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1
- Apuleia in Search of Apuleius
- between 1813 and 1823
2
- Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
- 1794
3
- The Ecchoing Green (Plate 10)
- 1789
4
- On Anothers Sorrow (Plate 24)
- 1789
5
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
6
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
7
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
8
- Laughing Song (Plate 28)
- 1789
9
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
10
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
11
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
12
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
13
- Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
- 1794
14
- For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
- 1826
15
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
16
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
17
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
18
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
19
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
20
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
21
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
22
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
23
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
24
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
25
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
26
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
27
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
28
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
29
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
30
- Spring, from Songs of Innocence
- ca. 1795
31
- Lear Awakened by Cordelia
- between 1774 and 1775
32
- Lear Awakened by Cordelia
- ca. 1774
33
- Study for The Wedding Feast of Sir Degrevaunt
- undated
34
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
35
- Falstaff and his Friends
- ca. 1868
36
- Scene Illustration: Milton's 'L'Allegro'
- between 1860 and 1885
37
- Unidentified Periodical / Play Illustration
- undated
38
- Unidentified Periodical / Play Illustration
- undated
39
- Mrs. Sheppard Expostulating with her Son
- 1839
40
- "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
- 1839
41
- Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
- 1839
42
- Audacity of Jack Sheppard
- 1839
43
- Claudio and Isabella
- 1823
44
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
45
- Lady Mortimer's Welsh Song
- 1825
46
- Launce with his Dog Crab
- ca. 1821
47
- The Death of Ophelia
- ca. 1810
48
- Falstaff with Mistress Quickly and Bardolph
- 1825
49
- Hotspur and the Plotters at Bangor
- 1825
50
- Oberon and Puck
- 1825
51
- Death's Door
- 1808, published 1813
52
- 'The Gamester,' Act V, Scene IV
- 1792
53
- The Grave, A Poem, by Robert Blair
- 1808
54
- The Grave, A Poem, by Robert Blair
- 1808
55
- The Grave, A Poem, by Robert Blair
- 1808