<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Subject Terms light

Remove constraint Subject Terms: light

Search Results

Francis Danby The Haunted Wood
Francis Danby, 1793–1861
The Haunted Wood
undated
Francis Danby Subterranean Pool with Sculptural Torchere
attributed to Francis Danby, 1793–1861
Subterranean Pool with Sculptural Torchere
undated
Francis Danby Sunset over a River Landscape
Francis Danby, 1793–1861
Sunset over a River Landscape
early 1840s
Samuel Palmer The Lonely Tower
Samuel Palmer, 1805–1881
The Lonely Tower
1868
Samuel Palmer Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
Samuel Palmer, 1805–1881
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
1835 or 1836
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
John Constable Suffolk Landscape
John Constable, 1776–1837
Suffolk Landscape
undated
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Windmill and Lock
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
Joseph Mallord William Turner Barnard Castle, Durham
Joseph Mallord William Turner, 1775–1851
Barnard Castle, Durham
ca. 1825
On view
Joseph Mallord William Turner The Moselle Bridge, Coblenz
Joseph Mallord William Turner, 1775–1851
The Moselle Bridge, Coblenz
ca. 1847–50
On view
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
John Frederick Lewis Roman Pilgrims
John Frederick Lewis, 1804–1876
Roman Pilgrims
1854
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
Edward John Poynter Landscape near Ageles - Gazost at the foot of the Pyrenees
Edward John Poynter, 1836–1919
Landscape near Ageles - Gazost at the foot of the Pyrenees
undated
James Holland Evening Sky on the Coast
James Holland, 1799–1870
Evening Sky on the Coast
between 1859 and 1861
Henry Lamb Street Stall
Henry Lamb, 1883–1960
Street Stall
after 1945
John Frederick Lewis A Greek Girl Standing on a Balcony
John Frederick Lewis, 1804–1876
A Greek Girl Standing on a Balcony
1840
Lt. Gen. Charles Emilius Gold View near Auckland: Evening-Trees and Ferns
Lt. Gen. Charles Emilius Gold, 1803?–1871
View near Auckland: Evening-Trees and Ferns
ca. 1849
Samuel Jackson Romantic Landscape
Samuel Jackson, 1794–1869
Romantic Landscape
ca. 1830
Alfred William Hunt Tynemouth Pier - Lighting the Lamps at Sundown
Alfred William Hunt, 1830–1896
Tynemouth Pier - Lighting the Lamps at Sundown
1868
William Callow Landscape with Sheep
William Callow, 1812–1908
Landscape with Sheep
undated
Alexander Runciman Celadon and Amelia from Thomson's 'The Seasons'
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
William John Chamberlayne Joshua Delivering Gibeon
William John Chamberlayne, 1821–1910
Joshua Delivering Gibeon
undated
Paul Sandby Roslin Castle, Midlothian
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
John Le Capelain Figure Seated by a Stream at Sunset
John Le Capelain, 1812–1848
Figure Seated by a Stream at Sunset
undated
Thomas Shotter Boys Fountain in the Gardens, Paris: Evening
Thomas Shotter Boys, 1803–1874
Fountain in the Gardens, Paris: Evening
undated
Anthony Vandyke Copley Fielding A View on the Brathay near Ambleside
Anthony Vandyke Copley Fielding, 1787–1855
A View on the Brathay near Ambleside
undated
William Callow Ship Building
William Callow, 1812–1908
Ship Building
1841
Sir Francis Seymour Haden The Two Asses
Sir Francis Seymour Haden, 1818–1910
The Two Asses
1863
Sir Francis Seymour Haden The Two Asses
Sir Francis Seymour Haden, 1818–1910
The Two Asses
1863
Sir Francis Seymour Haden An Early Riser
Sir Francis Seymour Haden, 1818–1910
An Early Riser
1897
Katharine Cameron Beregonium
Print made by Katharine Cameron, 1874–1965
Beregonium
1920
John Martin The Crucifixion
Print made by John Martin, 1789–1854
The Crucifixion
1834
Sir Muirhead Bone Rainy Night in Rome
Print made by Sir Muirhead Bone, 1876–1953
Rainy Night in Rome
1914
Sir Muirhead Bone Demolition of St. James's Hall, Interior
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
Sir Francis Seymour Haden The Two Asses
Sir Francis Seymour Haden, 1818–1910
The Two Asses
1863
James Basire II Inside View of the Hall of Christ Church
Print made by James Basire II, 1769–1822
Inside View of the Hall of Christ Church
1807
Thomas Mann Baynes The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Print made by Thomas Mann Baynes, 1794–1854
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
after 1835
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
unknown artist Grandpapa's Story or The Witches Frolick
Print made by unknown artist
Grandpapa's Story or The Witches Frolick
1838
George Cruikshank Jonathan Wild Discovers Darrell in the Loft
Print made by George Cruikshank, 1792–1878
Jonathan Wild Discovers Darrell in the Loft
1835
Francis Dodd The Garden Door
Print made by Francis Dodd, 1874–1949
The Garden Door
1909
Paul Nash Landscape
Paul Nash, 1889–1946
Landscape
undated
Albert Goodwin Off Hastings
Albert Goodwin, 1845–1932
Off Hastings
undated
Sir Muirhead Bone Windy Night, Stockholm
Print made by Sir Muirhead Bone, 1876–1953
Windy Night, Stockholm
1935
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Arthur John Reginald Trevor Briscoe The Old Man
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
The Old Man
1925
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
Sir Francis Seymour Haden A Lady Reading
Sir Francis Seymour Haden, 1818–1910
A Lady Reading
1858
Sir Francis Seymour Haden Kensington Gardens, no. 2 (large plate)
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 2 (large plate)
1860
Sir Francis Seymour Haden A Byroad in Tipperary
Sir Francis Seymour Haden, 1818–1910
A Byroad in Tipperary
1860
Sir Francis Seymour Haden Kensington Gardens, no. 2 (large plate)
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 2 (large plate)
1860
Sir Francis Seymour Haden A Byroad in Tipperary
Sir Francis Seymour Haden, 1818–1910
A Byroad in Tipperary
1860
Sir Francis Seymour Haden The Holly Field
Sir Francis Seymour Haden, 1818–1910
The Holly Field
1860
Sir Francis Seymour Haden The Two Asses
Sir Francis Seymour Haden, 1818–1910
The Two Asses
1863
Sir Francis Seymour Haden Harlech, no. 2
Sir Francis Seymour Haden, 1818–1910
Harlech, no. 2
1880
John Linnell The Vision of Eliphaz
circle of John Linnell, 1792–1882
The Vision of Eliphaz
undated
Gerald Leslie Brockhurst The Dancer
Print made by Gerald Leslie Brockhurst, 1890–1978
The Dancer
1925
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
Frederik Christiaan Bierweiler De Hemelvaart
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Hemelvaart
ca. 1820
Philip Dawe Reading by a Paper-Bell Shade
Print made by Philip Dawe, ca.1750–ca.1790
Reading by a Paper-Bell Shade
1768
Jacob Gole S. Maria Magdalena
Print made by Jacob Gole, 1660–1737
S. Maria Magdalena
undated
Johann Gottfried Haid The Young Musicians
Print made by Johann Gottfried Haid, 1704–1767
The Young Musicians
1764
Johann Lorenz Haid Portrait of a Man
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Man
early 1750s
Johann Lorenz Haid Portrait of a Woman
Print made by Johann Lorenz Haid, 1702–1750
Portrait of a Woman
undated
Charles West Cope Morning Prayer
Print made by Charles West Cope, 1811–1890
Morning Prayer
1844
George H. Phillips Crossing the Red Sea
George H. Phillips, active 1819–1825
Crossing the Red Sea
1829
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
Samuel Freeman Iris
Print made by Samuel Freeman, 1773–1857
Iris
1808