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Collection Prints and Drawings
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1
- Prison Scene
- ca. 1790–92
- On view at YUAG
2
- Howard Visiting a Prison
- ca. 1790–92
- On view at YUAG
3
- Prison Scene
- ca. 1790–92
- On view at YUAG
4
- Study for the Shipwreck Scene, The Tempest: Prospero, and Miranda
- 1786–1787
- On view at YUAG
5
- John Howard Visiting a Lazaretto
- ca. 1790–92
- On view at YUAG
6
- Howard Visiting a Prison
- ca. 1790–92
- On view at YUAG
7
- Study of Two Figures
- late 1770s
- On view at YUAG
8
- The Ferry
- ca. 1840
9
- Arab Horsemen, Two Grey Horses
- 1965
10
- Over the Bank, Exmoor
- ca. 1895
11
- Crocks
- ca. 1924
12
- Under the Hammer
- between 1912 and 1913
13
- Sale at Ward's Repository, No. 2
- ca. 1918
14
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
15
- The Bayhorse, Tattersall’s
- 1921
16
- Ploughing the Hillside
- ca. 1905
17
- Timber Hauling
- ca. 1917
18
- The Horse Mart (with further sketches in the margin)
- ca. 1918
19
- The Meet
- 1898-1899
20
- Found!
- 1898-1899
21
- The Flying Pack
- 1898-1899
22
- Who-o-p!
- 1898-1899
23
- Figures at Mass, Poland
- ca. 1904
24
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
25
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
26
- The Homeward Star
- begun ca. 1880
27
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
28
- Human Figure, Lateral View
- 1795 to 1806
29
- Labourers
- 1789
30
- The First Stage of Cruelty
- ca. 1750
31
- Grotesque Male Head
- undated
32
- Grotesque Male Head
- undated
33
- Grotesque Male Head
- undated
34
- Grotesque Male Head
- undated
35
- Grotesque Male Head
- undated
36
- Grotesque Male Head
- undated
37
- Grotesque Male Head
- undated
38
- Grotesque Male Head
- undated
39
- Grotesque Male Head
- undated
40
- Hudibras Vanquished by Trulla
41
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
42
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
43
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
44
- Gabriel Hunt
- undated
45
- Lake of Thun, Switzerland
- 1808
46
- The Deluge
- between 1813 and 1823
47
- Christ and the Woman of Samaria
- 1819
48
- Rome from Monte Mario
- ca. 1818
49
- Folkestone Harbour and Coast to Dover
- ca. 1829
- On view
50
- Teignmouth, Devonshire
- ca. 1813
- On view
51
- Silsilis
- 1854
52
- Near Suez, evening, 15 January 1849 (43)
- 1849
53
- Val di Roppa, Corfu, 22 May 1868
- 1868
54
- Opposite Beni Hassan
- 1867
55
- Howatke
- 1867
56
- Seated Men
- 1867
57
- Studies of Camels and Egyptian Men
- 1867
58
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
59
- 'We censure nature for a span too short' (Page 23)
- 1797
60
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
61
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
62
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
63
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
64
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
65
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
66
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
67
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
68
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
69
- 'The longest night though longer far, would fail' (Page 15)
- 1797
70
- 'The present moment terminates our sight' (Page 13)
- 1797
71
- Poems by Mr. Gray; Title Page
- between 1797 and 1798
72
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
73
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
74
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
75
- Ode on the Spring; Title Page
- between 1797 and 1798
76
- The Progress of Poesy, A Pindaric Ode; Title Page
- between 1797 and 1798
77
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
78
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
79
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
80
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
81
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
82
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
83
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
84
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
85
- The Divine Image (Plate 12)
- 1789
86
- Nurse's Song (Plate 22)
- 1789
87
- Laughing Song (Plate 28)
- 1789
88
- A Dream (Plate 4)
- 1789
89
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
90
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
91
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
92
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
93
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
94
- America, A Prophecy; Title Page (Plate 2)
- 1793
95
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
96
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
97
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
98
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
99
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
100
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820