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Period 18th century

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Genre religious and mythological subject

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Subject Terms trees

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Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
Edward Fisher Hope Nursing Love
Edward Fisher, 1722–1785
Hope Nursing Love
1771
John Smith, the mezzotinter Diana and Acteon
Print made by John Smith, the mezzotinter, 1652–1743
Diana and Acteon
1705
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
Francesco Bartolozzi St. Nil
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
William Woollett Dido and Aeneas
William Woollett, 1735–1785
Dido and Aeneas
1787
Francesco Bartolozzi Cleone
Print made by Francesco Bartolozzi, 1728–1815
Cleone
1784
Francesco Bartolozzi Atalanta and Hippomanes
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
Thomas Burke Cephalus and Procris
Print made by Thomas Burke, 1749–1815
Cephalus and Procris
1783
Simon François Ravenet The Pool of Bethesda
Simon François Ravenet, 1706–1774
The Pool of Bethesda
1772
Simon François Ravenet The Good Samaritan
Simon François Ravenet, 1706–1774
The Good Samaritan
1772
Richard Earlom A Landscape, with the Story of Apollo and Marsyas
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Apollo and Marsyas
1775
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
Richard Earlom Sensibility
Print made by Richard Earlom, 1743–1822
Sensibility
1789
John Baptist Jackson The Rich Man and Lazarus
Print made by John Baptist Jackson, 1701–1780
The Rich Man and Lazarus
1743
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
John Alexander Lot and His Family
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
Henry Swinburne Capuchins of Our Lady of Médoux
Henry Swinburne, 1743–1803
Capuchins of Our Lady of Médoux
undated
John Raphael Smith Madona Col Bambino
John Raphael Smith, 1752–1812
Madona Col Bambino
1791
John Dean Mercury
Print made by John Dean, 1754–1798
Mercury
1777
John Dean Moses in the Bulrushes
Print made by John Dean, 1754–1798
Moses in the Bulrushes
1786
Richard Earlom Alope
Print made by Richard Earlom, 1743–1822
Alope
1787
James McArdell Miss Frances Greville and her Brother as 'Hebe' and 'Cupid'
Print made by James McArdell, ca. 1729–1765
Miss Frances Greville and her Brother as 'Hebe' and 'Cupid'
1762
John Raphael Smith Reverend Richard Robinson, Archibishop of Armagh
John Raphael Smith, 1752–1812
Reverend Richard Robinson, Archibishop of Armagh
1775
John Raphael Smith Madona col Bambino
Print made by John Raphael Smith, 1752–1812
Madona col Bambino
1791
Edward Fisher Miss Morris as 'Hope Nursing Love'
Print made by Edward Fisher, 1722–1785
Miss Morris as 'Hope Nursing Love'
1771
Thomas Watson The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
Print made by Thomas Watson, 1743–1781
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
1776
John Greenwood Venus and Cupid
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
Thomas Cheesman Marchioness of Townshend and Child
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
unknown artist Prométhée
Print made by unknown artist
Prométhée
undated
Richard Earlom Susanna and the Elders
Print made by Richard Earlom, 1743–1822
Susanna and the Elders
1769
unknown artist Classical Scene: Minerva as the Goddess of Arts and Sciences
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences
undated
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
Lydia Bates Deucalion and Pyrrha after the Flood
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
Master of the Giants Apollo and Daphne
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
Francesco Bartolozzi Mrs. Abington as Thalia
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
John Fayram Frontispiece design for John Fayram's "Eight Views after Nature"
John Fayram, op.1713–1743
Frontispiece design for John Fayram's "Eight Views after Nature"
ca. 1739
Simon François Ravenet The Druids: or, the Conversion of the Britons to Christianity
Print made by Simon François Ravenet, 1706–1774
The Druids: or, the Conversion of the Britons to Christianity
1752
Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
John Dean Mercury
Print made by John Dean, 1754–1798
Mercury
1777