Search Constraints
Search Results
1
- Mary Freer
- 1809
- Not on view
2
- Dedham Vale
- 1802
- Not on view
3
- Rievaulx Abbey
- ca. 1745
- Not on view
4
- Lord Portmore Watching Racehorses at Exercise on Newmarket Heath
- ca. 1735
- Not on view
5
- Sunny Days
- 1874
- Not on view
6
- Elizabeth FitzGerald, Countess of Kildare
- ca. 1684
- Not on view
7
- Mr. and Mrs. Fraser
- 1785 to 1790
- Not on view
8
- Mountainous Landscape with Figures by a Lake
- 1825 to 1830
- Not on view
9
- Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
- between 1745 and 1747
- Not on view
10
- Portrait of Carolina dell'Acqua
- 1903
- Not on view
11
- Daniel Cunyngham
- 1766
- Not on view
12
- Conversation Piece
- 1761
- Not on view
13
- Portrait of a Group of Gentleman, with the Artist
- between 1745 and 1748
- Not on view
14
- Peter Dollond
- 1775 to 1779
- Not on view
15
- Charles Pinfold
- 1756
- Not on view
16
- Langdale Pikes from Lowood
- between 1800 and 1806
- Not on view
17
- Andrew Mellon
- ca. 1924
- Not on view
18
- Benjamin Cole
- 1776
- Not on view
19
- Thomas Osborne
- 1747
- Not on view
20
- The Interior of the British Institution Gallery
- 1829
- Not on view
21
- The Well of St. Keyne
- ca. 1838
- Not on view
22
- Tea Party at Lord Harrington's House, St. James's
- 1730
- Not on view
23
- An Unknown Woman with a Book
- ca. 1735
- Not on view
24
- Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk
- between 1745 and 1746
- Not on view
25
- Mountain Valley with Figures and Distant Village
- between 1773 and 1777
- Not on view
26
- Thomas Graham
- ca. 1790
- Not on view
27
- Sir Robert Chambers
- 1784
- Not on view
28
- A Marmoset in Three Attitudes
- 1793
- Not on view
29
- John Richard Comyns of Hylands, Essex, with His Daughters
- 1775
- Not on view
30
- The Haymarket, Norwich
- 1825
- Not on view
31
- Nude in an Interior
- ca. 1911
- Not on view
32
- The Colonnade of Queen Mary Court, Greenwich
- 1833
- Not on view
33
- An Unknown Man
- ca. 1780
- Not on view
34
- Self-portrait
- mid-1770s
- Not on view
35
- The Wish
- 1840
- Not on view
36
- William Strahan
- ca. 1775
- Not on view
37
- British Gentlemen in Rome
- ca. 1750
- Not on view
38
- Apuleia in Search of Apuleius
- between 1813 and 1823
39
- Tenth Plague of Egypt
- 1816
40
- Egyptian Men
- 1867
41
- Egyptian Man
- 1867
42
- Air; Plate 6
- 1793
43
- I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
- 1793
44
- Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
- 1794
45
- Laughing Song (Plate 14)
- 1789
46
- The Ecchoing Green (Plate 10)
- 1789
47
- On Anothers Sorrow (Plate 24)
- 1789
48
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
49
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
50
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
51
- Laughing Song (Plate 28)
- 1789
52
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
53
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
54
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
55
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
56
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
57
- Famine (Plate 8)
- 1794
58
- Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
- 1794
59
- For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
- 1826
60
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
61
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
62
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
63
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
64
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
65
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
66
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
67
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
68
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
69
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
70
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
71
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
72
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
73
- Does Thy God O Priest Take such Vengeance as This?; Plate 14
- 1793
74
- Water; Plate 4
- 1793
75
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
76
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
77
- The Ecchoing Green (Plate 8)
- 1789
78
- The Chimney Sweeper (Plate 10)
- 1789
79
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
80
- Spring, from Songs of Innocence
- ca. 1795
81
- Study for a Destroying Deity
- 1820 to 1825
82
- Lear Awakened by Cordelia
- between 1774 and 1775
83
- Achilles Wounded
- undated
84
- Lear Awakened by Cordelia
- ca. 1774
85
- Queen Katherine's Dream
- 1807
86
- Two Peasants by a Window
- undated
87
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
88
- Messrs. Carfax
- undated
89
- The Welsh Curate
- undated
90
- Figures on a Bank, Kensington Gravel Pits
- 1812
91
- Widecombe Village
- undated
92
- A Fallen Oak
- ca. 1815
93
- Sophy Steadman Reading
- ca. 1830
94
- Portrait of a Young Man with a Slate
- ca. 1835
95
- Study of a Young Girl, Seated
- undated
96
- A Wooded Track
- 1813
97
- The Picnic
- undated
98
- Study of a Seated Lady
- ca. 1740
99
- Falstaff Inspecting the Recruits
- between 1761 and 1765
100
- View of Bath from Spring Gardens
- 1790