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Period 18th century
Remove constraint Period: 18th centuryGenre religious and mythological subject
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1
- Mary and Joseph Outside the Inn
- 1763 to 1768
- Not on view
2
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
3
- Jacob's Dream
- 1705
- Not on view
4
- St. Paul before Agrippa
- ca. 1710
- Not on view
5
- Allegory of Fortune
- ca. 1730
- Not on view
6
- Sketch for 'The Last Supper,' St. Mary's, Weymouth
- between 1719 and 1720
- Not on view
7
- Dido
- 1781
- Not on view
8
- The Rape of Proserpine, design for the staircase of Devonshire House, London
- ca. 1704
- Not on view
9
- Study of the Lamentation on the Dead Christ
- ca. 1785
- Not on view
10
- The Good Samaritan
- between 1751 and 1752
- Not on view
11
- Rebecca Receiving the Bracelet at the Well
- 1775
- Not on view
12
- Cymon and Iphigenia
- ca. 1766
- Not on view
13
- The Destruction of the Children of Niobe
- 1760
- Not on view
14
- The Education of Achilles
- ca. 1772
- Not on view
15
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
16
- The Ghost of Clytemnestra Awakening the Furies
- 1781
- Not on view
17
- The Angel Binding Satan
- ca. 1797
- Not on view
18
- The Angel of Mercy
- ca. 1746
- Not on view
19
- Christ Disappearing at Emmaus
- 1792
- Not on view
20
- The Mandrake: A Charm
- exhibited RA 1785
- Not on view
21
- The Death of Lucretia
- 1763 to 1767
- Not on view
22
- The Death of Orpheus
- ca. 1770
- Not on view
23
- Man attacking a monster
- between 1770 and 1780
- Not on view
24
- Venus
- 1770s
- Not on view
25
- Adonis
- 1770s
- Not on view
26
- Pope Clement XIV (Giovanni Vincenzo Antonio Ganganelli, 1705–1774; reigned 1769–1774)
- ca. 1772
- Not on view
27
- Samson Slaying a Philistine
- between 1740 and 1770
- Not on view
28
- Father Time
- ca. 1790
- Not on view
29
- Allegory of Geometry
- 1796
- Not on view
30
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
31
- The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
- ca. 1715
- Not on view
32
- Sacrifice to Hercules
- ca. 1766
- Not on view
33
- Hymen
- ca. 1748
34
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
35
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
36
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
37
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
38
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
39
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
40
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
41
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
42
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
43
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
44
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
45
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
46
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
47
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
48
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
49
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
50
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
51
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
52
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
53
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
54
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
55
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
56
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
57
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
58
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
59
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
60
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
61
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
62
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
63
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
64
- Night the Third. Narcissa; Title Page
- 1797
65
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
66
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
67
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
68
- Frontispiece (Plate 1)
- ca. 1788
69
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
70
- "The shrill winds wake!..." (Plate 6)
- 1794
71
- Chapter IV, "Los smitten with astonishment..." (Plate 12)
- 1794
72
- Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
- 1794
73
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
74
- Chapter V, "The globe of life blood trembled..." (Plate 17)
- 1794
75
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
76
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
77
- Infant Joy (Plate 14)
- 1789
78
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
79
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
80
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
81
- Title Page. America, A Prophecy (Plate 2)
- 1793
82
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
83
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
84
- Title Page, The Book of Thel (Plate 2)
- 1789
85
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
86
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
87
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
88
- Title Page, Europe a Prophecy (Plate 2)
- 1794
89
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
90
- "Enitharmon slept. ..." (Plate 10)
- 1794
91
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
92
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
93
- Plague (Plate 13)
- 1794
94
- The First Book of Urizen, Plate 15 (Bentley 14)
- 1794
95
- Los with the child Orc and Enitharmon (Plate 18)
- 1794
96
- The Divine Image (Plate 12)
- 1789
97
- Fame (Design 93)
- between 1797 and 1798
98
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
99
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
100
- The Little Boy Lost (Plate 20)
- 1789