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Collection
Prints and Drawings
150
Creator
Blake, William, 1757–1827
58
Gray, Thomas, 1716–1771
58
Cotman, John Sell, 1782–1842
28
Cleghorn, Claud, active 1797–1800
7
Rowlandson, Thomas, 1756–1827
7
Vaslet, Lewis, 1742–1808
6
Daniell, Samuel, 1775–1811
5
Girtin, Thomas, 1775–1802
4
Nash, Frederick, 1782–1856
3
Uwins, Thomas, 1782–1857
3
Ferneley, John E., 1782–1860
2
Havell, William, 1782–1857
2
Munn, Paul Sandby, 1773–1845
2
Smith, John, 1749–1831
2
Anderson, William, 1757–1837
1
Baynes, James, 1766–1837
1
CAIRNCROSS, Hugh, died 1808
1
Cleveley, Robert, 1747–1809
1
Corbould, Richard, 1757–1831
1
Cosway, Richard, 1742–1821
1
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1791
897
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589
1749
536
1745
494
1802
435
1796
412
1771
406
0
336
1804
333
1867
329
1772
322
1832
285
1795
278
1790
273
1775
271
1784
251
1826
245
1793
230
1748
223
1792
215
1767
213
1768
209
1752
207
1764
207
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203
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201
1814
190
1945
183
1700
178
1827
177
1818
164
1820
164
1789
163
1839
163
1836
155
1773
153
1797
[remove]
150
1825
144
1780
137
1870
137
1830
132
1770
130
1817
129
1787
126
1835
125
1807
123
1758
121
1801
121
1794
118
1968
117
1877
116
1805
113
1855
113
1815
107
1854
101
1846
100
1755
97
1811
96
1763
95
1788
95
1813
95
1910
94
1717
93
1819
93
1765
92
1738
91
1786
91
1777
90
1782
90
1803
90
1798
87
1810
87
1812
87
1834
87
1808
85
1831
81
1841
81
1740
79
1774
79
1778
79
1868
79
1762
78
1781
77
1823
77
1829
77
1783
76
1828
75
1833
70
1869
70
1806
69
1760
68
1821
68
1705
65
1893
62
1840
61
1809
60
1843
60
1822
59
1838
53
1730
51
On-site Access
Accessible by appointment in the Study Room
150
Image Use
Free to Use
150
Image Available
Available
148
Unavailable
2
Classification
Drawings & Watercolors
135
Drawing & Watercolors-Architectural
15
Creator Gender
male
149
unknown
1
Collective Title
The Poems of Thomas Gray
58
The Spoiled Child
6
Plans for Ardgowan House
1
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
1
Period
18th century
89
18th century-19th century
42
19th century
18
Materials & Techniques
graphite
135
wove paper
128
watercolor
113
black ink
86
pen
25
brown ink
19
gray wash
16
laid paper
16
gouache
9
gray ink
7
wash
6
brown wash
4
gum arabic
2
red ink
2
scratching out
2
black chalk
1
blue wash
1
board
1
gum
1
ink
1
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Height [cm]
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9
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56
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Current results range from
9
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82
Work Type
drawing
[remove]
150
watercolor
111
Genre
literary theme
58
religious and mythological subject
39
architectural subject
34
landscape
28
genre subject
18
marine art
9
animal art
7
cityscape
6
historical subject
4
figure study
3
sporting art
3
portrait
2
military art
1
still life
1
Subject Terms
literary theme
58
text
58
men
53
religious and mythological subject
40
trees
39
women
38
man
33
architectural subject
32
landscape
26
genre subject
18
water
16
woman
15
armor
14
house
13
sky
13
church
12
horse (animal)
12
river
12
castle
11
children
11
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Subject Terms
»
Associated Places
United Kingdom
43
Europe
31
England
23
Scotland
8
Wales
8
Cymru
7
Norfolk
6
France
4
Isle of Wight
4
London
4
Greater London
3
Africa
2
Barmouth
2
Cader Idris
2
Caernarfon Castle
2
Caernarfonshire and Merionethshire
2
Caernarvon
2
Eton College
2
Gwynedd
2
Kent
2
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Associated Places
»
Associated People
Cupid
1
Eve
1
Morland, Anne (Nancy; c.1765–1804)
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
144
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
1
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1
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
2
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
3
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
4
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
5
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
6
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
7
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
8
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
9
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
10
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
11
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
12
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
13
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
14
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
15
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
16
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
17
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
18
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
19
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
20
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
21
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
22
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
23
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
24
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
25
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
26
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
27
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
28
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
29
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
30
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
31
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
32
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
33
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
34
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
35
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
36
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
37
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
38
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
39
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
40
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
41
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
42
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
43
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
44
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
45
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
46
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
47
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
48
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
49
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
50
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
51
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
52
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
53
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
54
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
55
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
56
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
57
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
58
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
59
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
60
Thomas Rowlandson, 1756–1827
Carnarvon Castle, North Wales
1797
61
Thomas Rowlandson, 1756–1827
A Burial at Carisbrooke, Isle of Wight
between 1797 and 1800
62
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
63
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
64
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
65
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
66
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
67
James Ward, 1769–1859
Mrs. Morland's Portrait
ca. 1802
68
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
69
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
70
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
71
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
72
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
73
Thomas Uwins, 1782–1857
A Village Fair
undated
74
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
75
John Sell Cotman, 1782–1842
The Norfolk Broads
undated
76
John Sell Cotman, 1782–1842
Castle in a Landscape
undated
77
Edward Dayes, 1763–1804
Brechin Cathedral and round tower, Forfarshire, Scotland
1797
78
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Principal Floor Plan
1797
79
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Principal Floor Plan
1797
80
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Ground Floor Plan
1797
81
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Chamber Floor Plan
1797
82
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Attic Floor Plan
1797
83
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
84
Frederick Nash, 1782–1856
The Seine with Notre Dame
undated
85
Frederick Nash, 1782–1856
Apsley House and Piccadilly ... from Hyde Park Corner
undated
86
Attributed to Thomas Uwins, 1782–1857
The Death of - set by William Etty R.A
undated
87
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
88
Robert Streatfeild, 1786–1852
Stowe House, Buckingham
1797
89
Attributed to William Havell, 1782–1857
Welsh Landscape
undated
90
Julius Caesar Ibbetson, 1759–1817
Farmyard Animals: Tribulation
1797
91
John Warwick Smith, 1749–1831
Craig y Ladron - The Thieves Precipice
1797
92
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: South South East Elevation
1797
93
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: North North West Elevation
1797
94
Robert Cleveley, 1747–1809
The Battle of Cape St. Vincent
1797
95
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
96
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
97
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
98
Thomas Daniell, 1749–1840
Main Entrance of the Jami Mosque, Jaunpur
1797 to 1807
99
John Sell Cotman, 1782–1842
Mountainous Landscape, North Wales
ca. 1802
100
Henry Edridge, 1769–1821
Michelham, Surrey
1797
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