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Work Type intaglio print

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake "To The Accuser who is The God of This World..." (Plate 19)

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

William Blake Frontispiece, "What is Man!" (Plate 2)

Print made by William Blake, 1757–1827

Frontispiece, "What is Man!" (Plate 2)

1826

William Blake "He meets his Saviour in the Grave..." (Plate 20)

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake Thomas Hayley, the Disciple of John Flaxman, from a Medallion

Print made by William Blake, 1757–1827

Thomas Hayley, the Disciple of John Flaxman, from a Medallion

1800

William Blake From Antique Coins

William Blake, 1757–1827

From Antique Coins

1821

William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)

Prints made by William Blake, 1757–1827

The Life, and Posthumous Writings, of William Cowper (volume 3)

1803-1804

William Blake Rev. John Caspar Lavater

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

William Blake Theocritus

William Blake, 1757–1827

Theocritus

1821

William Blake Octavius Augustus Cæsar

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake Epicurus

William Blake, 1757–1827

Epicurus

1821

William Blake The Death of Juliet

Print made by William Blake, 1757–1827

The Death of Juliet

1799

William Blake Caius Julius Cæsar

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

William Blake "At length for hatching ripe he breaks the shell" (Plate 8)

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake Ciampolo the Barrator Tormented by the Devils (Plate 2)

Print made by William Blake, 1757–1827

Ciampolo the Barrator Tormented by the Devils (Plate 2)

1827

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake "I want! I want!" (Plate 11)

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

William Blake "Help! Help!" (Plate 12)

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

William Blake The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

Print made by William Blake, 1757–1827

The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

1827

William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

Print made by William Blake, 1757–1827

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

1827

William Blake The Serpent Attacking Buoso Donati (Plate 5)

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

William Blake Dante Striking against Bocca Degli Abati (Plate 7)

Print made by William Blake, 1757–1827

Dante Striking against Bocca Degli Abati (Plate 7)

1827

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "The Traveller hasteth in the Evening" (Plate 16)

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

William Blake The Pit of Disease: The Falsifiers (Plate 6)

Print made by William Blake, 1757–1827

The Pit of Disease: The Falsifiers (Plate 6)

1827

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake The Man Sweeping the Interpreter's Parlour

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

William Blake Thomas Hayley the Disciple of John Flaxman, from a Medallion

Print made by William Blake, 1757–1827

Thomas Hayley the Disciple of John Flaxman, from a Medallion

1800

William Blake Publius Virgilius Maro

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake Introduction to the Fables, The Shepherd and the Philosopher

Print made by William Blake, 1757–1827

Introduction to the Fables, The Shepherd and the Philosopher

1793

William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

William Blake Fable VI. The Miser and Plutus

Print made by William Blake, 1757–1827

Fable VI. The Miser and Plutus

1793

William Blake Fable XIII. The Tame Stag

Print made by William Blake, 1757–1827

Fable XIII. The Tame Stag

1793

William Blake Fable XVI. The Pin and the Needle

Print made by William Blake, 1757–1827

Fable XVI. The Pin and the Needle

1793

William Blake Fable XXII. The Goat Without a Beard

Print made by William Blake, 1757–1827

Fable XXII. The Goat Without a Beard

1793

William Blake Fable XXIV. The Butterfly and the Snail

Print made by William Blake, 1757–1827

Fable XXIV. The Butterfly and the Snail

1793

William Blake Fable XXVIII. The Persian, the Sun, and the Cloud

Print made by William Blake, 1757–1827

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

William Blake Fable XXX. The Setting-dog and the Partridge

Print made by William Blake, 1757–1827

Fable XXX. The Setting-dog and the Partridge

1793

William Blake Fable XLI. The Owl and the Farmer

Print made by William Blake, 1757–1827

Fable XLI. The Owl and the Farmer

1793

William Blake Fable I. The Dog and the Fox

Print made by William Blake, 1757–1827

Fable I. The Dog and the Fox

1793

William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Print made by William Blake, 1757–1827

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

William Blake Fable XII. Pan and Fortune

Print made by William Blake, 1757–1827

Fable XII. Pan and Fortune

1793

Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

1802

Edward Radclyffe Deepdene near Dorking

Edward Radclyffe, 1809–1863

Deepdene near Dorking

undated

Thomas Medland Ruins of St. Paul Covent Garden

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

William Byrne The Ruins of the College of Lincluden

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

Thomas Girtin The Watermill Above the Bridge at Charenton

Thomas Girtin, 1775–1802

The Watermill Above the Bridge at Charenton

1803