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Collection
Prints and Drawings
398
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
139
Edwards, Richard, active 1796–1797
81
Young, Edward, 1683–1765
81
Gray, Thomas, 1716–1771
58
Unknown artist
37
Cotman, John Sell, 1782–1842
28
Gillray, James, 1756–1815
19
Bartolozzi, Francesco, 1727–1815
14
Smith, John Thomas, 1766–1833
14
Cruikshank, Isaac, 1764–1811
13
Malton, Thomas, 1726–1801
10
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Dayes, Edward, 1763–1804
8
Newton, Richard, 1777–1798
8
Rowlandson, Thomas, 1756–1827
8
Cleghorn, Claud, active 1797–1800
7
Walker, James, 1748–1808
7
Vaslet, Lewis, 1742–1808
6
Wheatley, Francis, 1747–1801
6
Daniell, Samuel, 1775–1811
5
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Creator
»
Date
1800
1,037
1802
607
1834
587
1796
576
1745
542
1795
499
1771
482
1791
481
1804
452
1826
436
1789
434
1792
422
1827
418
1790
406
1793
402
1797
[remove]
399
1772
391
1835
384
1825
376
1832
367
1784
364
1775
353
1830
348
1820
347
1814
344
1794
325
1700
321
1799
317
1803
300
1785
294
1833
293
1818
290
1801
284
1812
283
1767
282
1798
282
1780
271
1836
264
1768
244
1823
244
1748
235
1808
235
1787
227
1805
226
1811
223
1828
219
1817
217
1770
212
1809
212
1783
210
1821
210
1810
208
1813
203
1807
200
1819
198
1815
197
1752
193
1782
187
1788
182
1755
177
1837
176
1839
176
1816
174
1824
171
1630
170
1822
165
1778
157
1829
156
1786
152
1806
152
1831
152
1758
151
1765
150
1850
137
1781
132
1777
130
1740
127
1763
126
1774
116
1762
114
1840
114
1838
109
1776
108
1841
108
1779
103
1753
101
1773
98
1750
97
1760
94
1845
90
1764
87
1855
86
1717
84
1842
82
1739
80
0
78
1847
78
1756
76
1754
75
1859
75
On-site Access
Accessible in the Study Room
398
On view
1
Image Use
Free to Use
398
Under Certain Circumstances
1
Image Available
Available
[remove]
399
Classification
Prints
254
Drawings & Watercolors
130
Drawing & Watercolors-Architectural
14
Paintings
1
Creator Gender
male
385
unknown
37
female
2
Collective Title
Young's Night Thoughts
81
The Poems of Thomas Gray
58
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
The Spoiled Child
6
Iconographie Anglaise par Reynolds et Autres
3
Three Views of Cottages near Colchester
2
Cries of London
1
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
1
Smirke [Shakespeare] Album
1
The Copper-Plate Magazine and The Itinerant
1
The Cries of London
1
Period
18th century
323
18th century-19th century
50
19th century
26
Materials & Techniques
wove paper
185
watercolor
152
graphite
131
black ink
85
line engraving
57
etching (printing process)
49
pen
25
brown ink
19
stipple engraving
19
gray wash
16
laid paper
16
mezzotint
12
gouache
8
aquatint
7
gray ink
7
wash
6
brown wash
4
soft-ground etching
4
colored ink
2
gum arabic
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
83
Unknown
94
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
106
Unknown
94
Work Type
watercolor
150
drawing
143
intaglio print
111
relief print
40
ticket
2
painting
1
Genre
literary theme
103
religious and mythological subject
45
architectural subject
44
landscape
34
genre subject
33
portrait
18
marine art
12
cityscape
11
animal art
9
historical subject
9
military art
4
figure study
3
sporting art
3
relief print
2
still life
1
Subject Terms
literary theme
99
text
95
men
83
religious and mythological subject
81
women
60
man
57
trees
46
architectural subject
37
satire
37
landscape
32
caricature
31
caricatures
30
woman
24
beard
22
clouds
22
genre subject
21
river
20
children
19
nudes
19
water
19
more
Subject Terms
»
Associated Places
United Kingdom
55
England
34
Europe
32
Scotland
9
Wales
9
Cymru
7
London
6
Norfolk
6
Greater London
5
Caernarfonshire and Merionethshire
3
Devon
3
France
3
Isle of Wight
3
Westminster
3
Africa
2
Barmouth
2
Cader Idris
2
Caernarfon Castle
2
Caernarvon
2
Cumbria
2
more
Associated Places
»
Associated People
Fox, Charles James (1749–1806), politician
6
Pitt, William [known as Pitt the younger] (1759–1806), prime minister
3
Shakespeare, William (1564–1616), playwright and poet
2
Bedford, Francis Russell, 5th Duke of (British aristocrat, 1765–1802)
1
Cupid
1
Dundas, Henry, first Viscount Melville (1742–1811), British politician and lawyer
1
Dyck, Sir Anthony Van (1599–1641), painter and etcher
1
Erskine, Thomas, first Baron Erskine (1750–1823), British politician
1
Eve
1
Frederick, Prince William Duke of Gloucester and Edinburgh (1776–1834)
1
Grey, Charles, 2nd Earl Grey (1764–1845), politician/statesman
1
Jane, Duchess of Gordon (née Maxwell) (1748/9 - 1812), academic/intellectual
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Morland, Anne (Nancy; c.1765–1804)
1
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Rushout, Anne (d. 1849)
1
Sheridan, Richard Brinsley (1751–1816), playwright and politician
1
Taylor, Right Hon Michael Angelo (1757–1834), English politician and member of Parliament
1
Wilberforce, William (1759–1833), politician and philanthropist
1
angel
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
44
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
44
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
15
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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399
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1797
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1
George Garrard, 1760–1826
Ranger, a setter, the property of Elizabeth Gray
1797
On view
2
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
3
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
4
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
5
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
6
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
7
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
8
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
9
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
10
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
11
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
12
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
13
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
14
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
15
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
16
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
17
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
18
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
19
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
20
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
21
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
22
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
23
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
24
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
25
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
26
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
27
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
28
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
29
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
30
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
31
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
32
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
33
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
34
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
35
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
36
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
37
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
38
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
39
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
40
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
41
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
42
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
43
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
44
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
45
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
46
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
47
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
48
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
49
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
50
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
51
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
52
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
53
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
54
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
55
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
56
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
57
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
58
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
59
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
60
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
61
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
62
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
63
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
64
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
65
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
66
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
67
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
68
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
69
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
70
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
71
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
72
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
73
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
74
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
75
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
76
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
77
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
78
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
79
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
80
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
81
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
82
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
83
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
84
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
85
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
86
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
87
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
88
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
89
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
90
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
91
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
92
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
93
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
94
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
95
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
96
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
97
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
98
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
99
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
100
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
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