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Period 18th century
Remove constraint Period: 18th centurySubject Terms literary theme
Remove constraint Subject Terms: literary themeSearch Results
1
- The Farmer's Wife and the Raven
- 1786
- Not on view
2
- The Beggar's Opera
- 1729
- On view
3
- Falstaff with the Body of Hotspur
- ca. 1786
- Not on view
4
- David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
- 1753
- Not on view
5
- Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
- 1790
- Not on view
6
- Virgil's Tomb by Moonlight, with Silius Italicus
- 1779
- Not on view
7
- Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
- between 1773 and 1774
- On view
8
- Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
- 1767
- Not on view
9
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
10
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
11
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
12
- David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"
- 1747
- On view
13
- Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
- between 1770 and 1780
- Not on view
14
- The Return of Othello, 'Othello,' Act II, Scene II
- ca. 1799
- Not on view
15
- Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
- 1789
- Not on view
16
- Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
- ca. 1799
- Not on view
17
- Prospero, Miranda and Ariel, from "The Tempest"
- ca. 1780
- Not on view
18
- Susannah Maria Cibber (née Arne) as Cordelia
- ca. 1755
- Not on view
19
- Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
- ca. 1778
- Not on view
20
- Shylock and Tubal from "The Merchant of Venice"
- 1767 to 1769
- Not on view
21
- Susannah Maria Cibber (née Arne) as Cordelia
- 1755
- On view
22
- Study for 'The Red Cross Knight'
- ca. 1793
- Not on view
23
- Louis-Francois Roubiliac Modelling His Monument to Shakespeare
- between 1760 and 1761
- Not on view
24
- The Harlowe Family, from Samuel Richardson's "Clarissa"
- between 1745 and 1747
- Not on view
25
- Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
- 1792
- Not on view
26
- The Cave of Despair
- 1772
- Not on view
27
- Cymon and Iphigenia
- ca. 1766
- Not on view
28
- Gulliver Addressing the Houyhnhnms
- 1769
- Not on view
29
- Gulliver Taking His Final Leave of the Land of the Houyhnhnms
- 1769
- Not on view
30
- Rinaldo and Armida
- 1771
- On view
31
- The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
- ca. 1790
- Not on view
32
- Scene from Shakespeare's "Henry IV, Part I"
- 1746
- Not on view
33
- The Ghost of Clytemnestra Awakening the Furies
- 1781
- Not on view
34
- Study for the Shipwreck Scene, The Tempest: Prospero, and Miranda
- 1786–1787
- On view at YUAG
35
- Sketchbook Including Drawings Relating to John Milton’s Paradise Lost
- ca. 1793
- On view at YUAG
36
- A Procession of the Damned: Study for Dante's "Inferno"
- 1780s
- On view at YUAG
37
- The Farmer's Wife and the Raven
- 1788
38
- Hudibras Vanquished by Trulla
- undated
39
- Mr. Garrick in the Character of Richard III
- 1746
40
- Mr. Garrick in the Character of Richard III
- 1746
41
- Fettered Urizen Weeping (Plate 12)
- 1794
42
- Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
- 1794
43
- From a Globe of Blood Rises Enitharmon (Plate 16)
- 1794
44
- "They call'd her Pity, and fled..." (Plate 17)
- 1794
45
- Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
- 1794
46
- Chapter V, "The globe of life blood trembled..." (Plate 15)
- 1794
47
- Urizen (Plate 14)
- 1794
48
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
49
- Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
- 1794
50
- Urizen (Plate 21)
- 1794
51
- Urizen (Plate 22)
- 1794
52
- "The Ox in the slaughter house moans..." (Plate 23)
- 1794
53
- Praying Child and Howling Dog (Plate 24)
- 1794
- On view
54
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
55
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
56
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
57
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
58
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
59
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
60
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
61
- Chapter IX, "They lived a period of years..." (Plate 27)
- 1794
62
- The First Book of Urizen, Plate 28 (Bentley 27)
- 1794
63
- Fettered Urizen Weeping (Plate 3)
- 1794
64
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
65
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
- 1794
66
- The Christian Triumph; Title Page
- 1797
67
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
68
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
69
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
70
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
71
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
72
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
73
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
74
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
75
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
76
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
77
- 'Disease invades the chastest temperence' (Page 10)
- 1797
78
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
79
- 'The present moment terminates our sight' (Page 13)
- 1797
80
- 'The longest night though longer far, would fail' (Page 15)
- 1797
81
- Poems by Mr. Gray; Title Page
- between 1797 and 1798
82
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
83
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
- On view
84
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
85
- Ode on the Spring; Title Page
- between 1797 and 1798
86
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
87
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
- On view
88
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
89
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
90
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
91
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
92
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
93
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
94
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
95
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
96
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
97
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
98
- "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
- On view
99
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
100
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798