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1
- The Meet
- 1898-1899
2
- Who-o-p!
- 1898-1899
3
- Cornfields with Barn, Shoreham
- ca. 1829
4
- Opening the Fold
- 1880
5
- Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
- 1795 to 1806
6
- Human Skeleton, Lateral View
- 1795 to 1806
7
- Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
- 1795 to 1806
8
- Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
- 1795 to 1806
9
- Tiger, Recumbent, Viewed Ventrally
- 1795 to 1806
10
- Plate VII, Human Body, Lateral View
- 1804
11
- Sheep-Washing, Windsor
- between 1813 and 1823
12
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
13
- Autumn Sowing of the Grain
- ca. 1794
14
- Calder Abbey, September 12. 1836
- 1836
15
- A Ruined Tower House
- 1836
16
- Gebel Sheikh Eredi
- 1867
17
- The Capo Sant' Angelo, Amalfi
- ca. 1885
18
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
19
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
20
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
21
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
22
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
23
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
24
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
25
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
26
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
27
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
28
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
29
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
30
- Night the Third. Narcissa; Title Page
- 1797
31
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
32
- Night the Third. Narcissa; Title Page
- ca. 1797
33
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
34
- Night the First. On Life, Death and Immortality; Title Page
- 1797
35
- 'We censure nature for a span too short' (Page 23)
- 1797
36
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
37
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
38
- 'The present moment terminates our sight' (Page 13)
- 1797
39
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
40
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
41
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
42
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
43
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
44
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
45
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
46
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
47
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
48
- The Christian Triumph; Title Page
- 1797
49
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
50
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
51
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
52
- The Baffled Devils Fighting (Plate 3)
- 1827
53
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
54
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
55
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
56
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
57
- 'Disease invades the chastest temperence' (Page 10)
- 1797
58
- 'The longest night though longer far, would fail' (Page 15)
- 1797
59
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
60
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
61
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
62
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
63
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
64
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
65
- Sealing the Stone and Setting a Watch
- 1800 to 1803
66
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
67
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
68
- Bombie Mill, Bombie, Tongue of Bombie
- undated
69
- A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary
- 1812
70
- Costessy Hall, Norfolk
- 1831
71
- Sarsden House and Gardens, Oxfordshire: Bird's-eye View
- ca. 1795
72
- High Street, Edinburgh
- 1819
73
- Heriot's Hospital
- 1822
74
- Bass Rock
- 1826
75
- Wilton House
- 1825
76
- Edinburgh, from the Calton Hill
- 1820
77
- The Watermill Above the Bridge at Charenton
- 1803
78
- Muckross Abbey, Killarney
- 1808
79
- Jedburgh Parish Church
- undated
80
- On the River Wye with Wilton Castle Ruins on a Bend in the River
- after 1794
81
- Porpoises, July 7, 1883
- 1883
82
- Tobit and the Angel
- undated
83
- The West India Washer-Women
- 1779
84
- Tudor House in Country
- undated
85
- Content and Innocence
- 1797
86
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
87
- The Mantilla
- 1838
88
- Opera Reminiscences: Desdemona and Otello
- 1829
89
- "Then go, bid the huntsmen wake them with their horns"
- 1802
90
- "Mark your divorce young sir, whom son I dare not call"
- 1804
91
- Costume of the Reign of King Henry III, 1250
- 1814
92
- Military Costumes of the Reign of King Henry VI, 1447
- 1812
93
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
94
- A Negroes Dance in the Island of Dominica
- 1779
95
- Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
- 1771
96
- Why... Because..
- undated
97
- A Whipper-In and a Couple of Hounds Running Hard in Open Country
- undated
98
- 'Rather Too Slow'
- undated
99
- The Death: Yokels Watching in Foreground
- undated
100
- Setters and Pheasant
- undated