlett Davis, 1804–1845
The Interior of the British Institution Gallery
1829
Not on view
28
Robert Huskisson, 1820–1861
Lord Northwick's Picture Gallery at Thirlestaine House
between 1846 and 1847
Not on view
29
Gilbert Stuart Newton, 1794–1835
Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826
1826
Not on view
30
Albert Joseph Moore, 1841–1893
A Musician
ca. 1867
Not on view
31
Thomas Webster, 1800–1886
Ring O' Roses
ca. 1850
Not on view
32
William Mulready, 1786–1863
Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
1831
Not on view
33
John Frederick Lewis, 1804–1876
A Lady Receiving Visitors (The Reception)
1873
Not on view
34
Print made by Samuel Palmer, 1805–1881
Christmas
1850
35
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
36
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
37
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
38
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
39
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
40
Sir David Wilkie, 1785–1841
Study for "Reading the Will"
1820
41
Sir David Wilkie, 1785–1841
Kitchen Scene: Dunkerrin, September 1835
1835
42
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
43
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
44
William Simpson, 1823–1899
Interior of Fort Nicholas, Sebastopol, Crimea
undated
45
Benjamin Robert Haydon, 1786–1846
Studies of Napoleon, arms folded, with other figures
undated
46
James Holland, 1799–1870
Interior of the Church of San Giovanni e Paolo, Venice
1835ated
47
Sir George Hayter, 1792–1871
Kitchen: Interior, Stone Crouch
1822
48
Sir Charles D'Oyly, 1781–1845
The Summer Room in the Artist's House at Patna
1824
49
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
50
Isaac Weld, 1774–1856
Interior Colosseum, Rome
1818
51
William Henry Hunt, 1790–1864
Barn Interior
1836
52
William James Muller, 1812–1845
Cairo Bazaar
undated
53
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
54
Sir David Wilkie, 1785–1841
Grace Before Meat
1839
55
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
56
unknown artist
Church Interior
undated
57
unknown artist
Seated Woman
undated
58
unknown artist
Man (in 16th Century Costume) with Dogs
undated
59
unknown artist
Church Interior
undated
60
unknown artist
Interior of Stone Building
undated
61
William James Muller, 1812–1845
Study of a Rustic Interior Scene
undated
62
unknown artist
Interior of Milan Cathedral
undated
63
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
64
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
65
John Thomas Smith, 1766–1833
The Reconcilation
1817
66
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
67
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
68
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
69
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
70
Sir David Wilkie, 1785–1841
The Interior of Pitlessie Mill with a Man Sieving Corn
1818
71
Joseph Nash, 1808–1878
Levens, Westmoreland, The Small Drawing Room
1873
72
unknown artist
Man Asleep at Table with Dogs
undated
73
John Claude Nattes, 1765–1822
A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary
1812
74
Henry Perlee Parker, 1795–1873
At Mrs. Bulley's, Hooe, near Plymouth
undated
75
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
76
John Thomas Smith, 1766–1833
The Smock Exposed
1817
77
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
78
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
79
William Mulready, 1786–1863
Denial and Disappointment
undated
80
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
81
Print made by Thomas Gilks, active 1866–1876
Choice of Paris
1860
82
Charles Samuel Keene, 1823–1891
The Queen's English: An Iillustration in "Punch", Aug. 11, 1877
ca. 1877
83
Print made by Charles West Cope, 1811–1890
Morning Prayer
1844
84
Print made by Charles West Cope, 1811–1890
The Wanderer
1844
85
Print made by John Sell Cotman, 1782–1842
Spanish Student
ca. 1830
86
Print made by Samuel Cousins, 1801–1887
Miss Macdonald
1831
87
Print made by N. Hanhart, active 1841–1852
Interior, Abery
1856
88
Print made by David Allan, 1744–1796
Sir William Worthy and Patie
1808
89
Print made by David Allan, 1744–1796
Glaud and Peggy
1808
90
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
91
Print made by David Allan, 1744–1796
Bauldy, Symon and Sir William Worthy
1808
92
Print made by George T Doo, 1800–1886
Sir Charles Eastlake, R. A
1873
93
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
94
Print made by Thomas Dale, active ca. 1921
Interior of the Chapel of the Holy Trinity
1825
95
Print made by unknown artist
Messrs. Morgan & Sanders, Catherine St., Strand
1809
96
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
97
Print made by Ebenezer Challis, active 1837–1859
The Baron's Hall
1844
98
James McNeill Whistler, 1834–1903
The Long Gallery, Louvre
1894
99
Print made by Alexander George Fraser, 1786–1865
A Highland Interior
undated
100
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4