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Italian Hill Town
Creator:
Samuel Palmer, 1805–1881
Date:
after 1838
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rock Slip near Boscastle
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gouache, black chalk, yellow chalk, and blue chalk on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 x 10 5/8 inches (24.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1840
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 1/16 inches (24.4 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Boxhill

Boxhill
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
1868
Materials & Techniques:
Gray wash, green wash, brown wash, black chalk, and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/2 x 12 1/8 inches (24.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Salisbury Cathedral From the Meadows
Creator:
John Constable, 1776–1837
Date:
1829
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:
Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer
Dimensions:
Sheet: 9 3/8 x 12 1/4 inches (23.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leopard Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 14 inches (23.5 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger, Recumbent, Viewed Ventrally
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: black chalk, with evidence of black print media, possibly ink or soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stonehenge at Daybreak
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marine Dabblers
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
London from Greenwich
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inverary Pier, Loch Fyne, Morning
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Barn
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:
Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Richard L. Purdy
Near Grindelwald
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Calder Bridge
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 9 1/2 x 13 9/16 inches (24.1 x 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Rocky Valley of Mosta, Malta
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/4 x 13 7/16 inches (23.5 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

17. Albogasio

Albogasio
Creator:
Edward Lear, 1812–1888
Date:
1837
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 9 5/8 x 13 13/16 inches (24.4 x 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 1/4 inches (24.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
Oasis Village
Creator:
Edward Lear, 1812–1888
Date:
1854
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 x 17 inches (24.4 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pontine Marshes above Terracina
Creator:
Edward Lear, 1812–1888
Date:
ca. 1880
Materials & Techniques:
Pen in brown ink with brown wash over graphite on very thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 12 7/16 inches (23.8 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Toske

Toske
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 12 1/2 inches (23.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 x 13 7/8 inches (24.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 9 1/2 × 13 3/4 inches (24.1 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece, Europe. A Prophecy
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching prined in brown ink; proof; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page. America, A Prophecy (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Prophecy. "The deep of winter came..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"In thoughts perturb'd they rose..." (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Albions Angel rose upon the Stone of Night..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Now comes the night of Enitharmons joy!..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece. Albion's Angel (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page, Europe a Prophecy (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Enitharmon slept. ..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Arise 'O Rintrah eldest born..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ciampolo the Barrator Tormented by the Devils (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Serpent Attacking Buoso Donati (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Baffled Devils Fighting (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pit of Disease: The Falsifiers (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"What time the thirteen Governors that England sent convene..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plague (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Famine (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Juliet
Creator:
Print made by William Blake, 1757–1827
Date:
1799
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 5/8 x 5 5/8 inches (24.4 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Seated Figure
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 5 5/8 inches (23.5 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
Mountain Rocks
Creator:
David Hall McKewan, 1816–1875
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 16 5/8in. (24.1 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bombie Mill, Bombie, Tongue of Bombie
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, watercolor, gray wash, pen and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 9 1/2 × 13 inches (24.1 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary
Creator:
John Claude Nattes, 1765–1822
Date:
1812
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 1/4 x 12 13/16in. (23.5 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Staithes, Yorkshire
Creator:
Francis Nicholson, 1753–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 12 7/16in. (23.2 x 31.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fishmarket on the Beach
Creator:
Giles F. Phillips, 1780–1867
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 × 8 1/4 inches (13.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tree and Pond
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 9 9/16 inches (24.1 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barnes Common, June 1836
Creator:
T. E. Jeffers, active 1836
Date:
1836
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink and gray ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 13 5/16 inches (24.4 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
God Creating the Universe
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Group of Figures, Child Begging in Center
Creator:
Alfred Stevens, 1817–1875
Date:
undated
Materials & Techniques:
Red chalk on brown wove paper
Dimensions:
Sheet: 9 5/16 × 22 13/16 inches (23.7 × 57.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies for Shylock
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:
Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Roslyn Castle - a wooded river landscape
Creator:
Thomas Peploe Wood, 1817–1845
Date:
1839
Materials & Techniques:
Brown wash with brown and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Townley Hall
Creator:
Print made by James Basire II, 1769–1822
Date:
1800
Materials & Techniques:
Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 1/8 inches (28.6 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Fishing Smack with a Boat (Dutch Boat in a Gale)
Creator:
Print made by James Fittler, 1758–1835
Date:
1812
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 13 3/8 inches (24.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temples of Paestum
Creator:
Print made by John Pye, 1782–1874
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Martello Towers at Bexhill
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 7/8 inches (23.7 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cairo Bazaar
Creator:
William James Muller, 1812–1845
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 12 11/16 inches (24.1 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port de Rochefort: Vu Du Point A Marque sur le Plan:
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Master Philip Yorke
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 9 5/8 inches (32.4 × 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Age of Innocence
Creator:
Print made by Charles Turner, 1774–1857
Date:
1836
Materials & Techniques:
Mezzotint and etching with chine collé; proof on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 7/8 × 10 3/8 inches (35.2 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for the Figures of Demitrius and Two Workmen
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, brown chalk and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 10 5/8 inches (24.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
Crossing the Tropic, Oct. 15, 1826
Creator:
Richard Bridgens, active 1838
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 7 7/8 inches (24.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Red Pony
Creator:
Jack Butler Yeats, 1871–1957
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink; verso: graphite on very thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 × 6 3/4 inches (24.1 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
Creator:
Isaac Weld, 1774–1856
Date:
1817
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/16 × 15 inches (24 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Welsh Funeral
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 3/8 inches (34.6 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A British Encampment
Creator:
Dirk Langendyck, 1748–1805
Date:
1799 to 1801
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 x 14 5/16in. (24.3 x 36.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Single Brig; Sketches of Separate Stern and Rubber
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Mount: 9 7/16 × 16 11/16 inches (24 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock
Creator:
W. S. Penson, 19th century
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 7/8in. (24.1 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office
Creator:
W. S. Penson, 19th century
Date:
undated
Materials & Techniques:
Graphite, pen and ink, watercolor, and gouache, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 7/8in. (24.1 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 7/16 inches (38.4 × 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Moonlit Lake
Creator:
attributed to Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Brown wash and graphite, with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Harlech Castle
Creator:
Isaac Weld, 1774–1856
Date:
1810
Materials & Techniques:
Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 7/16 × 15 1/4 inches (24 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Waterloo Bridge from the West, 1814
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper, mounted on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 9/16 × 18 1/2 inches (24.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
Creator:
John Linnell, 1792–1882
Date:
after 1812
Materials & Techniques:
Watercolor, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moon-Light
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection