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Period 18th century
Remove constraint Period: 18th centuryHeight [cm] 40
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1
- A View Supposedly Near Arundel, Sussex, with Figures in a Lane
- mid-18th century
- Not on view
2
- A Scene from Don Quixote (Vol.II, Ch.XXIII)
- between 1730 and 1736
- Not on view
3
- Old Walton Bridge
- 1785
- Not on view
4
- A Man Carrying Faggots
- ca. 1799
- Not on view
5
- Pheasant Shooting
- ca. 1790
- Not on view
6
- Partridge Shooting
- ca. 1790
- Not on view
7
- An Election Entertainment, Plate I
- 1755-58
8
- Chairing the Members, Plate IV
- 1758
9
- Hogarth Painting the Comic Muse
- 1764
10
- Self-portrait
- 1749
11
- The Bruiser
- 1763
12
- River God
- undated
13
- Glade in a Forest
- undated
14
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
15
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
16
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
17
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
18
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
19
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
20
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
21
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
22
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
23
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
24
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
25
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
26
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
27
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
28
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
29
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
30
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
31
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
32
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
33
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
34
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
35
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
36
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
37
- The Christian Triumph; Title Page
- 1797
38
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
39
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
40
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
41
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
42
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
43
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
44
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
45
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
46
- Lower Arch at Makther on Back
- undated
47
- Details of Lower Arch Mactar, Modern Makther
- undated
48
- XVLL Arch at Makther
- undated
49
- Arch of Trajan Makther
- undated
50
- Temple Above Spring at Zaghouan
- ca. 1768
51
- Details of Temple Above Spring at Zaghouan
- ca. 1768
52
- Sketch of Arches in Perspective
- ca. 1768
![James Bruce Plate XV Back of Temple at Sheitla [sic]](https://media.collections.yale.edu/thumbnail/ycba/2e89813a-95ed-48a0-99d5-c455c220f178)
53
- Plate XV Back of Temple at Sheitla [sic]
- undated
54
- Architectural Details of Arch at Makther
- undated
55
- Trajans Arch, Makter
- undated
56
- Entrance Gate, Zaghouan
- ca. 1768
57
- Eragrostis Tef
- 1775
58
- Robbing the Mail
- ca. 1790
59
- Goodwood, West Sussex: Ceiling Design
- undated
60
- Shanklin Chine, Isle of Wight
- 1797
61
- Record Drawing of the 1639 Altarpiece in Exeter Cathedral
- undated
62
- Rustic Employment
- 1788
63
- Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter
- 1768
64
- The Girl Sleeping
- 1790
65
- Lady Caroline Price
- 1788
66
- Girl Smiling
- 1784
67
- A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
- 1759
68
- The Bird Cage
- 1786
69
- Countess of Ancrum
- ca. 1770
70
- L'Orient 1776: Map of the Port of Orient
- 1776
71
- St. James's Park
- 1790
72
- A Tea Garden
- 1793
73
- Shepherd Seated Under a Tree
- undated
74
- The Social Friends
- 1768
75
- The Magnificent Lover
- undated
76
- S. Judas Thaddaeus
- undated
77
- Uxor Zelotypa
- undated
78
- Rural Amusement
- 1788
79
- Lady Caroline Scarsdale and Her Son the Hon. John Curzon
- undated
80
- Mercury
- 1777
81
- The Setting Sun
- 1790
82
- Edmund Burke Esqr
- ca. 1780
83
- Jemima, Countess Cornwallis
- 1772
84
- Miss Frances Kemble
- 1784
85
- Catherine Hunter
- 1771
86
- Garrick Between Tragedy and Comedy
- undated
87
- Dr. Goldsmith
- 1770
88
- A Shepherdess
- 1786
89
- The Sleeping Child
- 1780
90
- Reverend Thomas Warton
- 1786
91
- Maria, Countess Waldegrave
- 1762
92
- Miss Ann Catley in the Character of Euphrosyne
- 1777
93
- The Tribute Money
- undated
94
- Lady Beauchamp Proctor
- 1779
95
- Salvator Mundi
- undated
96
- The Tribute Money
- undated
97
- Mrs. Chambers
- ca. 1756
98
- The Victor Conducted in Triumph
- ca. 1781
99
- Wanstead House in Essex
- 1775
100
- The Young Musicians
- 1764