'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
6
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
7
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
8
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
9
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
10
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
12
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
13
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
14
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
15
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
16
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
17
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
18
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
19
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
20
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
21
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
22
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
23
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
24
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
25
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
26
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
27
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
28
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
29
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
30
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
31
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
32
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
33
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
34
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
35
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
36
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
37
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
38
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
39
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
40
Print made by William Blake, 1757–1827
Pity
ca. 1795
41
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
42
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
43
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
44
unknown artist
The Destruction of Sodom and Gomorrah
undated
45
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
46
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
47
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
48
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
49
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
50
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
51
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
52
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
53
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
54
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
55
Edward Francis Burney, 1760–1848
Pamphilia
undated
56
Edward Francis Burney, 1760–1848
Pamphilia
undated
57
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
58
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
59
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
60
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
61
circle of John Linnell, 1792–1882
The Creation
undated
62
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
63
circle of John Linnell, 1792–1882
The Fall of Satan
undated
64
circle of John Linnell, 1792–1882
Job and His Family
undated
65
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
66
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
67
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
68
Richard Cosway, 1742–1821
Cupid Overpowering a Satyr
undated
69
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
70
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
71
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels