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Work Type intaglio print

Subject Terms women

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Joseph Mallord William Turner Apuleia in Search of Apuleius

Print made by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Print made by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake Fear & Hope Are -- Vision (Plate 15)

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision (Plate 15)

1793

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake The Man Sweeping the Interpreter's Parlour

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Cornelis Apostool Here Nature List'ning Stood

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Daniel Berger Die Maussalle.... - "Hamlet," Act III, Scene II

Print made by Daniel Berger, 1744–1824

Die Maussalle.... - "Hamlet," Act III, Scene II

between 1778 and 1780

George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

Print made by George Cruikshank, 1792–1878

London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

after 1857

Georg Goldberg "Antony and Cleopatra," Act III, Scene XI

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath "Then go, bid the huntsmen wake them with their horns"

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

William Greatbach Falstaff and his Friends

William Greatbach, Born 1802

Falstaff and his Friends

ca. 1868

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Isaac Cruikshank Washing the Blackamoor

Print made by Isaac Cruikshank, 1764–1811

Washing the Blackamoor

1795

George Cruikshank Monstrosities of 1822 - Pt. 5

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

George Cruikshank Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

Print made by George Cruikshank, 1792–1878

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

George Cruikshank Traveling in France -or, -Le départ de la diligence

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

George Cruikshank Specimens of Waltzing

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

Robert Isaac Cruikshank Monstrosities of 1827

Print made by Robert Isaac Cruikshank, 1789–1856

Monstrosities of 1827

1835

George Cruikshank Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Charles William Cain The Nautch Dancers

Print made by Charles William Cain, 1893–1962

The Nautch Dancers

ca. 1925

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

Henry William Bunbury The Judgment of Paris

Print made by Henry William Bunbury, 1750–1811

The Judgment of Paris

1771

James Bretherton The Slumbers of Ragotin Interrupted

Print made by James Bretherton, ca. 1730–1806

The Slumbers of Ragotin Interrupted

1773

John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Joseph Farington Windsor Bridge

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Thomas Burke Andromache and Hecuba Weeping over the Ashes of Hector

Print made by Thomas Burke, 1749–1815

Andromache and Hecuba Weeping over the Ashes of Hector

1771

John Bell Diavoli Pescatori

Print made by John Bell, 1811–1895

Diavoli Pescatori

between 1838 and 1850

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

John Boydell A View of Erith, Looking Up the Thames

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Thomas Shotter Boys Corner of the Palais de Justice, Paris

Print made by Thomas Shotter Boys, 1803–1874

Corner of the Palais de Justice, Paris

ca. 1833

Thomas Shotter Boys Verona, Hay Barge on the Medway, and a Calvary (three prints)

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

John Bruce Chain Pier at Brighton

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Agostino Brunias The Barbadoes Mulatto Girl

Print made by Agostino Brunias, 1728–1796

The Barbadoes Mulatto Girl

1779

Agostino Brunias Free Natives of Dominica

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Agostino Brunias A Negroes Dance in the Island of Dominica

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Samuel Buck Bristol High Cross

Print made by Samuel Buck, 1696–1779

Bristol High Cross

1734

Agostino Brunias The West India Washer-Women

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Samuel David Colkett The Gipsy Encampment

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

James Caldwall The Cotillion Dance

Print made by James Caldwall, 1739–1819

The Cotillion Dance

1771

Thomas Creswick The Terrace

Print made by Thomas Creswick, 1811–1869

The Terrace

ca. 1844

Robert Dixon The Late Entrance to Ber Street, Norwich

Robert Dixon, 1780–1815

The Late Entrance to Ber Street, Norwich

1810

John Grant Rocket Practice in the Marshes

John Grant, Died 1873

Rocket Practice in the Marshes

1845

Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Francesco Bartolozzi Morning

Print made by Francesco Bartolozzi, 1728–1815

Morning

undated

John Bell Charon's Boat

Print made by John Bell, 1811–1895

Charon's Boat

between 1838 and 1850

James Charles Armytage The Balcony

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Robert Austin Early Spring, Gloucestershire

Print made by Robert Austin, 1895–1973

Early Spring, Gloucestershire

1922

Robert Austin Salus Infirmorum

Print made by Robert Austin, 1895–1973

Salus Infirmorum

1922