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101. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. 'And vapid; sense and reason shew the door' (Page 72)

'And vapid; sense and reason shew the door' (Page 72)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. 'The vale of death! that hush'd cimmerian vale' (Page 54)

'The vale of death! that hush'd cimmerian vale' (Page 54)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. 'This King of Terrors is the Prince of Peace' (Page 63)

'This King of Terrors is the Prince of Peace' (Page 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. 'When faith is virtue, reason makes it so' (Page 92)

'When faith is virtue, reason makes it so' (Page 92)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. 'If angels tremble, 'tis at such a sight' (Page 93)

'If angels tremble, 'tis at such a sight' (Page 93)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. 'The goddess bursts in thunder and in flame' (Page 95)

'The goddess bursts in thunder and in flame' (Page 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. 'Death! great proprietor of all! 'tis thine' (Page 8)

'Death! great proprietor of all! 'tis thine' (Page 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Poems by Mr. Gray; Title Page

Poems by Mr. Gray; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. "Nor fear the rocks, nor seek the shore..." (Design 101)

"Nor fear the rocks, nor seek the shore..." (Design 101)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Epitaph on Mrs. Clarke; Title Page

Epitaph on Mrs. Clarke; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Elegy Written in a Country Church-Yard; Title Page

Elegy Written in a Country Church-Yard; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. "Oft did the harvest to their sickle yield..." (Design 109)

"Oft did the harvest to their sickle yield..." (Design 109)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. "At the chapel-door stand sentry... (Design 31)

"At the chapel-door stand sentry... (Design 31)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

121. Ode to Adversity; Title Page

Ode to Adversity; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. "To him the mighty mother did unveil Her awful face..." (Design 49)

"To him the mighty mother did unveil Her awful face..." (Design 49)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. The Bard, A Pindaric Ode; Title Page

The Bard, A Pindaric Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. The Bard Weaving Edwards Fate (Design 55)

The Bard Weaving Edwards Fate (Design 55)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Sigtryg with the Silken Beard (Design 69)

Sigtryg with the Silken Beard (Design 69)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page

Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

131. "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. "We the reins to slaughter give..." (Design 73)

"We the reins to slaughter give..." (Design 73)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. The Descent of Odin, An Ode; Title Page

The Descent of Odin, An Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

134. "Hie thee hence, and boast at home..." (Design 85)

"Hie thee hence, and boast at home..." (Design 85)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Triumphs of Owen, A Fragment; Title Page

The Triumphs of Owen, A Fragment; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. The Bard Singing Owen's Praise (Design 89)

The Bard Singing Owen's Praise (Design 89)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)

"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

138. "Fear to stop, and shame to fly..." (Design 91)

"Fear to stop, and shame to fly..." (Design 91)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Saint Cuthbert's Holy Island

Saint Cuthbert's Holy Island
Creator:
Thomas Girtin, 1775–1802
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. The Church of St. John, Peronne (Somme)

The Church of St. John, Peronne (Somme)
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 10 3/8 inches (20 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

143. The Old Bridge in Devon

The Old Bridge in Devon
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1801
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark

Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1802
Materials & Techniques:
Graphite and pen and brown ink, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 19 3/4 inches (29.2 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. River Landscape with a Single Arched Bridge

River Landscape with a Single Arched Bridge
Creator:
John Warwick Smith, 1749–1831
Date:
1797
Materials & Techniques:
Watercolor and gouache on medium, smooth wove paper mounted on thick slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

146. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

147. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

148. Turnips and Carrots

Turnips and Carrots
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Embellished under the effects of.......

Embellished under the effects of.......
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 2 7/8 x 3 1/16in. (7.3 x 7.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael Zinman

150. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Mr. Drummond's Cottage, East Cowes, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Cader Idris from the Mawddach Estuary above Barmouth

Cader Idris from the Mawddach Estuary above Barmouth
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1802
Materials & Techniques:
Black ink and gray wash over graphite on medium smooth cream wove paper
Dimensions:
Sheet: 4 3/4 x 8 3/8 inches (12.1 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Portrait of a Scholar

Portrait of a Scholar
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1802
Materials & Techniques:
Graphite and brown wash on medium slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 5 1/2 inches (17.8 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Mortain, Normandy

Mortain, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 1/8 inches (29.2 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. A Starved Greyhound

A Starved Greyhound
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 10 5/8 inches (20.3 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. A Castle Tower, Caernarvon Castle

A Castle Tower, Caernarvon Castle
Creator:
imitator of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Watercolor on medium, moderately textured, white wove paper
Dimensions:
Sheet: 11 x 7 3/4 inches (27.9 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Studies of Five Coffin Lids from ?Norfolk Churches

Studies of Five Coffin Lids from ?Norfolk Churches
Creator:
attributed to John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Yellow and gray wash with graphite on medium smooth cream wove paper
Dimensions:
Sheet: 10 3/4 x 14 7/8 inches (27.3 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Unidentified Castle (Formerly Called Clanbury Castle)

Unidentified Castle (Formerly Called Clanbury Castle)
Creator:
attributed to John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Hever Castle, Kent

Hever Castle, Kent
Creator:
attributed to John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 x 11 inches (19.4 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Sailing Wherries and Boats in a Choppy Sea

Sailing Wherries and Boats in a Choppy Sea
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 6 3/8 inches (8.9 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Castle Acre Priory, Norfolk

Castle Acre Priory, Norfolk
Creator:
follower of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 inches (30.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Caister Castle, Norfolk

Caister Castle, Norfolk
Creator:
follower of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 10 3/8 x 11 1/2 inches (26.4 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. South Side of Catfield Church, Norfolk

South Side of Catfield Church, Norfolk
Creator:
follower of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 11 5/8 inches (18.7 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Byland Abbey, Yorkshire

Byland Abbey, Yorkshire
Creator:
imitator of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 10 inches (35.2 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. A Dandy Quizzing a Mule's Head seen over a Stable Door

A Dandy Quizzing a Mule's Head seen over a Stable Door
Creator:
George Dance, 1741–1825
Date:
after 1797
Materials & Techniques:
Watercolor, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 11 1/4 inches (38.4 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Tswana Man Holding and Ostrich Feather Fan in a Landscape

Tswana Man Holding and Ostrich Feather Fan in a Landscape
Creator:
Samuel Daniell, 1775–1811
Date:
ca. 1802
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 5 7/8 inches (22.5 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Mountainous Landscape, North Wales

Mountainous Landscape, North Wales
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1802
Materials & Techniques:
Watercolor and gum over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 12 5/8 inches (21.6 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

168. Design for Ardgowan House, Scotland: Attic Floor Plan

Design for Ardgowan House, Scotland: Attic Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/8 × 18 9/16 inches (28.3 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Design for Ardgowan House, Scotland: North North West Elevation

Design for Ardgowan House, Scotland: North North West Elevation
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Brechin Cathedral and round tower, Forfarshire, Scotland

Brechin Cathedral and round tower, Forfarshire, Scotland
Creator:
Edward Dayes, 1763–1804
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 6 inches (10.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Craig y Ladron - The Thieves Precipice

Craig y Ladron - The Thieves Precipice
Creator:
John Warwick Smith, 1749–1831
Date:
1797
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 9 1/8 inches (14 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Design for Ardgowan House, Scotland: Principal Floor Plan

Design for Ardgowan House, Scotland: Principal Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Watercolor, gray wash, and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 3/16 × 18 9/16 inches (28.4 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Design for Ardgowan House, Scotland: Chamber Floor Plan

Design for Ardgowan House, Scotland: Chamber Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Watercolor, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 5/8 inches (28.6 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Design for Ardgowan House, Scotland: Ground Floor Plan

Design for Ardgowan House, Scotland: Ground Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Gray wash, pen and black ink, and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Design for Ardgowan House, Scotland: Principal Floor Plan

Design for Ardgowan House, Scotland: Principal Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Pen and black ink, and gray wash on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Design for Ardgowan House, Scotland: South South East Elevation

Design for Ardgowan House, Scotland: South South East Elevation
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/8 × 18 1/2 inches (28.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. The Battle of Cape St. Vincent

The Battle of Cape St. Vincent
Creator:
Robert Cleveley, 1747–1809
Date:
1797
Materials & Techniques:
Watercolor, graphite and black ink on medium, moderately thick, beige wove paper
Dimensions:
Sheet: 4 1/8 x 8in. (10.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by unknown artist
Date:
1797
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

179. Samuel Johnson

Samuel Johnson
Creator:
Granger, active 1800
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 x 3 3/4in. (15.2 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

180. The Right Honourable William Pitt

The Right Honourable William Pitt
Creator:
John Young, 1755–1825
Date:
1797
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 7/16 x 10 1/2in. (36.7 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Susan L. Darling in Memory of Arthur Burr Darling, Yale 1916

181. Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden

Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
Creator:
James Gillray, 1756–1815
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Turnips & Carrots ho

Turnips & Carrots ho
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Waterfall in a Desolate Landscape

Waterfall in a Desolate Landscape
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 5/8 x 13 5/8 inches (21.9 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

184. Milton

Milton
Creator:
George Quinton, born 1779
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 13/16 x 10 11/16in. (19.8 x 27.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson

185. "The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar.

"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar.
Creator:
James Gillray, 1756–1815
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Set a Thief to Catch a Thief

Set a Thief to Catch a Thief
Creator:
unknown artist
Date:
ca. 1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. The Ins and Outs or the Jesuits treatment of his friends

The Ins and Outs or the Jesuits treatment of his friends
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Samuel Johnson

Samuel Johnson
Creator:
Granger, active 1800
Date:
1797
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 1/2 x 3 1/2in. (14 x 8.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

189. Carnarvon Castle, North Wales

Carnarvon Castle, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Entrance to Festiniog, Wales

Entrance to Festiniog, Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. A Burial at Carisbrooke, Isle of Wight

A Burial at Carisbrooke, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Newport High Street, Isle of Wight

Newport High Street, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Study of Trees

Study of Trees
Creator:
pupil of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, smooth, beige wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Barmouth Estuary with Cader Idris, North Wales

Barmouth Estuary with Cader Idris, North Wales
Creator:
attributed to John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 12 inches (15.9 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Norman Doorway, Tottenhill Church, Norfolk

Norman Doorway, Tottenhill Church, Norfolk
Creator:
follower of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, white wove paper
Dimensions:
Sheet: 11 3/8 x 8 3/4 inches (28.9 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. West Front of Byland Abbey, Yorkshire

West Front of Byland Abbey, Yorkshire
Creator:
imitator of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/8 x 6 1/4 inches (21.3 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Head of a Khosa Chief

Head of a Khosa Chief
Creator:
Samuel Daniell, 1775–1811
Date:
ca. 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 6 inches (16.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Studies of Young Pallah Deer Resting

Studies of Young Pallah Deer Resting
Creator:
Samuel Daniell, 1775–1811
Date:
ca. 1802
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Study of a Standing Deer

Study of a Standing Deer
Creator:
Samuel Daniell, 1775–1811
Date:
ca. 1802
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 7/8 inches (15.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Study for Two Standing Pallah Deer

Study for Two Standing Pallah Deer
Creator:
Samuel Daniell, 1775–1811
Date:
ca. 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 5 1/2 inches (9.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection