<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Height [cm] 40

Remove constraint Height [cm]: 40

Search Results

Francis Danby Hampstead Heath, Sunset
Francis Danby, 1793–1861
Hampstead Heath, Sunset
ca. 1845
Not on view
John Constable Hampstead Heath looking towards Harrow
John Constable, 1776–1837
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
George Smith A View Supposedly Near Arundel, Sussex, with Figures in a Lane
George Smith, 1714–1776
A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
Joseph Stannard Buckenham Ferry, on the River Yare, Norfolk
Joseph Stannard, 1797–1830
Buckenham Ferry, on the River Yare, Norfolk
1826
Not on view
Francis Towne Old Walton Bridge
Francis Towne, 1740–1816
Old Walton Bridge
1785
Not on view
John Vanderbank A Scene from Don Quixote (Vol.II, Ch.XXIII)
John Vanderbank, 1694–1739
A Scene from Don Quixote (Vol.II, Ch.XXIII)
between 1730 and 1736
Not on view
unknown artist A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
unknown artist
A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
ca. 1804
Not on view
George Chinnery A Man Carrying Faggots
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
George Morland Pheasant Shooting
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
George Morland Partridge Shooting
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
Sir John Lavery On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
Sir John Lavery, 1856–1941
On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
1890
Not on view
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
George Stubbs Tiger Skeleton, Lateral View (Finished Study for Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
George Stubbs Tiger Skeleton, Lateral View
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
William Hogarth Chairing the Members, Plate IV
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
William Hogarth An Election Entertainment, Plate I
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Edward Lear Siracusa, 12. June 1847
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
James Bruce Constantine
James Bruce, 1730–1794
Constantine
undated
James Bruce Graphite elevation of unidentified column with graphite and pen and ink dimensions
James Bruce, 1730–1794
Graphite elevation of unidentified column with graphite and pen and ink dimensions
undated
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
Charles Hunt 'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers...
Charles Hunt, 1803–1877
'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..
1839
George Townly Stubbs 'Dungannon'
George Townly Stubbs, 1748–1815
'Dungannon'
1794
George Townly Stubbs 'Mambrino'
George Townly Stubbs, 1748–1815
'Mambrino'
1794
George Townly Stubbs 'Protector'
George Townly Stubbs, 1748–1815
'Protector'
1794
George Townly Stubbs 'Sweetbrier'
George Townly Stubbs, 1748–1815
'Sweetbrier'
1804
George Townly Stubbs Sharke
George Townly Stubbs, 1748–1815
Sharke
1794
George Townly Stubbs Sharke
George Townly Stubbs, 1748–1815
Sharke
1794
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
George Townly Stubbs 'Sweetbrier'
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
George Morland The Country Girl in London
George Morland, 1763–1804
The Country Girl in London
George Morland Rustic Employment
George Morland, 1763–1804
Rustic Employment
1788
George Morland The Country Girl at Home
George Morland, 1763–1804
The Country Girl at Home
George Morland Rural Amusement
George Morland, 1763–1804
Rural Amusement
1788
Daniel Lysons The Environs of London: Brass plate for Unidentified Infant from East Ham Church
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
between 1796 and 1811
Daniel Lysons Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
John Varley Harlech Castle and Twgwyn Ferry
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
John Hoppner Study of a Seated Woman
John Hoppner, 1758–1810
Study of a Seated Woman
undated
William Green Landscape, Castle by a River
William Green, 1760–1823
Landscape, Castle by a River
undated
William Green Landscape with River and a Bridge
William Green, 1760–1823
Landscape with River and a Bridge
undated
William Green The Devil's Bridge, Kirkby Lonsdale
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
William Green Landscape with Vale and Mountains
William Green, 1760–1823
Landscape with Vale and Mountains
undated
William Green Landscape, Castle and Cattle
William Green, 1760–1823
Landscape, Castle and Cattle
undated
Julius Caesar Ibbetson Robbing the Mail
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
Isaac Beckett The Countess of Lichfield
Print made by Isaac Beckett, 1652/3–1719
The Countess of Lichfield
ca. 1685
Sir Richard Colt Hoare Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
Sir Richard Colt Hoare Castle of Balzerrano, in Abbruzo
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, in Abbruzo
1791
Sir Richard Colt Hoare Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
1791
Sir Richard Colt Hoare View on the river Vulturnus, Sept.r 1790
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
Robert van Voerst Simon Vouet
Print made by Robert van Voerst, 1597–1636
Simon Vouet
ca. 1635
Sir Richard Colt Hoare The Carthusian Convent at Trisulto
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
Sir Richard Colt Hoare The Carthusian Convent at Trisulto
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
Sir Richard Colt Hoare The Carthusian Convent at Trisulto, near Alatri
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
Sir Richard Colt Hoare Monastery of La Trappe, at Casamare
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
Sir Richard Colt Hoare Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
Sir Richard Colt Hoare Ducal Palace etc at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
Sir Richard Colt Hoare View on the River Liris at Isola di Sora
Sir Richard Colt Hoare, 1758–1838
View on the River Liris at Isola di Sora
1791
Sir Richard Colt Hoare View on the Liris near Isola
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790