Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 22 / Classification: Prints

1. A Consultation of Physicians

Creator:: William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 5/8 x 7in. (21.9 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

Creator:: William Hogarth, 1697–1764
Date:: 1718
Materials & Techniques:: Line engraving (reprint)
Dimensions:: Plate: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Inverary Pier, Loch Fyne, Morning

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (g) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Stonehenge at Daybreak

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1815 to 1819
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Mer de Glace, Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 16 3/4 inches (30.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Dumbarton Rock

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (e) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Dumbarton Rock

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching printed in brown ink, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Flounder Fishing, Battersea

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; modern impression (India) on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Procris and Cephalus

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; fifth published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 13 3/8 inches (27 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Flounder Fishing, Battersea

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 3/8 inches (27.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Rivaux Abbey, Yorkshire

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 3/8 inches (29.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Mer de Glace, Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Stonehenge at Daybreak

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1815 to 1819
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Dumbarton Rock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Interior of a Church

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Frontispiece to the 'Liber Studiorum'

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Mt. St. Gothard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint printed in brown ink, with graphite; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Rivaux Abbey, Yorkshire

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Raglan Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with graphite; touched engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Interior of a Church

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Satan before the Throne of God

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Job's Sons and Daughters Overwhelmed by Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Messengers Tell Job of His Misfortunes

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Job's Comforters

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Job's Evil Dreams

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Wrath of Elihu

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 5/8 inches (38.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Job's Sacrifice

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 inches (38.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Every One also Gave Him a Piece of Money

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "Then the Divine Vision like a silent Sun..." (Plate 29)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "His western heaven with rocky clouds..." (Plate 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "They saw their Wheels rising up poisonous..." (Plate 43)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "To decide Two Worlds with a great decision..." (Plate 65)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "Rose up against me thundering..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "I have heard Jerusalems groans..." (Plate 82)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "To the Christians..." (Plate 77)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Satan Smiting Job with Sore Boils

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Job's Despair

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Vision of Eliphaz

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Lord Answering Job out of the Whirlwind

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Vision of Christ

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Satan Going Forth from the Presence of the Lord and Job's Charity

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Job and His Family Restored to Prosperity

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Jerusalem, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "And that toward Eden, four..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. "And this the form of mighty Hand..." (Plate 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. "Silent as despairing love, and strong as jealousy..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. "To the Jews..." (Plate 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. "Leaning against the pillars..." (Plate 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. "Encompass'd by the frozen Net..." (Plate 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. "Corruptability appears upon thy limbs..." (Plate 83)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Job Rebuked by His Friends

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A View of Several Palaces at Naples at Sun Rise

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Little Devil's Bridge

Creator:: Print made by unknown artist
Date:: between 1816 and 1820
Materials & Techniques:: Etching with graphite; touched engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore

Creator:: Print made by unknown artist
Date:: 1821
Materials & Techniques:: Etching and line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 1/8 inches (33.7 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Genoa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Cologne

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 12 inches (44.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The School of Homer, Scio

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Nantes

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on Thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 11 3/8 inches (42.5 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Borthwick Castle

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1819
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 20 1/8 inches (33.3 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Whitby

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Negropont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 17 3/8 inches (31 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

Creator:: William Henry Brooke, 1772–1860
Date:: undated
Materials & Techniques:: Engraving on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Lord Dacre's Tomb

Creator:: Thomas Gilks, active 1866–1876
Date:: undated
Materials & Techniques:: Engraving on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 5/8 × 5 1/2 inches (21.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Watermill Above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Albertus Princeps Com Aremberg

Creator:: Print made by Schelte A. Bolswert, 1586–1659
Date:: ca. 1635
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 1/16 inches (24.1 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Albertus Princeps Com Aremberg

Creator:: Print made by Schelte A. Bolswert, 1586–1659
Date:: ca. 1635
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 7 3/16 inches (24.4 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Ioannes Baptista Barbé

Creator:: Print made by Schelte A. Bolswert, 1586–1659
Date:: ca. 1635
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 8 9/16 inches (34.3 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Iustus Lipsius

Creator:: Print made by Schelte A. Bolswert, 1586–1659
Date:: ca. 1635
Materials & Techniques:: Stipple engraving, line engraving and etching; verso: graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 15/16 × 8 3/16 inches (27.8 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Margareta Princeps Lotharingia

Creator:: Print made by Schelte A. Bolswert, 1586–1659
Date:: ca. 1635
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 7 1/2 inches (25.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Artus Wolfart

Creator:: Print made by Schelte A. Bolswert, 1586–1659
Date:: ca. 1635
Materials & Techniques:: Stipple engraving and line engraving, (2nd state) on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 7/8 × 7 inches (27.6 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 22

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1. A Consultation of Physicians

2. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

3. Inverary Pier, Loch Fyne, Morning

4. Calm

5. Stonehenge at Daybreak

6. Procris and Cephalus

7. The Stork and Aqueduct

8. Mer de Glace, Valley of Chamouni, Savoy

9. Entrance of Calais Harbour

10. Dumbarton Rock

11. Dumbarton Rock

12. Dumbarton Rock

13. Flounder Fishing, Battersea

14. Procris and Cephalus

15. Calm

16. Calm

17. Flounder Fishing, Battersea

18. Procris and Cephalus

19. Entrance of Calais Harbour

20. Rivaux Abbey, Yorkshire

21. Mer de Glace, Valley of Chamouni, Savoy

22. Calm

23. The Stork and Aqueduct

24. Stonehenge at Daybreak

25. Dumbarton Rock

26. Interior of a Church

27. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

28. The Source of the Arveron in the Valley of Chamouni, Savoy

29. Frontispiece to the 'Liber Studiorum'

30. Ships in a Breeze

31. Ships in a Breeze

32. Mt. St. Gothard

33. Original Sketch of a Picture for W. Leader, Esq.

34. Rivaux Abbey, Yorkshire

35. Entrance of Calais Harbour

36. The Source of the Arveron in the Valley of Chamouni, Savoy

37. Raglan Castle

38. The Source of the Arveron in the Valley of Chamouni, Savoy

39. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

40. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

41. Interior of a Church

42. Satan before the Throne of God

43. Job's Sons and Daughters Overwhelmed by Satan

44. The Messengers Tell Job of His Misfortunes

45. Job's Comforters

46. Job's Evil Dreams

47. The Wrath of Elihu

48. Job's Sacrifice

49. Every One also Gave Him a Piece of Money

50. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

51. "Then the Divine Vision like a silent Sun..." (Plate 29)

52. "His western heaven with rocky clouds..." (Plate 31)

53. "They saw their Wheels rising up poisonous..." (Plate 43)

54. "To decide Two Worlds with a great decision..." (Plate 65)

55. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

56. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

57. "Rose up against me thundering..." (Plate 8)

58. "I have heard Jerusalems groans..." (Plate 82)

59. "To the Christians..." (Plate 77)

60. Satan Smiting Job with Sore Boils

61. Job's Despair

62. The Vision of Eliphaz

63. The Lord Answering Job out of the Whirlwind

64. The Vision of Christ

65. Satan Going Forth from the Presence of the Lord and Job's Charity

66. Job and His Family Restored to Prosperity

67. Jerusalem, Frontispiece (Plate 1)

68. "And that toward Eden, four..." (Plate 13)

69. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

70. "And this the form of mighty Hand..." (Plate 70)

71. "Silent as despairing love, and strong as jealousy..." (Plate 4)

72. "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

73. "To the Jews..." (Plate 27)