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William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake A Circular Dance (Design 23)
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake The Serpent who Girds the Earth (Design 77)
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
James Walker Westminster Bridge
Print made by James Walker, 1748–1808
Westminster Bridge
1797
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
Francesco Bartolozzi The Right Honorable Lady Jane Dundas
Print made by Francesco Bartolozzi, 1728–1815
The Right Honorable Lady Jane Dundas
ca. 1802
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
James Ward Mrs. Morland's Portrait
James Ward, 1769–1859
Mrs. Morland's Portrait
ca. 1802
James Walker Carlisle
Print made by James Walker, 1748–1808
Carlisle
1797
John Walker Flint, from Park-Gate
Print made by John Walker, active 1792–1803
Flint, from Park-Gate
1797
James Walker Westminster Bridge
Print made by James Walker, 1748–1808
Westminster Bridge
1797
James Walker Ely
Print made by James Walker, 1748–1808
Ely
1797
Bartholomew Howlett Grantham Church
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
Thomas Girtin Saint Cuthbert's Holy Island
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797