<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Search Results

Francis Danby Study for 'Calypso's Grotto'
Francis Danby, 1793–1861
Study for 'Calypso's Grotto'
ca. 1843
Not on view
William James Muller A View of Eton and the Fellows Eyot
William James Muller, 1812–1845
A View of Eton and the Fellows Eyot
ca. 1840
Not on view
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
Edward Lear Luxor, 7:00 am, 20 January 1867 (198)
Edward Lear, 1812–1888
Luxor, 7:00 am, 20 January 1867 (198)
1867
Edward Lear Yewbarrow, Wastwater, 16 September 1836
Edward Lear, 1812–1888
Yewbarrow, Wastwater, 16 September 1836
1836
Edward Lear Amada, 7:30 am, 12 February 1867 (423)
Edward Lear, 1812–1888
Amada, 7:30 am, 12 February 1867 (423)
1867
Edward Lear Tollygunge, Calcutta
Edward Lear, 1812–1888
Tollygunge, Calcutta
undated
Edward Lear Isola di Sora, 31 Mar. 1842
Edward Lear, 1812–1888
Isola di Sora, 31 Mar. 1842
1842
Edward Lear Abu Simbel, 10:30 am, 9 February 1867 (383)
Edward Lear, 1812–1888
Abu Simbel, 10:30 am, 9 February 1867 (383)
1867
Edward Lear Abu Simbel, 1:00 pm, 9 February 1867 (384)
Edward Lear, 1812–1888
Abu Simbel, 1:00 pm, 9 February 1867 (384)
1867
Edward Lear Dendour
Edward Lear, 1812–1888
Dendour
1867
Edward Lear River pass, between barren rock cliffs
Edward Lear, 1812–1888
River pass, between barren rock cliffs
1867
Edward Lear Brothers Water from Patterdale
Edward Lear, 1812–1888
Brothers Water from Patterdale
1836
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
Sir Frank Short Narcissus and Echo
Print made by Sir Frank Short, 1857–1945
Narcissus and Echo
1896
Joseph Skelton Christ Church from the Meadows
Print made by Joseph Skelton, active 1820–1850
Christ Church from the Meadows
between 1820 and 1823
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
John Frederick Lewis Venice: The Grand Canal and Rialto
John Frederick Lewis, 1804–1876
Venice: The Grand Canal and Rialto
1838
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Sir Francis Seymour Haden The Towing Path
Print made by Sir Francis Seymour Haden, 1818–1910
The Towing Path
1864
Sir Frank Short Low Tide and Evening Star
Print made by Sir Frank Short, 1857–1945
Low Tide and Evening Star
1888
Richard Parkes Bonington Boulogne Harbor
attributed to Richard Parkes Bonington, 1802–1828
Boulogne Harbor
1823
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Sir Frank Short Pan and Syrinx, No. 2
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx, No. 2
1896