On-site Access: Accessible by appointment in the Study Room / Subject Terms: book

1. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. Simon, Lord Lovat

Creator:: Print made by William Hogarth, 1697–1764
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memoiral Collection

5. "Albions Angel rose upon the Stone of Night..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "Therefore God becomes as we are..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. VI. "The desires & perceptions of man untaught..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Author Writing (Design 105)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "Up stairs in a whirlwind rattle..." (Design 29)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Mourner at the Tomb (Design 103)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "And purple tyrants vainly groan..." (Design 37)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Elizabeth. "Girt with many a Baron bold..." (Design 63)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "In living creations appear'd..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Songs of Innocence, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Lamb (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Infant Joy (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Thomas Hayley, the Disciple of John Flaxman, from a Medallion

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 1/8 inches (22.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles J. Rosenbloom, B.A. 1920

29. Songs of Innocence, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Of the Mundane Shell which froze..." (Plate 64)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "In living creations appear'd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Creator:: Prints made by William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Bound volume of relief etchings printed in dark-brown ink, with hand coloring in watercolor on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Thomas Alphonso Hayley, Half-Length Drawing

Creator:: attributed to William Blake, 1757–1827
Date:: ca. 1800
Materials & Techniques:: Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

37. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Thomas Hayley the Disciple of John Flaxman, from a Medallion

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Sibyl

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 5 3/8 inches (14.6 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

40. Couple Examining a Book

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 1/2 inches (19.7 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

41. Studies of a Seated Draped Figure with a Book

Creator:: George Frederic Watts, 1817–1904
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, smooth, blue wove paper
Dimensions:: Sheet: 13 9/16 × 8 1/16 inches (34.4 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Allegory of Painting and Literature

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 7 inches (21 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

44. Elderly Couple on a Park Bench, with Two Men Beyond

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 6 1/4 x 8 1/16 inches (15.9 x 20.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. By the Sea

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 6 5/8 inches (12.5 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Girl Reading a Picture Book

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19.1 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

Creator:: James Hardy, active 1770s
Date:: undated
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 x 8 1/8 inches (29.5 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

48. Maria Cosway

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 5 7/8 inches (23.1 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Miss Anna Crouch

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving, on medium, moderately textured, cream laid paper, laid on mount
Dimensions:: Mount: 12 11/16 x 8 5/8 inches (32.2 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Mrs. Lenox

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 7/16 inches (19 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Thomas Maggi

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 10 3/8 inches (33 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Rev. Dr. Thomas Percy, Dean of Carlisle

Creator:: William Dickinson, 1746–1823
Date:: 1775
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/4 × 10 15/16 inches (37.5 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Henry Bunbury Esqr.

Creator:: Print made by John Blackmore, active 1740–1780
Date:: ca. 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Earl and Countess of Pembroke and Son

Creator:: Print made by James Watson, 1740–1790
Date:: 1773
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 15/16 × 13 inches (45.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Mrs. Fitzherbert

Creator:: Print made by John Condé, 1765–1794
Date:: 1792
Materials & Techniques:: Stipple engraving with etched border on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Reading by a Paper-Bell Shade

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1768
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 1/8 x 10 11/16 inches (41 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. George Graham, Clockmaker

Creator:: John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper, pasted on moderately thick, moderately textured, gray-blue Asian paper
Dimensions:: Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ticket: Walker's Lectures

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 1/8 inches (15.2 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. And Ah! Let Pity Turn Her Dewy Eyes...

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Two Little Girls

Creator:: John Glover, 1767–1849
Date:: ca. 1810
Materials & Techniques:: Gray wash with pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 6 1/2 inches (22.9 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Misses Van and Lady Salisbury

Creator:: Lady Salesbury, active 1791
Date:: 1791
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/4 inches (16.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Romance

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1922
Materials & Techniques:: Etching with gouache and graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 x 11 inches (38 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

65. Six Venice Etchings, Title Page

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 12 7/8 x 9 1/16 inches (32.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

66. The Damnation of Obadiah

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Le Casaquin de Laine

Creator:: Print made by Gerald Leslie Brockhurst, 1890–1978
Date:: 1923
Materials & Techniques:: Etching, stipple engraving, and drypoint on medium, slightly textured, greened white laid paper
Dimensions:: Sheet: 11 1/16 x 8 9/16 inches (28.1 x 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

68. Thomas Sutton

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1714
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 5/8 x 9 1/2 inches (32 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

69. The Third Volume

Creator:: Print made by Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 3 3/4 x 4in. (9.5 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Title Page from The Weekend Book

Creator:: Edward Bawden, 1903–1989
Date:: 1938
Materials & Techniques:: Pen and black ink, graphite, and collage on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 1/2 × 9 1/8 inches (29.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Young Woman Reading to a Small Child

Creator:: William Lee Hankey, 1869–1952
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 7/8 x 8 3/8 inches (27.7 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

72. Sophia, Honour, and the Chambermaid

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

73. A Lady Reading

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 4 3/4 x 6 3/8 inches (12.1 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

74. Benjamin West, Esq., President of the Royal Academy of London

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818
Materials & Techniques:: Etching, stipple engraving and line engraving on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957

75. Benjamin West, Esq., President of the Royal Academy of London

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818
Materials & Techniques:: Line engraving and stipple engraving on thick, slightly textured, cream laid paper with beige chine collé
Dimensions:: Sheet: 19 11/16 x 13 3/8 inches (49.9 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The National Gallery

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

77. The Damnation of Obadiah

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Discovery

Creator:: Print made by E. J. Dumée, active 1790
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 11 3/16 inches (39 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. La mère prudente

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 11/16 × 7 15/16 inches (32.3 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. L'Antiquitee respectable

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 x 11 15/16 inches (41 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. S. Matthaeus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 5/8 x 15 1/4 inches (52.4 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: 1778
Materials & Techniques:: Etching on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 6 7/16 × 3 3/4 inches (16.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Reverend Zachariah Mudge, Prebend of Exeter

Creator:: James Watson, 1740–1790
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 × 9 inches (33 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Johannes Potter, Archiepiscopus Cantuariensis

Creator:: George Vertue, 1684–1756
Date:: 1741
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 7/16 × 11 3/4 inches (41.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Costume Study for the Portrait of a Lady

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Black chalk with white chalk; verso: graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 9/16 x 8 1/8 inches (49.7 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Original Frontispiece for 'Book of Ballads' (Bon Gaultier)

Creator:: Alfred Henry Forrester, 1804–1872
Date:: ca. 1845
Materials & Techniques:: Pen and black ink, watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 5 3/8 inches (18.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Maria Magdilena

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 7 inches (25.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Virgin and Child

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1776
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 12 1/2 inches (44.1 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Portrait of Two Men, One Playing Recorder

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 1/2 x 14 5/16 inches (52 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. Le Ete - Der Sommer

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 19 1/4 inches (40.3 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. S. Johannes

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: early 1750s
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 1/16 x 14 inches (51 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. S. Philippus

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: early 1750s
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 3/16 x 14 inches (51.2 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Miss Crockatt as Julia de Roubigné

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 13/16 x 11 7/16 inches (37.7 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. La Conversation

Creator:: Print made by Rose Joseph Lemercier, 1803–1887
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 × 3 15/16 inches (15.7 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Thomas Ashton D.D.

Creator:: James McArdell, ca. 1729–1765
Date:: 1756
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 10 1/4 inches (37.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Pilgrims Paying Their Devotion in St. Peters at Rome

Creator:: Print made by David Allan, 1744–1796
Date:: between 1773 and 1775
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Chamber Idyll

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1831
Materials & Techniques:: Wood-engraving on thin, smooth, cream Asian paper
Dimensions:: Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

On-site Access Accessible by appointment in the Study Room

Subject Terms book

Search Results

1. The Sleeping Shepherd

2. The Sleeping Shepherd

3. The Sleeping Shepherd

4. Simon, Lord Lovat

5. "Albions Angel rose upon the Stone of Night..." (Plate 12)

6. "Therefore God becomes as we are..." (Plate 9)

7. VI. "The desires & perceptions of man untaught..." (Plate 8)

8. 'What, though my soul fantastick measures trod' (Page 4)

9. The Author Writing (Design 105)

10. "Up stairs in a whirlwind rattle..." (Design 29)

11. 'O treacherous conscience! while she seems to sleep" (Page 27)

12. The Mourner at the Tomb (Design 103)

13. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

14. "And purple tyrants vainly groan..." (Design 37)

15. "Bath who is Legions..." (Plate 41)

16. 'Till at Death's toll, whose restless iron tongue' (Page 7)

17. 'The longest night though longer far, would fail' (Page 15)

18. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

19. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

20. Elizabeth. "Girt with many a Baron bold..." (Design 63)

21. The Lamb (Plate 8)

22. "In living creations appear'd..." (Plate 6)

23. Songs of Innocence, Title Page (Plate 2)

24. The Lamb (Plate 18)

25. Infant Joy (Plate 28)

26. Title Page, The First Book of Urizen (Plate 1)

27. 'What, though my soul fantastick measures trod' (Page 4)

28. Thomas Hayley, the Disciple of John Flaxman, from a Medallion

29. Songs of Innocence, Title Page (Plate 2)

30. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

31. "Of the Mundane Shell which froze..." (Plate 64)

32. Title Page, The First Book of Urizen (Plate 1)

33. "In living creations appear'd..." (Plate 8)

34. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

35. Moses Receiving the Law

36. Thomas Alphonso Hayley, Half-Length Drawing

37. 'The longest night though longer far, would fail' (Page 15)

38. Thomas Hayley the Disciple of John Flaxman, from a Medallion

39. Sibyl

40. Couple Examining a Book

41. Studies of a Seated Draped Figure with a Book

42. She Never Told Her Love, But Sat Like Patience on a Monument

43. Allegory of Painting and Literature

44. Elderly Couple on a Park Bench, with Two Men Beyond

45. By the Sea

46. Girl Reading a Picture Book

47. Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

48. Maria Cosway

49. Miss Anna Crouch

50. Mrs. Lenox

51. Thomas Maggi

52. Rev. Dr. Thomas Percy, Dean of Carlisle

53. Henry Bunbury Esqr.

54. Earl and Countess of Pembroke and Son

55. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

56. Mrs. Fitzherbert

57. Reading by a Paper-Bell Shade

58. George Graham, Clockmaker

59. Ticket: Walker's Lectures

60. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

61. And Ah! Let Pity Turn Her Dewy Eyes...

62. Two Little Girls

63. The Misses Van and Lady Salisbury

64. Romance

65. Six Venice Etchings, Title Page

66. The Damnation of Obadiah

67. Le Casaquin de Laine

68. Thomas Sutton

69. The Third Volume

70. Title Page from The Weekend Book

71. Young Woman Reading to a Small Child

72. Sophia, Honour, and the Chambermaid

73. A Lady Reading

74. Benjamin West, Esq., President of the Royal Academy of London