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Period 18th century

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William Hogarth John and Elizabeth Jeffreys and Their Children
William Hogarth, 1697–1764
John and Elizabeth Jeffreys and Their Children
1730
Not on view
Sir James Thornhill St. Paul before Agrippa
Sir James Thornhill, 1675–1734
St. Paul before Agrippa
ca. 1710
Not on view
Sir Godfrey Kneller Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss
Sir Godfrey Kneller, 1646–1723
Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss
between 1697 and 1716
Not on view
Henry Robert Morland Woman Reading by a Paper-Bell Shade
Henry Robert Morland, 1730–1797
Woman Reading by a Paper-Bell Shade
1766
Not on view
Arthur Devis Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
Arthur Devis, 1712–1787
Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
Arthur Devis A Couple, Traditionally Identified as Mr. and Mrs. Hill
Arthur Devis, 1712–1787
A Couple, Traditionally Identified as Mr. and Mrs. Hill
between 1750 and 1751
On view
Thomas Gainsborough Portrait of a Woman
Thomas Gainsborough, 1727–1788
Portrait of a Woman
ca. 1750
Not on view
William Redmore Bigg Christening of the Heir
William Redmore Bigg, 1755–1828
Christening of the Heir
ca. 1799
On view
Arthur Devis A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
Arthur Devis, 1712–1787
A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
1749
On view
Joseph Highmore The Harlowe Family, from Samuel Richardson's "Clarissa"
Joseph Highmore, 1692–1780
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
John Francis Rigaud George Robertson
Portrait by John Francis Rigaud, 1742–1810
George Robertson
1776
On view
George Morland A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
Sir William Beechey Portrait of a Boy
Sir William Beechey, 1753–1839
Portrait of a Boy
ca. 1790
Not on view
Francis Wheatley Mrs. Stevens
Francis Wheatley, 1747–1801
Mrs. Stevens
ca. 1795
Not on view
Johan Joseph Zoffany The Gore Family with George, third Earl Cowper
Johan Joseph Zoffany, 1733–1810
The Gore Family with George, third Earl Cowper
ca. 1775
On view
Arthur Devis An Unknown Man Seated at a Table
Arthur Devis, 1712–1787
An Unknown Man Seated at a Table
between 1744 and 1746
Not on view
Bartholomew Dandridge An Unknown Woman with a Book
Bartholomew Dandridge, baptized 1691–died in or after 1754
An Unknown Woman with a Book
ca. 1735
Not on view
unknown artist A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
unknown artist
A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
late 18th century?
Not on view
Arthur Devis An Unknown Man in a Library
Arthur Devis, 1712–1787
An Unknown Man in a Library
between 1740 and 1741
Not on view
Francis Hayman George and Margaret Rogers
Francis Hayman, 1707/8–1776
George and Margaret Rogers
between 1748 and 1750
Not on view
Mason Chamberlin Conversation Piece
Mason Chamberlin, 1727–1787
Conversation Piece
1761
Not on view
Philippe Mercier An Unknown Man
Philippe Mercier, 1691–1760
An Unknown Man
1746
Not on view
Allan Ramsay Mary Adam
Allan Ramsay, 1713–1784
Mary Adam
1754
Not on view
Joseph Highmore Study for a Group Portrait
Joseph Highmore, 1692–1780
Study for a Group Portrait
between 1729 and 1730
Not on view
John Downman An Unknown Man
John Downman, 1750–1824
An Unknown Man
ca. 1780
Not on view
William Hogarth Simon, Lord Lovat
Print made by William Hogarth, 1697–1764
Simon, Lord Lovat
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake The First Book of Urizen; Title Page (Plate 1)
Print made by William Blake, 1757–1827
The First Book of Urizen; Title Page (Plate 1)
1794
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake The First Book of Urizen, Title Page (Plate 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Title Page (Plate 1)
1794
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake Elegy Written in a Country Church-Yard; Title Page
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake Epitaph on Mrs. Clarke; Title Page
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
James Hardy Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
James Hardy, active 1770s
Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
undated
Francesco Bartolozzi Miss Anna Crouch
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Crouch
1788
Francesco Bartolozzi Maria Cosway
Print made by Francesco Bartolozzi, 1728–1815
Maria Cosway
1785
Francesco Bartolozzi Mrs. Lenox
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
Francesco Bartolozzi Ticket: Walker's Lectures
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Walker's Lectures
1794
Philip Dawe Reading by a Paper-Bell Shade
Print made by Philip Dawe, ca.1750–ca.1790
Reading by a Paper-Bell Shade
1768
Francesco Bartolozzi Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
Francesco Bartolozzi Thomas Maggi
Print made by Francesco Bartolozzi, 1728–1815
Thomas Maggi
1788
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
John Faber the Younger George Graham, Clockmaker
John Faber the Younger, ca. 1695–1756
George Graham, Clockmaker
undated
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
Philippe Mercier Seated Woman with a Book
Philippe Mercier, 1691–1760
Seated Woman with a Book
1725
William Dickinson Rev. Dr. Thomas Percy, Dean of Carlisle
William Dickinson, 1746–1823
Rev. Dr. Thomas Percy, Dean of Carlisle
1775
James Watson Earl and Countess of Pembroke and Son
Print made by James Watson, 1740–1790
Earl and Countess of Pembroke and Son
1773
John Blackmore Henry Bunbury Esqr.
Print made by John Blackmore, active 1740–1780
Henry Bunbury Esqr
ca. 1769
John Dixon Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
Print made by John Dixon, ca. 1740–1811
Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert
1771
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
E. J. Dumée The Discovery
Print made by E. J. Dumée, active 1790
The Discovery
1788
David Allan Pilgrims Paying Their Devotion in St. Peters at Rome
Print made by David Allan, 1744–1796
Pilgrims Paying Their Devotion in St. Peters at Rome
between 1773 and 1775
James McArdell Thomas Ashton D.D.
James McArdell, ca. 1729–1765
Thomas Ashton D.D
1756
Lady Salesbury The Misses Van and Lady Salisbury
Lady Salesbury, active 1791
The Misses Van and Lady Salisbury
1791
William Pether Rabbi with a White Turban
Print made by William Pether, ca. 1738–1821
Rabbi with a White Turban
1778
Philip Dawe Courtship for Money
Print made by Philip Dawe, ca.1750–ca.1790
Courtship for Money
1771
John Faber the Younger St. Paul
Print made by John Faber the Younger, ca. 1695–1756
St. Paul
1741
Philip Dawe Reading by a Paper-Bell Shade
Print made by Philip Dawe, ca.1750–ca.1790
Reading by a Paper-Bell Shade
1768
E. J. Dumée Connubial Happiness
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
James Gillray Shakespeare Sacrificed; or, The Offering to Avarice
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
Pieter van Bleeck Griffin and Johnson
Print made by Pieter van Bleeck, 1700–1764
Griffin and Johnson
1748
Thomas Chambars Enoch Seeman
Print made by Thomas Chambars, ca. 1724–1789
Enoch Seeman
undated
Thomas Chambars Enoch Seeman
Print made by Thomas Chambars, ca. 1724–1789
Enoch Seeman
undated
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
Thomas Frye Portrait of a Man Wearing a Turban, Leaning on Book
Print made by Thomas Frye, 1710–1762
Portrait of a Man Wearing a Turban, Leaning on Book
1760
Thomas Chambars Sir Nathaniel Bacon
Print made by Thomas Chambars, ca. 1724–1789
Sir Nathaniel Bacon
1793
Thomas Chambars Sir Nathaniel Bacon
Print made by Thomas Chambars, ca. 1724–1789
Sir Nathaniel Bacon
1762
Richard Earlom Virgin and Child
Print made by Richard Earlom, 1743–1822
Virgin and Child
1776
Johann Jacobus Haid S. Matthaeus
Print made by Johann Jacobus Haid, 1704–1767
S. Matthaeus
undated
Johann Jacobus Haid Ressource pour la memoire
Print made by Johann Jacobus Haid, 1704–1767
Ressource pour la memoire
undated
Johann Jacobus Haid L'Antiquitee respectable
Print made by Johann Jacobus Haid, 1704–1767
L'Antiquitee respectable
undated
Johann Jacobus Haid S. Paulus
Print made by Johann Jacobus Haid, 1704–1767
S. Paulus
undated
James McArdell Dr. Thomas Sherlock, Lord Bishop of London
James McArdell, ca. 1729–1765
Dr. Thomas Sherlock, Lord Bishop of London
1757
John Raphael Smith Madona Col Bambino
John Raphael Smith, 1752–1812
Madona Col Bambino
1791
John Hall Comedies
Print made by John Hall, 1739–1797
Comedies
ca. 1776
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Thomas Bonner Junius
Print made by Thomas Bonner, ca. 1740–ca. 1812
Junius
1769