Search Constraints
Search Results
1
- Landscape near Clifton
- 1822 to 1823
- Not on view
2
- John and Elizabeth Jeffreys and Their Children
- 1730
- Not on view
3
- Portrait of a Woman
- ca. 1750
- Not on view
4
- John Varley
- 1820
- Not on view
5
- Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
- 1763
- Not on view
6
- Portrait of a Boy
- ca. 1790
- Not on view
7
- An Unknown Man Seated at a Table
- between 1744 and 1746
- Not on view
8
- The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
- between 1798 and 1801
- Not on view
9
- The Lady Betty Germain Bedroom at Knole, Kent
- 1845
- Not on view
10
- A Couple, Traditionally Identified as Mr. and Mrs. Hill
- between 1750 and 1751
- Not on view
11
- The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
- 1849
- Not on view
12
- Lovers in Richmond Park
- 1864
- Not on view
13
- John Eardley Wilmot
- 1812
- Not on view
14
- A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
- ca. 1795
- Not on view
15
- Woman Reading by a Paper-Bell Shade
- 1766
- Not on view
16
- St. Paul before Agrippa
- ca. 1710
- Not on view
17
- Cottage Interior
- 1911 to 1912
- Not on view
18
- Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss
- between 1697 and 1716
- Not on view
19
- Mrs. Stevens
- ca. 1795
- Not on view
20
- Schoolgirls
- 1880
- Not on view
21
- Elizabeth Erskine, (née Pierrepont), Countess of Kellie
- ca. 1619
- Not on view
22
- The Gore Family with George, third Earl Cowper
- ca. 1775
- Not on view
23
- An Unknown Woman with a Book
- ca. 1735
- Not on view
24
- A Family, Traditionally Identified as the Swaine Family of Fencroft, Cambridgeshire
- 1749
- Not on view
25
- A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
- late 18th century?
- Not on view
26
- An Unknown Man
- ca. 1780
- Not on view
27
- The Harlowe Family, from Samuel Richardson's "Clarissa"
- between 1745 and 1747
- Not on view
28
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
29
- Conversation Piece
- 1761
- Not on view
30
- George Robertson
- 1776
- Not on view
31
- Christening of the Heir
- ca. 1799
- Not on view
32
- George and Margaret Rogers
- between 1748 and 1750
- Not on view
33
- Mary Adam
- 1754
- Not on view
34
- Study for a Group Portrait
- between 1729 and 1730
- Not on view
35
- An Unknown Man
- 1746
- Not on view
36
- Brick Piece 1
- 1974
- Not on view
37
- The Sleeping Shepherd
- 1857
38
- The Sleeping Shepherd
- 1857
39
- The Sleeping Shepherd
- 1857
40
- Simon, Lord Lovat
41
- 'The longest night though longer far, would fail' (Page 15)
- 1797
42
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
43
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
44
- Title Page, The First Book of Urizen (Plate 1)
- 1794
45
- "In living creations appear'd..." (Plate 8)
- 1794
46
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
47
- "Of the Mundane Shell which froze..." (Plate 64)
- 1804 to 1820
48
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
49
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
50
- Songs of Innocence, Title Page (Plate 2)
- 1789
51
- The Lamb (Plate 8)
- 1789
52
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
53
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
54
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
55
- The Author Writing (Design 105)
- between 1797 and 1798
56
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
57
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
58
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
59
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
60
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
61
- Thomas Hayley, the Disciple of John Flaxman, from a Medallion
- 1800
62
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
63
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
64
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
65
- Title Page, The First Book of Urizen (Plate 1)
- 1794
66
- "In living creations appear'd..." (Plate 6)
- 1794
67
- Infant Joy (Plate 28)
- 1789
68
- Songs of Innocence, Title Page (Plate 2)
- 1789
69
- The Lamb (Plate 18)
- 1789
70
- Thomas Hayley the Disciple of John Flaxman, from a Medallion
- 1800
71
- Moses Receiving the Law
- ca. 1780
72
- Thomas Alphonso Hayley, Half-Length Drawing
- ca. 1800
73
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
74
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
75
- Sibyl
- undated
76
- Couple Examining a Book
- undated
77
- Mrs. Fitzherbert
- 1792
78
- Earl and Countess of Pembroke and Son
- 1773
79
- Rev. Dr. Thomas Percy, Dean of Carlisle
- 1775
80
- Young Woman Reading to a Small Child
- undated
81
- Johannes Potter, Archiepiscopus Cantuariensis
- 1741
82
- Reverend Zachariah Mudge, Prebend of Exeter
- 1769
83
- The Damnation of Obadiah
- 1773
84
- St. Francis
- between 1681 and 1688
85
- Comedies
- ca. 1776
86
- 'The Gamester,' Act V, Scene IV
- 1792
87
- Portrait of Two Men, One Playing Recorder
- undated
88
- Sunday Morning, A Cottage Family Going to Church
- 1795
89
- The Damnation of Obadiah
- between 1773 and 1817
90
- And Ah! Let Pity Turn Her Dewy Eyes..
- 1801
91
- Miss Anna Crouch
- 1788
92
- George Graham, Clockmaker
- undated
93
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
94
- Reading by a Paper-Bell Shade
- 1768
95
- Thomas Maggi
- 1788
96
- Maria Cosway
- 1785
97
- Ticket: Walker's Lectures
- 1794
98
- A Lady Reading
- 1858
99
- Sophia, Honour, and the Chambermaid
- 1780
100
- Benjamin West, Esq., President of the Royal Academy of London
- 1818