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Francis Danby Hampstead Heath, Sunset
Francis Danby, 1793–1861
Hampstead Heath, Sunset
ca. 1845
Not on view
John Constable Hampstead Heath looking towards Harrow
John Constable, 1776–1837
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
John Vanderbank A Scene from Don Quixote (Vol.II, Ch.XXIII)
John Vanderbank, 1694–1739
A Scene from Don Quixote (Vol.II, Ch.XXIII)
between 1730 and 1736
Not on view
George Smith A View Supposedly Near Arundel, Sussex, with Figures in a Lane
George Smith, 1714–1776
A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
Joseph Stannard Buckenham Ferry, on the River Yare, Norfolk
Joseph Stannard, 1797–1830
Buckenham Ferry, on the River Yare, Norfolk
1826
Not on view
Francis Towne Old Walton Bridge
Francis Towne, 1740–1816
Old Walton Bridge
1785
Not on view
George Morland Partridge Shooting
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
George Morland Pheasant Shooting
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
Sir John Lavery On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
Sir John Lavery, 1856–1941
On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
1890
Not on view
George Chinnery A Man Carrying Faggots
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
Walter Richard Sickert Portrait of Carolina dell'Acqua
Walter Richard Sickert, 1860–1942
Portrait of Carolina dell'Acqua
1903
Not on view
Glynn Williams "Stop"
Glynn Williams, born 1939
"Stop"
1988
Not on view
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Tiger Skeleton, Lateral View (Finished Study for Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
George Stubbs Tiger Skeleton, Lateral View
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
William Hogarth Self-portrait
William Hogarth, 1697–1764
Self-portrait
1749
William Hogarth An Election Entertainment, Plate I
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
William Hogarth Chairing the Members, Plate IV
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
William Hogarth The Bruiser
William Hogarth, 1697–1764
The Bruiser
1763
Edward Lear Siracusa, 12. June 1847
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Glade in a Forest
George Romney, 1734–1802
Glade in a Forest
undated
James Wyatt Goodwood, West Sussex: Ceiling Design
James Wyatt, 1746–1813
Goodwood, West Sussex: Ceiling Design
undated
Sir John Soane Design for Hyde Park and St. James' Park Entrance
Sir John Soane, 1753–1837
Design for Hyde Park and St. James' Park Entrance
ca. 1826
Arthur Bradley Record Drawing of the 1639 Altarpiece in Exeter Cathedral
Arthur Bradley, active 1740
Record Drawing of the 1639 Altarpiece in Exeter Cathedral
undated
George Richardson Design for a Ceiling
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
Richard Henry Nibbs Hay and Log Barges on the Conway
Richard Henry Nibbs, 1816–1893
Hay and Log Barges on the Conway
undated
John Hoppner Study of a Seated Woman
John Hoppner, 1758–1810
Study of a Seated Woman
undated
William Green Landscape, Castle by a River
William Green, 1760–1823
Landscape, Castle by a River
undated
William Green Landscape with River and a Bridge
William Green, 1760–1823
Landscape with River and a Bridge
undated
William Green The Devil's Bridge, Kirkby Lonsdale
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
William Green Landscape with Vale and Mountains
William Green, 1760–1823
Landscape with Vale and Mountains
undated
Julius Caesar Ibbetson Robbing the Mail
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
William Green Landscape, Castle and Cattle
William Green, 1760–1823
Landscape, Castle and Cattle
undated
unknown artist The Holy Family
Print made by unknown artist
The Holy Family
undated
unknown artist The Cherry Girl
Print made by unknown artist
The Cherry Girl
1796
John Greenwood The Social Friends
Print made by John Greenwood, 1727–1792
The Social Friends
1768
Gottlieb Heiss Boy Seated at a Table
Print made by Gottlieb Heiss, 1684–1740
Boy Seated at a Table
undated
Johann Gottfried Haid The Young Musicians
Print made by Johann Gottfried Haid, 1704–1767
The Young Musicians
1764
James McArdell Employment
Print made by James McArdell, ca. 1729–1765
Employment
undated
Richard Purcell The Amorous Hollander
Print made by Richard Purcell, active 1746–1766
The Amorous Hollander
undated
Richard Purcell The Philosopher of Bacchus
Print made by Richard Purcell, active 1746–1766
The Philosopher of Bacchus
undated
John Simon Virgin and Child
Print made by John Simon, 1675–1751
Virgin and Child
undated
Wallerant Vaillant Judith with Head of Holofernes
Print made by Wallerant Vaillant, 1623–1677
Judith with Head of Holofernes
undated
Johann Jacobus Haid La male consequence du celibat
Print made by Johann Jacobus Haid, 1704–1767
La male consequence du celibat
undated
Johann Jacobus Haid La bonheur du Mariage
Print made by Johann Jacobus Haid, 1704–1767
La bonheur du Mariage
undated
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Daniel Lysons Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
George Moutard Woodward The Royal Rush Light
George Moutard Woodward, ca. 1760–1809
The Royal Rush Light
1798
Luigi Balugani African Wildcat or Serval
Luigi Balugani, 1737–1770
African Wildcat or Serval
undated
James Bruce Arch and Corinthian Temple of Assuras mod. Zanfour
James Bruce, 1730–1794
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
Johann Philip Koch Le Ete - Der Sommer
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
Johann Jacobus Haid Le jeu de domino
Print made by Johann Jacobus Haid, 1704–1767
Le jeu de domino
undated
Johann Jacobus Haid Uxor Zelotypa
Print made by Johann Jacobus Haid, 1704–1767
Uxor Zelotypa
undated
Johann Jacobus Haid Ornatus Corporis et Animi
Print made by Johann Jacobus Haid, 1704–1767
Ornatus Corporis et Animi
undated
Johann Jacobus Haid La lanterne magique
Print made by Johann Jacobus Haid, 1704–1767
La lanterne magique
undated
unknown artist Damon and Pastora
Print made by unknown artist
Damon and Pastora
1786
unknown artist The Moralist
Print made by unknown artist
The Moralist
1795