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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Robert Polhill Bevan Landscape with Three Trees
Robert Polhill Bevan, 1865–1925
Landscape with Three Trees
undated
John Constable Flowers in a Pitcher
John Constable, 1776–1837
Flowers in a Pitcher
undated
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
Robert Dixon Cottage at Diss
Robert Dixon, 1780–1815
Cottage at Diss
1811
Luigi Balugani Bahah (Rhus retinorrhoea) and Cura-Magiett (Cucumis metuliferus)
Luigi Balugani, 1737–1770
Bahah (Rhus retinorrhoea) and Cura-Magiett (Cucumis metuliferus)
undated
Luigi Balugani Cuzzo (Hagenia abyssinica)
Luigi Balugani, 1737–1770
Cuzzo (Hagenia abyssinica)
undated
Luigi Balugani Deh Hack (Mussaenda arcuata)
Luigi Balugani, 1737–1770
Deh Hack (Mussaenda arcuata)
undated
Luigi Balugani Kuraregh (Cucumis metuliferus)
Luigi Balugani, 1737–1770
Kuraregh (Cucumis metuliferus)
undated
Luigi Balugani Jasmnium Dichtomum
Luigi Balugani, 1737–1770
Jasmnium Dichtomum
undated
Luigi Balugani Crinum Schimperi
Luigi Balugani, 1737–1770
Crinum Schimperi
undated
Thomas Burke Content and Innocence
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
Louis Haghe Thornbury Castle, Gloucestershire
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
David Jones Sir Gareth and Lady Lionesse
David Jones, 1895–1974
Sir Gareth and Lady Lionesse
ca. 1940
George Cuitt Presented by the Officers
Print made by George Cuitt, 1779–1854
Presented by the Officers
after 1813
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
Henry Heath Omnium Gatherum, No. 7
Henry Heath, active 1824–1835
Omnium Gatherum, No. 7
undated
Francesco Bartolozzi Cupid Disarmed by Venus
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
Henry Fuseli A Woman Sitting by the Window (Evening thou Bringest All)
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802, published 1806
Henry J. Townsend Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
Anthony Cardon Cupid Wounded
Print made by Anthony Cardon, 1772–1813
Cupid Wounded
1801
Anthony Cardon Credulity
Print made by Anthony Cardon, 1772–1813
Credulity
1796
Robert Barnes Girl Pinning Flowers on a Hat
Print made by Robert Barnes, 1840–1895
Girl Pinning Flowers on a Hat
undated
Robert Barnes The Beehive
Print made by Robert Barnes, 1840–1895
The Beehive
1854
Robert Barnes Boy Tying a Girl's Shoe
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
Richard Earlom A Landscape, with the Story of Europa
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Europa
1802
Thomas Collier Pentre Ddu Bridge, North Wales
Thomas Collier, 1840–1891
Pentre Ddu Bridge, North Wales
1863
Aubrey Vincent Beardsley Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894
Print made by Aubrey Vincent Beardsley, 1872–1898
Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894
1894
unknown artist A Large Christmas Card
Print made by unknown artist
A Large Christmas Card
1895
Austin, Robert, 1895-1973 Romance
Print made by Austin, Robert, 1895-1973, 1895–1973
Romance
1922
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Luigi Balugani Trifolium Polystachyum and Trifolium Rueppellianum
Luigi Balugani, 1737–1770
Trifolium Polystachyum and Trifolium Rueppellianum
undated
Luigi Balugani Aitan Balalitti (Woodfordia uniflora)
Luigi Balugani, 1737–1770
Aitan Balalitti (Woodfordia uniflora)
undated
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Luigi Balugani Kanahia Laniflora and Crotalaria Pallida
Luigi Balugani, 1737–1770
Kanahia Laniflora and Crotalaria Pallida
undated
Luigi Balugani Loranthus globiferus
Luigi Balugani, 1737–1770
Loranthus globiferus
undated
Edward Calvert The Return Home
Print made by Edward Calvert, 1799–1883
The Return Home
1830
Richard Parkes Bonington Brackline
Print made by Richard Parkes Bonington, 1802–1828
Brackline
1826
Richard Parkes Bonington Le Silence Favorable
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
Richard Parkes Bonington Tour aux Archives a Vernon
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
Rose Joseph Lemercier La Conversation
Print made by Rose Joseph Lemercier, 1803–1887
La Conversation
1826
Robert Smirke Bust of Shakespeare
Robert Smirke, 1752–1845
Bust of Shakespeare
1825
James Pollard The Greengrocer
James Pollard, 1792–1867
The Greengrocer
ca. 1819
John Bell Sketch from a Statue of a Dreamer
Print made by John Bell, 1811–1895
Sketch from a Statue of a Dreamer
between 1838 and 1850
Guillaume Sulpice Chevalier Intemperance
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
Jonathan Peter Pichler Flower Piece
Print made by Jonathan Peter Pichler, 1765–1807
Flower Piece
1806
Samuel Cousins Sunshine of Love
Print made by Samuel Cousins, 1801–1887
Sunshine of Love
1837
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock Eight colour prints
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
Bradshaw & Blacklock Her Majesty Queen Victoria & Family
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Hampton Court
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Henry Towneley Green Beside the Lily-Pond
Henry Towneley Green, 1836–1899
Beside the Lily-Pond
1869
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
George Townly Stubbs Warren Hastings on his Arabian Horse
George Townly Stubbs, 1748–1815
Warren Hastings on his Arabian Horse
ca. 1796
Decimus Burton Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
Decimus Burton, 1800–1881
Design for a public building in a park: Perspective, with figures and landscape added in a different (draughtsman's) hand
undated
Thomas Stothard Chinese Flower Seller
Thomas Stothard, 1755–1834
Chinese Flower Seller
undated
John Massey Wright Mrs. Martha Udney
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
Richard Westall Rosebud, or the Judgement of Paris
Richard Westall, 1765–1836
Rosebud, or the Judgement of Paris
1791
Henry Moore High Tor, Matlock
Henry Moore, 1831–1895
High Tor, Matlock
undated
Thomas Stothard Illustration to the Virtuous Orphan
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
Henry Moore Showery June, Picardy
Henry Moore, 1831–1895
Showery June, Picardy
between 1870 and 1880
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
Richard Westall A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
undated
Sir John Soane Detail of Scrolled Acanthus Molding
Sir John Soane, 1753–1837
Detail of Scrolled Acanthus Molding
ca. 1779
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845
Anne Page and Slender
1821