Night the First. On Life, Death and Immortality; Title Page
ca. 1797
2
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
3
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
4
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
5
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
6
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
7
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
8
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
9
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
10
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
11
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
12
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
13
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
14
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
15
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
16
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
17
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
18
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
19
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
20
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
21
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
22
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
23
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
24
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
25
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
26
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
27
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
28
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
29
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
30
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
31
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
32
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
33
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
34
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
35
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
36
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
37
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
38
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
39
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
40
Print made by William Blake, 1757–1827
Pity
ca. 1795
41
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
42
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
43
George Romney, 1734–1802
Fall of the Rebel Angels
undated
44
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
45
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
46
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
47
Print made by John Smith, the mezzotinter, 1652–1743
Plaudit Ave Regina
undated
48
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
49
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
50
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
51
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
52
Print made by William Say, 1768–1834
Hagar and Ishmael
1812
53
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
54
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
55
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
56
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
57
Edward Francis Burney, 1760–1848
Pastoral
undated
58
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
59
Edward Francis Burney, 1760–1848
Charity
undated
60
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
61
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
62
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
63
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
64
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments
undated
65
Edward Francis Burney, 1760–1848
The Arts
undated
66
Augustus Welby Northmore Pugin, 1812–1852
Sketches of the Butler-Bowden cope
undated
67
Edward Francis Burney, 1760–1848
Allegory of Painting and Literature
undated
68
Edward Francis Burney, 1760–1848
Pamphilia
undated
69
Edward Francis Burney, 1760–1848
Pamphilia
undated
70
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
71
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
72
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
73
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
74
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
75
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
76
Richard Westall, 1765–1836
The Birth of Christ (Luke 2:15)
before 1836
77
Print made by William Say, 1768–1834
The Ecstasy of St. Francis
1809
78
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
79
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
80
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
81
George Frederic Watts, 1817–1904
Studies for the Angels in The Court of Death
undated
82
George Frederic Watts, 1817–1904
Study for a Circular Ceiling Decoration
undated
83
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
84
unknown artist
The Destruction of Sodom and Gomorrah
undated
85
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
86
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
87
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
88
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
89
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
90
circle of John Linnell, 1792–1882
The Fall of Satan
undated
91
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
92
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
93
circle of John Linnell, 1792–1882
Job and His Family
undated
94
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
95
circle of John Linnell, 1792–1882
The Creation
undated
96
Benjamin Smith, 1775–1833
The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
1799
97
Stella Marsden, active 1955
Engraved Brasses
1955
98
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
99
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5