John Thomas Smith, 1766–1833, British, Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont, 1817
- Title:
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- Part Of:
- Date:
- 1817
- Materials & Techniques:
- Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
- Dimensions:
- Sheet: 13 × 9 9/16 inches (33 × 24.3 cm), Image: 7 7/8 × 5 3/16 inches (20 × 13.2 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in graphite, verso, center: "No 16 | Hogarth painting "The Ladys last stake" | in the presence of Lord Charlemont."
Watermark: 1817
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1975.3.804
- Classification:
- Drawings & Watercolors
- Collection:
- Prints and Drawings
- Subject Terms:
- canvas | genre subject | interior | painter | spectator
- Associated People:
- William Hogarth
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:12531
- Export:
- XML
- IIIF Manifest:
- JSON
Karen Junod, Writing the lives of painters, biography and artistic identity in Britain 1760-1810 , Oxford University Press, Oxford, 2011, pp. 127,131,146, fig. 21, CT21 J85 2011 (YCBA) [YCBA]
Tessa Violet Murdoch, A glimpse of the apprentice William Hogarth engraving his master's shop-bill : the sign of the angel, Silver Studies, vol. 31, 2015, pp. 63-65, V 2571 (YCBA) [YCBA]
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