A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
4
Joseph Stannard, 1797–1830
Buckenham Ferry, on the River Yare, Norfolk
1826
Not on view
5
Francis Towne, 1740–1816
Old Walton Bridge
1785
Not on view
6
John Vanderbank, 1694–1739
A Scene from Don Quixote (Vol.II, Ch.XXIII)
between 1730 and 1736
Not on view
7
unknown artist
A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
ca. 1804
Not on view
8
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
9
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
10
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
11
Sir John Lavery, 1856–1941
On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
1890
Not on view
12
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
13
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
14
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
15
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
16
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
17
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
18
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
19
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
20
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
21
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
22
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
23
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
24
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
25
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
26
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
27
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
28
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
29
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
30
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
31
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
32
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
33
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
34
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
35
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
36
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
37
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
38
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
39
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
40
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
41
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
42
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
43
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
44
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
45
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
46
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
47
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
48
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
49
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
50
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
51
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
52
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
53
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
54
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
55
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
56
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
57
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
58
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
59
James Bruce, 1730–1794
Constantine
undated
60
James Bruce, 1730–1794
Graphite elevation of unidentified column with graphite and pen and ink dimensions
undated
61
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
62
Charles Hunt, 1803–1877
'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..
1839
63
George Townly Stubbs, 1748–1815
'Dungannon'
1794
64
George Townly Stubbs, 1748–1815
'Mambrino'
1794
65
George Townly Stubbs, 1748–1815
'Protector'
1794
66
George Townly Stubbs, 1748–1815
'Sweetbrier'
1804
67
George Townly Stubbs, 1748–1815
Sharke
1794
68
George Townly Stubbs, 1748–1815
Sharke
1794
69
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
70
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
71
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
72
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
73
George Morland, 1763–1804
The Country Girl in London
74
George Morland, 1763–1804
Rustic Employment
1788
75
George Morland, 1763–1804
The Country Girl at Home
76
George Morland, 1763–1804
Rural Amusement
1788
77
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
between 1796 and 1811
78
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
79
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
80
John Hoppner, 1758–1810
Study of a Seated Woman
undated
81
William Green, 1760–1823
Landscape, Castle by a River
undated
82
William Green, 1760–1823
Landscape with River and a Bridge
undated
83
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
84
William Green, 1760–1823
Landscape with Vale and Mountains
undated
85
William Green, 1760–1823
Landscape, Castle and Cattle
undated
86
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
87
Print made by Isaac Beckett, 1652/3–1719
The Countess of Lichfield
ca. 1685
88
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
89
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, in Abbruzo
1791
90
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
1791
91
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
92
Print made by Robert van Voerst, 1597–1636
Simon Vouet
ca. 1635
93
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
94
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
95
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
96
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
97
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora