Collection: Prints and Drawings / Subject Terms: moon - YCBA Collections Search Search Results

1. Oberon and Titania

Creator:: Francis Danby, 1793–1861
Date:: 1837
Materials & Techniques:: Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. A Moonlit Scene with a Winding River

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 9 inches (15.3 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:: Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Pastoral Scene

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Brown wash on wove paper
Dimensions:: Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Evening, Cattle Watering

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gouache and watercolor and scraping out with varnish on card
Dimensions:: Sheet: 4 1/4 x 3 inches (10.8 x 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Crescent Moon

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and sepia ink and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 x 4 1/2 inches (18.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Sepulchre

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1800; impression printed in 1924
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 7/16 x 12 13/16 inches (24 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

24. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

26. The Sepulchre

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: between 1880 and 1883
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 14 3/8 inches (25.3 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

27. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Harvest under a Crescent Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: ca. 1826
Materials & Techniques:: Wood engraving on thin, smooth, cream laid paper
Dimensions:: Sheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

31. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 inches (21 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. Sliema

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

35. Karnak, 9:30 pm, 22 January 1867 (212)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/16 x 6 3/4 inches (8.7 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

36. Near Belbeis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 x 8 1/2 inches (7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

37. El Areesh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/16 x 4 11/16 inches (5.2 x 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

38. El Areesh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/16 x 6 5/16 inches (10.3 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

39. El Areesh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 1 3/4 x 4 1/2 inches (4.4 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

40. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "Rose up against me thundering..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. I Want! I Want! (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "Awake! Awake Jerusalem..." (Plate 97)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "To The Accuser who is The God of This World..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "I want! I want!" (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Serpent who Girds the Earth (Design 77)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "And One stood forth from the Divine Family..." (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "Jehovah stood among the Druids..." (Plate 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. "Then all the Males conjoined into One Male..." (Plate 69)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. "Became a Space & an Allegory..." (Plate 85)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Illustrations of Imitation of Eclogue I, Page 16

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Illustrations of Imitation of Eclogue I, Page 15

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Study of a Clouded Moonlit Sky

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/8 × 6 3/4 inches (11.1 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Moonlit Landscape with a Ruined Castle

Creator:: John Martin, 1789–1854
Date:: between 1820 and 1830
Materials & Techniques:: Gray wash, brown wash, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Drifting

Creator:: John MacWhirter, 1839–1911
Date:: undated
Materials & Techniques:: Gray wash, gray wash, and white gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 9 15/16 × 13 7/8 inches (25.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

68. Villa Madama, Moonlight

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Spoiled Child, Scene IV

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Pyramus and Thisbe

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/16 × 10 1/8 inches (20.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Acteon and Diana

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/16 × 10 5/8 inches (35.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 9/16 × 7 1/16 inches (24.3 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Moonlight

Creator:: Print made by Thomas Creswick, 1811–1869
Date:: 1839
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Sir Gareth and Lady Lionesse

Creator:: David Jones, 1895–1974
Date:: ca. 1940
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/4 x 19 inches (61.6 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. An Elopement by Moonlight

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: 1834
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 11/16 × 14 7/16 inches (24.6 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The London-Dumphries Royal Mail

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: between 1830 and 1840
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 11 5/16 × 16 1/4 inches (28.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

Creator:: John Finlayson, 1730–1776
Date:: 1768
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Eclipse at an End - and Political Tilting Discovered

Creator:: Print made by unknown artist
Date:: ca. 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 13in. (22.5 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Valley of the Shadow of Death

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 × 13 3/4 inches (24.9 × 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Moonlight

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 15 3/4 inches (30.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Das Schachspiel

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 11/16 × 16 1/4 inches (32.2 × 41.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Mezzotint, published state on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. 'Twixt Dawn and Day

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1919
Materials & Techniques:: Aquatint on wove paper
Dimensions:: Sheet: 13 5/8 × 18 inches (34.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

88. The Nightingale

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 3/16 inches (26.6 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Creator:: Simon François Ravenet, 1706–1774
Date:: 1753
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Eclipse of the Sun as it Will Appear at London on July 14, 1748

Creator:: Print made by J. Walker, active ca. 1748
Date:: 1748
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving; 1st state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Tynemouth Pier - Lighting the Lamps at Sundown

Creator:: Alfred William Hunt, 1830–1896
Date:: 1868
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Loch Coruisk, Isle of Skye, Dawn

Creator:: George Fennell Robson, 1788–1833
Date:: between 1826 and 1832
Materials & Techniques:: Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Music by Moonlight

Creator:: Paul Sandby, 1731–1809
Date:: 1782 or 1788
Materials & Techniques:: Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 13 5/8 inches (28.9 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Master Lambton

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1827
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 14 1/4 inches (47 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Cupid and Psyche

Creator:: Print made by William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Villa Madama, Moonlight

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Lea Marshes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 15/16 × 4 1/4 inches (7.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Moonlit Lake

Creator:: attributed to Samuel Jackson, 1794–1869
Date:: undated
Materials & Techniques:: Brown wash and graphite, with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Collection Prints and Drawings

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Search Results

1. Oberon and Titania

2. A Moonlit Scene with a Winding River

3. The Rising Moon

4. The Weary Ploughman

5. Cornfield and Church by Moonlight

6. A Pastoral Scene

7. Evening, Cattle Watering

8. A Shepherd and his Flock under the Moon and Stars

9. The Crescent Moon

10. The Bellman

11. The Homeward Star

12. Christmas

13. The Rising Moon

14. The Rising Moon

15. The Rising Moon

16. The Rising Moon

17. The Homeward Star

18. The Homeward Star

19. The Lonely Tower

20. The Sepulchre

21. The Weary Ploughman

22. The Rising Moon

23. The Bellman

24. The Weary Ploughman

25. The Lonely Tower

26. The Sepulchre

27. The Bellman

28. Harvest under a Crescent Moon

29. The Homeward Star

30. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

31. Rispah: 2nd Book of Samuel, Chap. 21

32. Rispah: 2nd Book of Samuel, Chap. 21

33. Rispah: 2nd Book of Samuel, Chap. 21

34. Sliema

35. Karnak, 9:30 pm, 22 January 1867 (212)

36. Near Belbeis

37. El Areesh

38. El Areesh

39. El Areesh

40. "One hair nor particle of dust..." (Plate 14)

41. "From every-one of the Four Regions..." (Plate 18)

42. "What have I said? What have I done?..." (Plate 24)

43. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

44. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

45. "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

46. "Rose up against me thundering..." (Plate 8)

47. I Want! I Want! (Plate 11)

48. "Awake! Awake Jerusalem..." (Plate 97)

49. Jerusalem, Tailpiece (Plate 100)

50. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

51. "To The Accuser who is The God of This World..." (Plate 19)

52. "I want! I want!" (Plate 11)

53. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

54. The Serpent who Girds the Earth (Design 77)

55. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

56. "But when they saw Albion fall'n..." (Plate 20)

57. "And One stood forth from the Divine Family..." (Plate 37)

58. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

59. "Jehovah stood among the Druids..." (Plate 63)

60. "Then all the Males conjoined into One Male..." (Plate 69)

61. "Became a Space & an Allegory..." (Plate 85)

62. Illustrations of Imitation of Eclogue I, Page 16

63. Illustrations of Imitation of Eclogue I, Page 15

64. Study of a Clouded Moonlit Sky

65. The Rescue of Lot

66. Moonlit Landscape with a Ruined Castle

67. Drifting

68. Villa Madama, Moonlight

69. The Spoiled Child, Scene IV

70. Pyramus and Thisbe

71. Acteon and Diana

72. Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death

73. The Soul Exploring the Recesses of the Grave

74. Moonlight