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Creator:
Print made by James Gillray, 1756–1815
Title:
Shakespeare Sacrificed; or, The Offering to Avarice
Date:
1789
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm), Plate: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm), Image: 18 5/8 x 14 7/8 inches (47.3 x 37.8 cm)
Inscription(s)/Marks/Lettering:

Lettered upper right within image: "Immor- | -tality."; center left within image: "[?Mecoenas]_Leo_Alexander_Psha !"; center right within image: "List of | SUBSCRIBERS | to the | SACRIFICE."; lower center within image: "The cloud-capt | The gorgeous | The solemn Temples | Yea the great Globe | Shall dissolve | And like the baseless | fabrick of a vision, | Leave not a wreck behind"; lower right within image: "MODERN-MASTERS"; lower center within image: "King Lear. | Richard III. | Henry VI. | Macbeth | Hamlet | Romeo & Juliet | Midsummer Nights dream"; lower center within image: "OY [...] EI [...] - AMOY [...] O [...] - EI [...] I T [Omega] ."; lower right within image: "ANCIENT - MASTERS"; lower left: "James Gillray, design et fecit."; lower right: "Pub.d June 20.th 1789. by H. Humphrey No. 18. Old Bond Street."; lower center: "SHAKESPEARE - SACRIFICED ; _ or _ The Offering to AVARICE." | Soon as possible will be published, price One Guinea, N.1. of SHAKESPEARE ILLUSTRATED, with the Text, annotations, &c. complete; the Engravings to be carried on, in imitation of the Aldermans liberal plan_further particulars will shortly be given in all the Public papers_ _ _"

Signed in graphite, lower right: "[?JG]"

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.824
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
A Midsummer Night's Dream, play by William Shakespeare | altar | avarice | babies | bellows | book | boys | brushes | bubble | buckle | burin | buttons | caricature | children | chimneys | cloak | columns | devil | dome | engraver (printmaker) | fire | fur | grave | grave digger | Hamlet, play by William Shakespeare | hell | Henry VI, part I by William Shakespeare | Henry VI, part II by William Shakespeare | horn | immortality | King Lear, play by William Shakespeare | literary theme | Macbeth, play by William Shakespeare | moneybags | mother | offering | palette | plays | portfolios | printseller | Royal Academy of Arts | sacrifice | satire | shirts | shoes | shovel | skeleton | smoke | snail | socks | spirits | statue | stockings | The Tempest, play by William Shakespeare | trousers | vanity | wig | wings
Associated Places:
City of Westminster | England | London | Somerset House | United Kingdom | Westminster Abbey
Associated People:
Shakespeare, William (1564–1616), playwright and poet
Richard III (1452–1485), king of England and lord of Ireland
Royal Academy
Fool (character in King Lear)
Beaufort, Henry [called the Cardinal of England] (1375?–1447), bishop of Winchester and cardinal
Henry VI (1421–1471), king of England and lord of Ireland, and duke of Aquitaine
The Three Witches (characters in Macbeth)
King Lear (character in King Lear)
Bottom (character in A Midsummer Night's Dream)
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
Boydell, John (1720–1804), engraver and printseller
Cordelia (character in King Lear)
Fuseli, Henry [formerly Johann Heinrich Füssli] (1741–1825), painter and writer
Richard (character in Shakespeare's Richard III)
Puck (character in A Midsummer Night's Dream)
Northcote, James (1746–1831), artist and author
Access:
Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:43460
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British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04) [YCBA Objects in the Exhibition]

Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05) [YCBA Objects in the Exhibition]

Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22) [YCBA Objects in the Exhibition]

Rosie Dias, Exhibiting Englishness, John Boydell's Shakespeare Gallery and the formation of a national aesthetic , Yale University Press, New Haven, 2013, pp. vi., 100, 101, fig. 34, N72.N38 D53 2013 (YCBA) [YCBA]

Katherine McPherson, Art & Celebrity : In the Age of Reynolds & Siddons, University Park, Pennsylvania, 2017, pp. 52-53, 143, 148-49, 152-53, fig. 23, NJ18 R36 M37 2017 (YCBA) [YCBA]


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