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1
- Ploughing the Hillside
- ca. 1905
2
- At Hailsham, Sussex: a Storm Approaching
- 1821
3
- Italian Hill Town
- after 1838
4
- Human Body, Posterior View (Outline Drawing for Table VII)
- 1795 to 1806
5
- A Tiger and a Sleeping Leopard
- 1788
6
- Human Skeleton, Posterior View (Relates to Table II)
- 1795 to 1806
7
- Human Skeleton, Anterior View
- 1795 to 1806
8
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
9
- Dorking Hen Body, Lateral View (Outline drawing of the muscles)
- 1795 to 1806
10
- Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
- 1795 to 1806
11
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
12
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
13
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
14
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
15
- A View of Boppart, with Figures on the River Bank
- 1817
16
- Marine Dabblers
- 1811
17
- London from Greenwich
- 1811
18
- Stonehenge at Daybreak
- 1815 to 1819
19
- Rheinfels Looking to Katz and Goarhausen
- 1817
20
- Andernach
- 1817
21
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
22
- Venice, The Mouth of the Grand Canal
- ca. 1840
23
- Lost to All Hope the Brig
- between 1845 and 1850
24
- Wady Halfeh
- 1867
25
- Toske
- 1867
26
- Dendera, 15 January 1867 (158)
- 1867
27
- Near Mesghouneh
- 1867
28
- On the Road, Two Hours from Tepelene, 19 April 1857
- 1857
29
- Benihassan
- 1867
30
- Mqabba, Qrendi
- 1866
31
- The Pontine Marshes above Terracina
- ca. 1880
32
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
33
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
34
- 'O treacherous conscience!' (Page 27)
- ca. 1797
35
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
36
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
37
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
38
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
39
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
40
- Night the Third. Narcissa; Title Page
- ca. 1797
41
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
42
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
43
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
44
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
45
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
46
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
47
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
48
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
49
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
50
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
51
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
52
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
53
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
54
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
55
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
56
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
57
- The Christian Triumph; Title Page
- ca. 1797
58
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
59
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
60
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
61
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
62
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
63
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
64
- A Welch Bard (Design 53)
- between 1797 and 1798
65
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
66
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
67
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
68
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
69
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
70
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
71
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
72
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
73
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
74
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
75
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
76
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
77
- Fame (Design 93)
- between 1797 and 1798
78
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
79
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
80
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
81
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
82
- 'We censure nature for a span too short' (Page 23)
- 1797
83
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
84
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
85
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
86
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
87
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
88
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
89
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
90
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
91
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
92
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
93
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
94
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
95
- 'The present moment terminates our sight' (Page 13)
- 1797
96
- 'The longest night though longer far, would fail' (Page 15)
- 1797
97
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
98
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
99
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
100
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797