Collection: Prints and Drawings / Period: 18th century / Subject Terms: church

Print made by William Hogarth, 1697–1764

The Sleeping Congregation

1736

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Joseph Mallord William Turner, 1775–1851

North East View of Grantham Church, Lincolnshire

ca. 1797

Joseph Mallord William Turner, 1775–1851

South Porch and Tower of an Unidentified Church

between 1790 and 1795

William Blake, 1757–1827

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

between 1797 and 1798

William Blake, 1757–1827

The Author Writing (Design 105)

between 1797 and 1798

William Blake, 1757–1827

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

between 1797 and 1798

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake, 1757–1827

"At the chapel-door stand sentry... (Design 31)

between 1797 and 1798

Giovanni Stern, 1734–1794

Plans of Ancient Roman Church: 4. Terme di Tito

undated

Print made by James Walker, 1748–1808

Nottingham

1795

Print made by James S. Storer, 1771–1853

Birmingham

1795

Print made by James Walker, 1748–1808

Wakefield

1798

Print made by George Murray, died 1822

Bath

1795

Print made by George Murray, died 1822

Neath

1795

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Print made by John Robert Cozens, 1752–1797

The City of Bath taken from the London Road

1773

Print made by John Faber the Younger, ca. 1695–1756

The Choice

1737

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

attributed to Paul Sandby, 1731–1809

Design for a Church. Elevation of West Front

undated

Print made by James Walker, 1748–1808

Rochester

1794

Print made by James Walker, 1748–1808

Rochester

1794

Print made by Thomas Tagg, died 1809

Cambridge

1795

Print made by Thomas Tagg, died 1809

Northampton

1796

Thomas Hearne, 1744–1817

Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

1778

Print made by Lydia Bates, active 1784

Landscape with Classical Ruins

1784

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Giovanni Battista Borra, 1713–1770

Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639

ca. 1750

Giovanni Battista Borra, 1713–1770

Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea

ca. 1750

Print made by Lydia Bates, active 1784

A Choral Band

ca. 1777

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Thomas Hearne, 1744–1817

The Ruins of Leiston Abbey

1781

Print made by Louis de Fontaine, active 1723–1757

Wandering Musicians

undated

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

Charles Gore, 1729–1807

Lorch on the Rhine

between 1790 and 1799

Thomas Hearne, 1744–1817

Edinburgh

ca. 1778

Charles Gore, 1729–1807

Konigstein

1789

Jonathan Skelton, active 1754, died 1758

Harbledown, a Village near Canterbury

1757

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

Sir George Howland Beaumont seventh Baronet, 1753–1827

Larice

1782

William Pars, 1742–1782

Temple of Venus and Rome from the Colosseum

1781

William Pars, 1742–1782

The Secundini Monument at Ighel in the Duchy of Luxembourg

undated

Francis Wheatley, 1747–1801

Traveling Potter Outside a Cottage

1798

Sir George Howland Beaumont seventh Baronet, 1753–1827

Abbey Church at St. Albans

1781

Sir Richard Colt Hoare, 1758–1838

Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

1790

Sir Richard Colt Hoare, 1758–1838

Church of S. Domenico on the river Fibrenus

1790

James Lambert of Lewes, 1725–1788

Herstmonceux Castle, East Sussex: View

undated

James Lambert of Lewes, 1725–1788

The Monument of Thomas Fiennes

undated

unknown artist

Landscape with Lake and Figures on a Rocky Road

1777

Luke Sullivan, 1705–1771

Badminton Church and Part of the Duke of Beaufort's House

undated

Samuel Scott, 1701/2–1772

Westminster Abbey and Bridge from Somerset Garden

1759

unknown artist

Brighton Town and Church

ca. 1780

Sir Robert Taylor, 1714–1788

Thames Ditton, Surrey: Design for Gothic Church

ca. 1776

James Lambert of Lewes, 1725–1788

Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone

undated

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

Sutton Nicholls, active 1725

St. Mary le Strand

1731-1748

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

Willey Reveley, 1760–1799

Views in the Levant: A Ruined Byzantine Church

ca. 1785

James Paine, 1717–1789

Design for a Church: Elevation of the West Front

ca. 1750

Samuel Wale, 1721–1786

Westminster Abbey

undated

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Joseph Wright of Derby, 1734–1797

A Church in Italy

undated

Michael "Angelo" Rooker, 1746–1801

Almshouses in St. Cuthbert's Churchyard, Wells

undated

Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Richard Bernard Godfrey, 1728–op.1794

Edgar's Tower, Worcester

1786

James Miller, active 1773–1814

The Church of St. John's, Smith Square

1770s

James Miller, active 1773–1814

Putney on Fulham

1770s

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

John Vanderbank, 1694–1739

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..

1729

Thomas Bowles III, ca. 1712–1767

A View of Somerset House with St. Mary's Church in the Strand London

Thomas Girtin, 1775–1802

Writtle Church, Essex

ca. 1795

unknown artist

Details of the Screen of Entrance Porch, St Stephen's Chapel

undated

unknown artist

Entrance Doorway in the Tower, St Stephen's Chapel

undated

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate X: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate XI: St Stephen's Chapel

1795

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by Charles Grignion, 1717–1810

House of Commons and the Entrance to the House of Lords with the Office of Ordnance

undated

William Ellis, 1747–1810

Beddington

1792

unknown artist

A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford