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Collection
Prints and Drawings
123
Creator
Blake, William, 1757–1827
114
Edwards, Richard, active 1796–1797
65
Young, Edward, 1683–1765
65
Gray, Thomas, 1716–1771
49
Bigg, William Redmore, 1755–1828
2
Jukes, Francis, 1747–1812
2
Boydell, Josiah, 1752–1817
1
Cotman, John Sell, 1782–1842
1
Facius, George Siegmund, 1750–1804
1
Ferneley, John E., 1782–1860
1
Gainsborough, Thomas, 1727–1788
1
Gillray, James, 1756–1815
1
Nash, Frederick, 1782–1856
1
O'Keefe, William, active 1794–1807
1
Reynolds, Joshua, Sir, 1723–1792
1
Date
1797
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32
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1735
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1764
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1793
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1808
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1823
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1824
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1840
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1875
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1960
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1779
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1805
6
1809
6
1810
6
1816
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1938
6
1674
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1782
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1728
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1786
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1839
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1847
3
On-site Access
Accessible in the Study Room
[remove]
123
Image Use
Free to Use
123
Image Available
Available
123
Classification
Prints
71
Drawings & Watercolors
52
Creator Gender
male
123
Collective Title
Young's Night Thoughts
65
The Poems of Thomas Gray
49
Three Views of Cottages near Colchester
2
Iconographie Anglaise par Reynolds et Autres
1
Period
18th century
120
18th century-19th century
2
19th century
1
Materials & Techniques
wove paper
119
watercolor
79
etching (printing process)
65
graphite
52
black ink
49
engraving (printing process)
38
letterpress printing
38
line engraving
28
brown ink
3
pen
3
gouache
2
drypoint
1
gum
1
gum arabic
1
mezzotint
1
stipple engraving
1
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Work Type
watercolor
79
intaglio print
67
relief print
65
drawing
52
Genre
literary theme
114
religious and mythological subject
32
historical subject
3
landscape
3
architectural subject
1
genre subject
1
portrait
1
sporting art
1
Subject Terms
literary theme
76
text
74
men
60
religious and mythological subject
60
women
40
man
34
trees
22
beard
19
children
15
nudes
14
armor
13
book
13
clouds
13
sky
13
woman
13
angels
12
lyre
12
nude
12
vines
12
leaf
11
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Associated Places
United Kingdom
2
City of Westminster
1
Cymru
1
England
1
Eton College
1
Europe
1
Greater London
1
London
1
Wales
1
Westminster
1
Westminster Abbey
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
41
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
41
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
7
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
4
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
2
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
2
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Captive Bodies: British Prisons, 1750-1900 (Yale Center for British Art, 2018-08-27 - 2018-12-17)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
122
Yale Center for British Art, Paul Mellon Fund
1
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1
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
2
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
3
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
4
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
5
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
6
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
7
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
8
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
9
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
10
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
11
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
12
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
13
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
14
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
15
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
16
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
17
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
18
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
19
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
20
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
21
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
22
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
23
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
24
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
25
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
26
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
27
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
28
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
29
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
30
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
31
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
32
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
33
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
34
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
35
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
36
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
37
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
38
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
39
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
40
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
41
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
42
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
43
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
44
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
45
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
46
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
47
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
48
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
49
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
50
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
51
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
52
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
53
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
54
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
55
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
56
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
57
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
58
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
59
William Blake, 1757–1827
A Long Story; Title Page
between 1797 and 1798
60
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
61
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
62
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
63
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
64
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
65
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
66
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
67
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
68
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
69
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
70
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
71
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
72
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
73
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
74
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
75
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
76
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
77
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
78
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
79
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
80
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
81
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
82
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
83
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
84
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
85
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
86
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
87
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
88
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
89
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
90
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
91
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
92
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
93
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
94
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
95
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
96
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
97
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
98
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
99
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
100
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
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