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Collection
Prints and Drawings
47
Creator
Blake, William, 1757–1827
47
Gray, Thomas, 1716–1771
30
Edwards, Richard, active 1796–1797
17
Young, Edward, 1683–1765
17
Date
1797
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47
1792
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1715
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1808
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1770
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1779
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1821
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1824
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1831
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1690
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1838
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1851
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1856
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1874
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1894
1
1898
1
1905
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1930
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1965
1
On-site Access
Accessible by appointment in the Study Room
47
Image Use
Free to Use
47
Image Available
Available
47
Classification
Drawings & Watercolors
30
Prints
17
Creator Gender
male
47
Collective Title
The Poems of Thomas Gray
30
Young's Night Thoughts
17
Period
18th century
47
Materials & Techniques
watercolor
47
wove paper
47
black ink
30
graphite
30
etching (printing process)
17
line engraving
17
pen
2
gouache
1
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Work Type
watercolor
47
drawing
30
intaglio print
17
Genre
literary theme
47
religious and mythological subject
37
Subject Terms
literary theme
47
women
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47
text
46
men
37
religious and mythological subject
37
children
15
man
14
trees
11
angels
10
nudes
10
vines
10
beard
9
book
8
lyre
8
wings
7
angel
6
clouds
6
grass
6
hat
6
nude
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Associated Places
Berkshire
1
England
1
Eton College
1
United Kingdom
1
Windsor
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
7
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
5
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Captive Bodies: British Prisons, 1750-1900 (Yale Center for British Art, 2018-08-27 - 2018-12-17)
1
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
47
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1
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
2
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
3
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
4
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
5
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
6
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
7
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
8
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
9
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
10
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
11
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
12
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
13
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
14
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
15
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
16
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
17
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
18
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
19
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
20
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
21
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
22
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
23
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
24
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
25
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
26
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
27
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
28
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
29
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
30
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
31
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
32
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
33
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
34
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
35
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
36
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
37
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
38
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
39
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
40
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
41
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
42
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
43
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
44
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
45
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
46
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
47
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798