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John Constable Horse and Cart
John Constable, 1776–1837
Horse and Cart
ca. 1814
Not on view
John Constable Golding Constable's House, East Bergholt: the Artist's birthplace
John Constable, 1776–1837
Golding Constable's House, East Bergholt: the Artist's birthplace
ca. 1809
Not on view
John Constable A View on Hampstead Heath, Early Morning
Attributed to John Constable, 1776–1837
A View on Hampstead Heath, Early Morning
ca. 1821
Not on view
John Constable Hampstead Heath, with a Bonfire
John Constable, 1776–1837
Hampstead Heath, with a Bonfire
ca. 1822
Not on view
John Constable Cloud Study, Early Morning, Looking East from Hampstead
John Constable, 1776–1837
Cloud Study, Early Morning, Looking East from Hampstead
1821
Not on view
Edward Lear The Marble Rocks — Nerbudda Jubbolpore
Edward Lear, 1812–1888
The Marble Rocks — Nerbudda Jubbolpore
1882
Not on view
James Dickson Innes The Moelwyns from Llan Ffestiniog
James Dickson Innes, 1887–1914
The Moelwyns from Llan Ffestiniog
between 1912 and 1913
Not on view
Walter Richard Sickert Dieppe Races
Walter Richard Sickert, 1860–1942
Dieppe Races
1885
Not on view
James Smetham Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
Joanna Mary Wells (née Boyce) Fanny Eaton (née Antwistle or Entwistle)
Joanna Mary Wells (née Boyce), 1831–1861
Fanny Eaton (née Antwistle or Entwistle)
1861
Not on view
John Vanderbank A Young Gentleman Riding a Schooled Horse
John Vanderbank, 1694–1739
A Young Gentleman Riding a Schooled Horse
between 1728 and 1729
Not on view
William Anderson A View of Westminster Bridge and the Abbey from the South Side
William Anderson, 1757–1837
A View of Westminster Bridge and the Abbey from the South Side
1818
Not on view
William Anderson London Bridge, with St. Paul's Cathedral in the distance
William Anderson, 1757–1837
London Bridge, with St. Paul's Cathedral in the distance
1815
Not on view
Henry Bernard Chalon The Duchess of York's Spaniel
Henry Bernard Chalon, 1771–1849
The Duchess of York's Spaniel
1804
Not on view
Adam Silo Dutch Shipping off the Low Countries
Adam Silo, ca. 1674–1772
Dutch Shipping off the Low Countries
18th century
Not on view
unknown artist Bologna
unknown artist
Bologna
ca. 1826
Not on view
Thomas Jones The Vale of Pencerrig
Thomas Jones, 1742–1803
The Vale of Pencerrig
1776
Not on view
Arthur Devis Gentleman with a Cannon
Arthur Devis, 1712–1787
Gentleman with a Cannon
1741
Not on view
Sir Charles D'Oyly East Gateway, Patna
Sir Charles D'Oyly, 1781–1845
East Gateway, Patna
1825
Not on view
Sir Charles D'Oyly Street in Patna
Sir Charles D'Oyly, 1781–1845
Street in Patna
ca. 1825
Not on view
John Linnell Landscape with Figures
John Linnell, 1792–1882
Landscape with Figures
1816
Not on view
Patrick Nasmyth Self portrait
Patrick Nasmyth, 1787–1831
Self portrait
ca. 1815
Not on view
Herbert Haseltine Polo Pony: Perfection
Herbert Haseltine, 1877–1962
Polo Pony: Perfection
cast 1963 (original model 1933)
Not on view
Herbert Haseltine Sudborne Premier, Suffolk Punch Stallion
Herbert Haseltine, 1877–1962
Sudborne Premier, Suffolk Punch Stallion
1964-1965
Not on view
George Chinnery George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
Related to George Chinnery, 1774–1852
George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
1801
Not on view
Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925
Ploughing the Hillside
ca. 1905
John Constable Four East Indiamen at Archor
John Constable, 1776–1837
Four East Indiamen at Archor
1803
Samuel Palmer Italian Hill Town
Samuel Palmer, 1805–1881
Italian Hill Town
after 1838
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
George Stubbs A Tiger and a Sleeping Leopard
Print made by George Stubbs, 1724–1806
A Tiger and a Sleeping Leopard
1788
George Stubbs Human Skeleton, Posterior View (Relates to Table II)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Relates to Table II)
1795 to 1806
George Stubbs Human Body, Posterior View (Outline Drawing for Table VII)
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
George Stubbs Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
George Stubbs Dorking Hen Body, Lateral View (Outline drawing of the muscles)
George Stubbs, 1724–1806
Dorking Hen Body, Lateral View (Outline drawing of the muscles)
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
George Stubbs Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
George Stubbs, 1724–1806
Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
1795 to 1806
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
William Hogarth George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
Joseph Mallord William Turner A View of Boppart, with Figures on the River Bank
Joseph Mallord William Turner, 1775–1851
A View of Boppart, with Figures on the River Bank
1817
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner London from Greenwich
Print made by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Joseph Mallord William Turner Stonehenge at Daybreak
Print made by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
Joseph Mallord William Turner Rheinfels Looking to Katz and Goarhausen
Joseph Mallord William Turner, 1775–1851
Rheinfels Looking to Katz and Goarhausen
1817
Joseph Mallord William Turner Venice, The Mouth of the Grand Canal
Joseph Mallord William Turner, 1775–1851
Venice, The Mouth of the Grand Canal
ca. 1840
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
Joseph Mallord William Turner Lost to All Hope the Brig
Joseph Mallord William Turner, 1775–1851
Lost to All Hope the Brig
between 1845 and 1850
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
Joseph Mallord William Turner Paestum
Print made by Joseph Mallord William Turner, 1775–1851
Paestum
between 1820 and 1826
Edward Lear Benihassan
Edward Lear, 1812–1888
Benihassan
1867
Edward Lear Toske
Edward Lear, 1812–1888
Toske
1867
Edward Lear Dendera, 15 January 1867 (158)
Edward Lear, 1812–1888
Dendera, 15 January 1867 (158)
1867
Edward Lear Wady Halfeh
Edward Lear, 1812–1888
Wady Halfeh
1867
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888
Mqabba, Qrendi
1866
Edward Lear Near Mesghouneh
Edward Lear, 1812–1888
Near Mesghouneh
1867
Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857
Edward Lear, 1812–1888
On the Road, Two Hours from Tepelene, 19 April 1857
1857
Edward Lear The Pontine Marshes above Terracina
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
undated
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
George Romney Captive or Dejected Woman: Possibly Andromache
George Romney, 1734–1802
Captive or Dejected Woman: Possibly Andromache
undated
George Romney Boy Seated beneath a Rock
George Romney, 1734–1802
Boy Seated beneath a Rock
undated
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake A Circular Dance (Design 23)
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798