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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Height [cm] 43

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Edward Francis Finden The Field of Waterloo from Hougoumont

Print made by Edward Francis Finden, 1791–1857

The Field of Waterloo from Hougoumont

1832-1834

William Miller Nantes

Print made by William Miller, 1796–1882

Nantes

1833

John Pye Tivoli

Print made by John Pye, 1782–1874

Tivoli

1830

Robert Wallis William Tell's Chapel

Print made by Robert Wallis, 1794–1878

William Tell's Chapel

1829

Robert Wallis St. Maurice

Print made by Robert Wallis, 1794–1878

St. Maurice

1829

Edward Goodall Marengo

Print made by Edward Goodall, 1795–1870

Marengo

1830

John Cousen Château Gaillard, from the South

Print made by John Cousen, 1804–1880

Château Gaillard, from the South

1835

James C. Allen Orford Castle and Church

Print made by James C. Allen, active 1821–1831

Orford Castle and Church

ca. 1830

Lawrence Josset The Drummond Family

Lawrence Josset, 1910–1995

The Drummond Family

1960

Lawrence Josset The Drummond Family

Lawrence Josset, 1910–1995

The Drummond Family

1960

Anthony Cardon Do You Want Any Matches?

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Luigi Schiavonetti Two Bunches of Penny Primroses, Two Bunches a Penny

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Giovanni Vendramini Knives, Scissars, and Razors to Grind

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissars, and Razors to Grind

1795

Giovanni Vendramini Hot Spice Gingerbread, Smoking Hot!

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Thomas Shotter Boys La rue des Prouvaires et l'église saint Eustache, Paris

Print made by Thomas Shotter Boys, 1803–1874

La rue des Prouvaires et l'église saint Eustache, Paris

1833

Victor Marie Picot A Pastoral Scene with Cow

Victor Marie Picot, 1744–1805

A Pastoral Scene with Cow

1777

Thomas Burke Content and Innocence

Print made by Thomas Burke, 1749–1815

Content and Innocence

1797

John Jones Lord Henry and Lady Charlotte Spencer

John Jones, ca. 1745–1797

Lord Henry and Lady Charlotte Spencer

1790

Francesco Bartolozzi Edward Lord Thurlow

Francesco Bartolozzi, 1728–1815

Edward Lord Thurlow

1782

Francesco Bartolozzi Venus Childing Cupid

Francesco Bartolozzi, 1728–1815

Venus Childing Cupid

1784

unknown artist Sir Humphrey Davy

unknown artist

Sir Humphrey Davy

1803

A. Birrell John Home, Esq.

Print made by A. Birrell, ca.1770–ca. 1820

John Home, Esq

1799

unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

William Miller Modern Italy

Print made by William Miller, 1796–1882

Modern Italy

1842

William Miller Modern Italy

Print made by William Miller, 1796–1882

Modern Italy

1842

Edward Fisher Charles Watson Esq., Vice-Admiral of the White

Edward Fisher, 1722–1785

Charles Watson Esq., Vice-Admiral of the White

between 1758 and 1782

William Wynne Ryland The Interview Between Edgar and Elfreda After Her Marriage with Athelwood

William Wynne Ryland, 1732–1783

The Interview Between Edgar and Elfreda After Her Marriage with Athelwood

1786

Louisa Augusta Greville Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Frederick Christian Lewis the Elder View of Old Aberdeen, Including King's College and the Cathedral

Frederick Christian Lewis the Elder, 1779–1856

View of Old Aberdeen, Including King's College and the Cathedral

1808

William Woollett The Rural Cott

William Woollett, 1735–1785

The Rural Cott

1797

William Woollett The Haymakers

William Woollett, 1735–1785

The Haymakers

ca. 1800

Valentine Green Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III.

Valentine Green, 1739–1813

Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III

1776

Robert Pollard A North East View of the Tuesday Market Place of Lynn Regis

Robert Pollard, 1755–1838

A North East View of the Tuesday Market Place of Lynn Regis

1797

Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Seine

Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi, on the Banks of the Seine

1803

Francesco Bartolozzi Jane, Lady Lister

Print made by Francesco Bartolozzi, 1728–1815

Jane, Lady Lister

1792

Johann Jacobus Haid Mr. Garrick in "The Farmer's Return"

Johann Jacobus Haid, 1704–1767

Mr. Garrick in "The Farmer's Return"

1766

Richard Earlom Thomas King and Sophia Baddely in "The Clandestine Marriage"

Richard Earlom, 1743–1822

Thomas King and Sophia Baddely in "The Clandestine Marriage"

1772

unknown artist The Famous Lincolnshire Ox

Print made by unknown artist

The Famous Lincolnshire Ox

1823