'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
3
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
4
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
5
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
6
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
7
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
8
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
9
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
10
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
11
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
12
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
13
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
14
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
15
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
16
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
17
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
18
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
19
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
20
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
21
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
22
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
23
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
24
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
25
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
26
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
27
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
28
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
29
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
30
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
31
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
32
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
33
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
34
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
35
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
36
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
37
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
38
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
39
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
40
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
41
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
42
Print made by William Blake, 1757–1827
Pity
ca. 1795
43
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
44
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
45
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
46
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
47
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
48
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
49
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
50
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
51
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
52
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
53
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
54
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
55
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
56
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
57
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
58
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
59
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
60
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
61
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
62
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
63
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
64
Print made by William Say, 1768–1834
The Ecstasy of St. Francis
1809
65
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
66
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
67
Stella Marsden, active 1955
Engraved Brasses
1955
68
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
69
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
70
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
71
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
72
Edward Francis Burney, 1760–1848
The Arts
undated
73
Edward Francis Burney, 1760–1848
Pastoral
undated
74
Edward Francis Burney, 1760–1848
Allegory of Painting and Literature
undated
75
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments
undated
76
Edward Francis Burney, 1760–1848
Pamphilia
undated
77
Edward Francis Burney, 1760–1848
Pamphilia
undated
78
Edward Francis Burney, 1760–1848
Charity
undated
79
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
80
Augustus Welby Northmore Pugin, 1812–1852
Sketches of the Butler-Bowden cope
undated
81
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
82
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
83
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
84
Richard Westall, 1765–1836
The Birth of Christ (Luke 2:15)
before 1836
85
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
86
Print made by John Smith, the mezzotinter, 1652–1743
Plaudit Ave Regina
undated
87
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
88
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
89
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
90
George Frederic Watts, 1817–1904
Studies for the Angels in The Court of Death
undated
91
George Frederic Watts, 1817–1904
Study for a Circular Ceiling Decoration
undated
92
unknown artist
The Destruction of Sodom and Gomorrah
undated
93
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
94
Print made by William Say, 1768–1834
Hagar and Ishmael
1812
95
unknown artist
Ornamental Ticket for Society of Painters
1690
96
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720