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Period 18th century
Remove constraint Period: 18th centurySubject Terms religious and mythological subject
Remove constraint Subject Terms: religious and mythological subjectSearch Results
1
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
2
- The Destruction of the Children of Niobe
- 1760
- Not on view
3
- Sketch for 'The Last Supper,' St. Mary's, Weymouth
- between 1719 and 1720
- Not on view
4
- Allegory of Fortune
- ca. 1730
- Not on view
5
- Dido
- 1781
- Not on view
6
- The Rape of Proserpine, design for the staircase of Devonshire House, London
- ca. 1704
- Not on view
7
- Mary and Joseph Outside the Inn
- 1763 to 1768
- Not on view
8
- Jacob's Dream
- 1705
- Not on view
9
- St. Paul before Agrippa
- ca. 1710
- Not on view
10
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
11
- Rebecca Receiving the Bracelet at the Well
- 1775
- Not on view
12
- Cymon and Iphigenia
- ca. 1766
- Not on view
13
- The Education of Achilles
- ca. 1772
- Not on view
14
- Study of the Lamentation on the Dead Christ
- ca. 1785
- Not on view
15
- The Good Samaritan
- between 1751 and 1752
- Not on view
16
- The Ghost of Clytemnestra Awakening the Furies
- 1781
- Not on view
17
- The Angel Binding Satan
- ca. 1797
- Not on view
18
- The Cave of Despair
- 1772
- Not on view
19
- Christ Disappearing at Emmaus
- 1792
- Not on view
20
- The Mandrake: A Charm
- exhibited RA 1785
- Not on view
21
- The Angel of Mercy
- ca. 1746
- Not on view
22
- Christening of the Heir
- ca. 1799
- Not on view
23
- The Death of Lucretia
- 1763 to 1767
- Not on view
24
- Man attacking a monster
- between 1770 and 1780
- Not on view
25
- The Death of Orpheus
- ca. 1770
- Not on view
26
- Adonis
- 1770s
- Not on view
27
- Venus
- 1770s
- Not on view
28
- Pope Clement XIV (Giovanni Vincenzo Antonio Ganganelli, 1705–1774; reigned 1769–1774)
- ca. 1772
- Not on view
29
- Sacrifice to Hercules
- ca. 1766
- Not on view
30
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
31
- The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
- ca. 1715
- Not on view
32
- Samson Slaying a Philistine
- between 1740 and 1770
- Not on view
33
- Allegory of Geometry
- 1796
- Not on view
34
- Father Time
- ca. 1790
- Not on view
35
- Hymen
- ca. 1748
36
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
37
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
38
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
39
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
40
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
41
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
42
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
43
- Night the Third. Narcissa; Title Page
- 1797
44
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
45
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
46
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
47
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
48
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
49
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
50
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
51
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
52
- 'Disease invades the chastest temperence' (Page 10)
- 1797
53
- 'The longest night though longer far, would fail' (Page 15)
- 1797
54
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
55
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
56
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
57
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
58
- A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
- 1793
59
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
60
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
61
- Title Page, The Book of Thel (Plate 2)
- 1789
62
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
63
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
64
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
65
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
66
- Plague (Plate 13)
- 1794
67
- "The shrill winds wake!..." (Plate 6)
- 1794
68
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
69
- Famine (Plate 8)
- 1794
70
- Title Page, The First Book of Urizen (Plate 1)
- 1794
71
- Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
- 1794
72
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
73
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
74
- "They call'd her Pity, and fled..." (Plate 19)
- 1794
75
- Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
- 1794
76
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
77
- Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
- 1794
78
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
- 1794
79
- Chapter IX, "They lived a period of years..." (Plate 27)
- 1794
80
- Urizen Swims through Dark Waters (Plate 7)
- 1794
81
- "In living creations appear'd..." (Plate 8)
- 1794
82
- Chapter III, "As the stars are apart from the earth..." (Plate 9)
- 1794
83
- Fettered Urizen Weeping (Plate 3)
- 1794
84
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
85
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
86
- The First Book of Urizen, Plate 28 (Bentley 27)
- 1794
87
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
88
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
89
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
90
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
91
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
92
- A Widower and Children (Design 35)
- between 1797 and 1798
93
- Spring (Plate 26)
- 1789
94
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
95
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
96
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
97
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
98
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
99
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
100
- Fame (Design 93)
- between 1797 and 1798