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Materials & Techniques wove paper
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1
- The Deluge
- between 1813 and 1823
2
- Apuleia in Search of Apuleius
- between 1813 and 1823
3
- Procris and Cephalus
- 1812
4
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
5
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
6
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
7
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
8
- A Welch Bard (Design 53)
- between 1797 and 1798
9
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
10
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
11
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
12
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
13
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
14
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
15
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
16
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
17
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
18
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
19
- A Widower and Children (Design 35)
- between 1797 and 1798
20
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
21
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
22
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
23
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
24
- 'We censure nature for a span too short' (Page 23)
- 1797
25
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
26
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
27
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
28
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
29
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
30
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
31
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
32
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
33
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
34
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
35
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
36
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
37
- An Angel with a Trumpet
- between 1805 and 1808
38
- Study for a Destroying Deity
- 1820 to 1825
39
- Hero and Leander
- 1801
40
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
41
- Rosebud, or the Judgement of Paris
- 1791
42
- Incantation Scene
- undated
43
- Allegorical Subject
- undated
44
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
45
- Design for a Ceiling Decoration
- 1723
46
- God Creating the Universe
- ca. 1800
47
- St. Julienne's Chapel
- 1834
48
- Salvator Mundi
- 1882
49
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
50
- Christ Appears to Mary Magdalene (John 20:13-14)
- before 1836
51
- A Hindu Austere
- ca. 1792
52
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
53
- Christ Descending into the Grave
- 1808, published 1813
54
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
55
- Death of the First Born
- 1836
56
- The Crucifixion
- 1834
57
- Marcus Curtius
58
- Sunday Morning, A Cottage Family Going to Church
- 1795
59
- William Howley, Archbishop of Canterbury
- 1839
60
- Florence, from Chiesa al Monte
- 1820
61
- Turin from the Portico of the Superga Church
- 1820
62
- Buckfastleigh Abbey
- 1828
63
- Valle Crucis Abbey, Denbighshire
- 1828
64
- Cupid and Cephisa: "One Day as I was Walking in the Woods..."
- 1789
65
- Florence, from the Chiesa al Monte
- 1820
66
- Procris and Cephalus
- 1885
67
- The Messengers Tell Job of the Misfortunes that Have Befallen Him
- undated
68
- Leicester Abbey
- 1834
69
- St. Catherine's Hill, near Guildford, Surrey
- 1832
70
- Leicester Abbey
- 1834
71
- Durham Cathedral
- 1836
72
- Christ Church College, Oxford
- 1834
73
- S. Andreas
- undated
74
- S. Simon
- undated
75
- S. Jacobus Major
- undated
76
- S. Bartholomaeus
- undated
77
- Jonathan Shipley, Bishop of St. Asaph
- 1792
78
- Allegorical Scene
- undated
79
- Tobit and the Angel
- undated
80
- S. Philippus
- undated
81
- Robert Blair, The Grave, Title Page
- 1808, published 1813
82
- The Reunion of the Soul & the Body
- 1808, published 1813
83
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
84
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
85
- Reverend. Shute Barrington L.L.D
- 1812
86
- Richard Beadon, Bishop of Bath & Wells
- undated
87
- Oliver Plunket
- 1790
88
- Reverend Beilby Porteus, Lord Bishop of London
- 1809
89
- William Robertson
- 1799
90
- Hon. James Yorke, Bishop of Ely
- 1810
91
- The Deluge
- 1828
92
- St. Herbert's Chapel
- 1834
93
- Christ Crucified
- undated
94
- Expulsion from Eden
- undated
95
- Christ the Judge and Saints John the Baptist and Abel
- 1801
96
- Cupid and Psyche
- ca. 1870
97
- The Elect
- 1801
98
- Rear View of the Crucifixion
- undated
99
- Calendar Design - October
- undated
100
- Study of Hercules for 'Crowning the Victors at Olympia'
- between 1777 and 1780