Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 50 / Classification: Prints

William Dickinson, 1746–1823

Lady Charles Spencer

1776

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Victor Marie Picot, 1744–1805

A Pastoral Scene with Cow

1777

Andrew Miller, Died 1763

The Rev'd Jonathan Swift D.D. Dean of St. Patrick's Dublin

1743

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford: The Virtues - Hope

1781

John Raphael Smith, 1752–1812

Madona Col Bambino

1791

Charles Turner, 1774–1857

Edward Law, 1st Baron Ellenborough

1809

Thomas Watson, 1743–1781

Henrietta, Countess of Rochester

1779

Charles Turner, 1774–1857

Sir Henry Moncrieff Willwood

1812

Charles Turner, 1774–1857

Sir John Moore

1809

John Hall, 1739–1797

Timon of Athens

1803

Charles Rosenberg, active 1828–1848

Harwich

1841

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Robert Dodd, 1748–1816

His Majesty's Ship Glatton Shewing her Situation

1796

Marie C. Prestel, 1747–1794

Landscape

John Raphael Smith, 1752–1812

A Lady at Haymaking

Print made by Robert Thew, 1758–1802

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

1789

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

Samuel Middiman, ca. 1750–1831

Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

1803

Benjamin West, 1738–1820

King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."

1803

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Print made by James Gillray, 1756–1815

Shakespeare Sacrificed; or, The Offering to Avarice

1789

Print made by William Skelton, 1763–1848

Richard III: Act IV, Scene III, Tower of London

1795

John Young, 1755–1825

The Surrender of Callais

1815

Henry Papprill, 1816–d.after 1883

British Queen Steam Ship

1838

Frederick Christian Lewis the Elder, 1779–1856

View of Old Aberdeen, Including King's College and the Cathedral

1808

Peltro W. Tomkins, 1760–1840

Three Actors in a Play

1785

unknown artist

A View of Windsor Castle

1813

John Young, 1755–1825

Chevy Chase

1813

John Young, 1755–1825

The Surrender of Callais

1815

John Young, 1755–1825

Chevy Chase

1813

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical plan of his Majesty's Dockyard near Portsmouth

1754

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's Dockyard, at Woolwich

1753

William Ward, 1766–1826

A Vegetable Market

1803

William Sharp, 1749–1824

King Lear: Act III, Scene IV

1793

Print made by Henry Kingsbury, active 1750–1780

Anthony Webster as Comus

1781

Peter Simon, 1750–1810

Taming of the Shrew, Act II Scene II

1795

Figures engraved by William Sharp, 1749–1824

Niobe

1792

Print made by Francesco Bartolozzi, 1728–1815

St. Nil

1762

William Ward, 1766–1826

The Sportsman's Return

1792 (re-issue of 1791)

Joseph Grozer, ca. 1755–1798

Morning or the Benevolent Sportsman

1795

Frederick Rosenberg, active 1816–1832

Coaching: The Royal Mails Preparing to Start for the West of England

1831

James Gillray, 1756–1815

Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"

1798

Niccoló Schiavonetti, 1771–1813

Sir Joseph Banks, 1st Baronet

1812

William Say, 1768–1834

Reverend. Shute Barrington L.L.D

1812

John Raphael Smith, 1752–1812

Shepherd's Meal

1803

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Thomas Malton the Younger, 1748–1804

The Sessions House for the County of Middlesex

1799

Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

Print made by Francesco Bartolozzi, 1728–1815

Cupid Disarmed by Venus

1804

Robert Dunkarton, 1744–1811

Portrait of Mr. James Brindley

1770

William Johnstone White, active 1804–died c.1870

Representation of the Festival for the Return of Peace

1815

John Raphael Smith, 1752–1812

"William and Margaret"

1802

Francesco Bartolozzi, 1728–1815

The Rural Italian's Wedding

1775

Thomas Burke, 1749–1815

Samma the Demoniac weeping over the ashes of his youngest son Benoi

1772

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's Dockyard, Deptford

1755

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's dockyard, at Sheerness

1755

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's Dockyard, at Chatham

1755

Richard Earlom, 1743–1822

The Inside of the Pantheon in Oxford Road

1772

Print made by William Daniell, 1769–1837

An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

1802

Francesco Bartolozzi, 1728–1815

To the Royal Kentish Bowmen, This Plate of His Royal Highness, The Prince of Wales

1795

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

George Morland, 1763–1804

Youth Diverting Age

1789

L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

1735

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

1735

L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

1735

George Morland, 1763–1804

Childish Amusement

1789

Richard Gilson Reeve, 1803–1889

Set of four: (3) A Litter of Hares

1811

Pierre Charles Canot, ca. 1710–1777

1. Going Out / Depart de Chasse

1770

Pierre Charles Canot, ca. 1710–1777

2. Two Hunters / Deux Chevaux de Chasse

1770

Pierre Charles Canot, ca. 1710–1777

3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste

1770

Pierre Charles Canot, ca. 1710–1777

5. Coming at the Death / Halte de Chasse

1770

Pierre Charles Canot, ca. 1710–1777

7. Returning from the Chase / Retour de Chasse

1770

Pierre Charles Canot, ca. 1710–1777

4. The Earthing of the Fox / Renard dans son Terrier

1770

L. Truchy Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

L. Truchy, 1721–1764

Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

1735

Print made by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1811

Print made by James Walker, 1748–1808

Peterborough

1796

Pierre Charles Canot, ca. 1710–1777

6. The Death of the Fox / Mort du Renard

1770

L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

1735

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

1735

L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

1735