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George Romney Study for the Shipwreck Scene, The Tempest: Prospero, and Miranda
George Romney, 1734–1802
Study for the Shipwreck Scene, The Tempest: Prospero, and Miranda
1786–1787
On view at YUAG
George Romney Mother and Son
George Romney, 1734–1802
Mother and Son
late 1770s
On view at YUAG
George Romney Viscountess Bulkeley as Hebe
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
ca. 1776
On view at YUAG
George Romney John Howard Visiting a Lazaretto
George Romney, 1734–1802
John Howard Visiting a Lazaretto
ca. 1790–92
On view at YUAG
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Robert Polhill Bevan Study of a Woman Sewing
Robert Polhill Bevan, 1865–1925
Study of a Woman Sewing
undated
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
John Constable Mary Constable Reading
John Constable, 1776–1837
Mary Constable Reading
1812
George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Tenth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1794
On view
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake Elegy Written in a Country Church-Yard; Title Page
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
William Blake Ode on a Distant Prospect of Eton College; Title Page
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake The Descent of Odin, An Ode; Title Page
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake There Is No Natural Religion; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake Ode for Music, Performed in the Senate-House; Title Page
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake A Long Story; Title Page
William Blake, 1757–1827
A Long Story; Title Page
between 1797 and 1798
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
mid- to late 1770s
George Romney A Reclining Woman
George Romney, 1734–1802
A Reclining Woman
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
1770s
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
George Romney A Seated Woman
George Romney, 1734–1802
A Seated Woman
early 1770s
George Romney Two Studies of a Seated Woman
George Romney, 1734–1802
Two Studies of a Seated Woman
late 1770s
George Romney Seated Woman, Lightly Draped
George Romney, 1734–1802
Seated Woman, Lightly Draped
1770s
George Romney Study for a Portrait of a Woman
George Romney, 1734–1802
Study for a Portrait of a Woman
1770s
George Romney Seated Woman, possibly with a Child
George Romney, 1734–1802
Seated Woman, possibly with a Child
late 1760s-early 1770s
George Romney Study of a Seated Woman
George Romney, 1734–1802
Study of a Seated Woman
1770s
George Romney Two Standing Youths
George Romney, 1734–1802
Two Standing Youths
late 1770s
George Romney Study for the Portrait of Lady Monson
George Romney, 1734–1802
Study for the Portrait of Lady Monson
1778
George Romney Lady Hamilton as Cassandra
George Romney, 1734–1802
Lady Hamilton as Cassandra
undated
George Romney Bacchante
George Romney, 1734–1802
Bacchante
undated
George Romney Miss Woodley
George Romney, 1734–1802
Miss Woodley
undated
George Romney Lady Hamilton as a Bacchante
George Romney, 1734–1802
Lady Hamilton as a Bacchante
after 1785
George Romney Mrs. Drummond Smith
George Romney, 1734–1802
Mrs. Drummond Smith
undated
George Romney Iphigenia Kneeling at an Altar
George Romney, 1734–1802
Iphigenia Kneeling at an Altar
undated
George Romney Study for Elizabeth Warren as Hebe
George Romney, 1734–1802
Study for Elizabeth Warren as Hebe
undated
George Romney Mrs. Stables and Children
George Romney, 1734–1802
Mrs. Stables and Children
undated
George Romney Seated Woman: Three Poses
George Romney, 1734–1802
Seated Woman: Three Poses
ca. 1770
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
1770s
George Romney Seated Woman: Three Poses
George Romney, 1734–1802
Seated Woman: Three Poses
ca. 1770
George Romney Studies for Portraits of a Man and of a Woman
George Romney, 1734–1802
Studies for Portraits of a Man and of a Woman
ca. 1770
George Romney Seated Woman, Two Studies
George Romney, 1734–1802
Seated Woman, Two Studies
ca. 1769
George Romney Seated Woman, Possibly Mrs. Harris
George Romney, 1734–1802
Seated Woman, Possibly Mrs. Harris
1770s
George Romney Shepherdess Cutting an Inscription on a Tree
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
late 1770s
George Romney Prostrate Woman
George Romney, 1734–1802
Prostrate Woman
ca. 1780
George Romney The Indian Woman
George Romney, 1734–1802
The Indian Woman
ca. 1793
George Romney Two Girls
George Romney, 1734–1802
Two Girls
undated
George Romney Miss Sarah Rodbard, later Lady Coote
George Romney, 1734–1802
Miss Sarah Rodbard, later Lady Coote
undated
George Romney Lady Hamilton as the Spinstress
George Romney, 1734–1802
Lady Hamilton as the Spinstress
undated
George Romney The Wronged Maid
George Romney, 1734–1802
The Wronged Maid
undated
George Romney Mrs. Crouch
George Romney, 1734–1802
Mrs. Crouch
undated
George Romney Study for the Portrait of Benedetta Ramus
George Romney, 1734–1802
Study for the Portrait of Benedetta Ramus
1770s
George Romney Elizabeth Warren as Hebe
George Romney, 1734–1802
Elizabeth Warren as Hebe
1770s
George Romney Three Studies of a Woman's Face
George Romney, 1734–1802
Three Studies of a Woman's Face
undated
George Romney Standing Girl
George Romney, 1734–1802
Standing Girl
undated
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
undated
George Romney Seated and Half-Kneeling Woman
George Romney, 1734–1802
Seated and Half-Kneeling Woman
ca. 1770
George Romney Seated Man and Seated Woman
George Romney, 1734–1802
Seated Man and Seated Woman
ca. 1770
George Romney Seated Woman
George Romney, 1734–1802
Seated Woman
1770s
George Romney Two Figures: Probably for the Bath of Diana
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
early 1770s
George Romney Charity
George Romney, 1734–1802
Charity
1770s
George Romney Standing Woman with Classical Drapery
George Romney, 1734–1802
Standing Woman with Classical Drapery
1770s
George Romney Study of a Pensive Woman
George Romney, 1734–1802
Study of a Pensive Woman
late 1770s
George Romney Emma Hamilton Seated
George Romney, 1734–1802
Emma Hamilton Seated
1786