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Materials & Techniques wove paper

Period 18th century

Height [cm] 43

Joseph Mallord William Turner Villa d'Este

Joseph Mallord William Turner, 1775–1851

Villa d'Este

ca. 1796

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

Robert Morrison Design for Court of Edinburgh University

Robert Morrison, active ca. 1791

Design for Court of Edinburgh University

1779

Victor Marie Picot A Pastoral Scene with Cow

Victor Marie Picot, 1744–1805

A Pastoral Scene with Cow

1777

Thomas Burke Content and Innocence

Print made by Thomas Burke, 1749–1815

Content and Innocence

1797

Charles Wilkin The Right Honourable Charlotte Viscountess St. Asaph

Print made by Charles Wilkin, 1750–1814

The Right Honourable Charlotte Viscountess St. Asaph

1797

John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

John Hamilton Mortimer Caliban, from The Tempest

John Hamilton Mortimer, 1740–1779

Caliban, from The Tempest

1775

Richard Livesay Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

Richard Livesay, 1753–1826

Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

1799

Thomas Anburey View Within the Southern Entrance of Gundecotta Pass (1 of 6)

Thomas Anburey, 1759–1840

View Within the Southern Entrance of Gundecotta Pass (1 of 6)

ca. 1792

Francesco Bartolozzi William Murray First Earl of Mansfield

Print made by Francesco Bartolozzi, 1728–1815

William Murray First Earl of Mansfield

1786

John Jones Caleb Whitefoord, F.R.S., F.S.A.

Print made by John Jones, ca. 1745–1797

Caleb Whitefoord, F.R.S., F.S.A

1793

Samuel Cousins La Surprise

Print made by Samuel Cousins, 1801–1887

La Surprise

1827

unknown artist Archery

Print made by unknown artist

Archery

1794

unknown artist The Squire's Daughter, Lamenting the Loss of her Robin

Print made by unknown artist

The Squire's Daughter, Lamenting the Loss of her Robin

1794

Hugh William "Grecian" Williams Bothwell Castle, Lanarkshire

Hugh William "Grecian" Williams, 1773–1829

Bothwell Castle, Lanarkshire

1798

Francis Wheatley Olivia Returns to Her Family

Francis Wheatley, 1747–1801

Olivia Returns to Her Family

undated

Frederick George Byron Shooting Party Setting Out

Frederick George Byron, 1764–1794

Shooting Party Setting Out

1789

Thomas Daniell Tremal Naig's Choultry, Madura

Thomas Daniell, 1749–1840

Tremal Naig's Choultry, Madura

1792

Thomas Daniell Landscape: India

Thomas Daniell, 1749–1840

Landscape: India

undated

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

undated

Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Paul Sandby, 1731–1809

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

1767

Richard Earlom George Augustus Elliot Lord Heathfield

Print made by Richard Earlom, 1743–1822

George Augustus Elliot Lord Heathfield

1788

A. Birrell John Home, Esq.

Print made by A. Birrell, ca.1770–ca. 1820

John Home, Esq

1799

Valentine Green Lady Caroline Howard

Valentine Green, 1739–1813

Lady Caroline Howard

1778

Francesco Bartolozzi The Earl of Mansfield

Print made by Francesco Bartolozzi, 1728–1815

The Earl of Mansfield

1786

Frederick George Byron Shooting Party Returning Home

Frederick George Byron, 1764–1794

Shooting Party Returning Home

1789

Robert Pollard A North East View of the Tuesday Market Place of Lynn Regis

Robert Pollard, 1755–1838

A North East View of the Tuesday Market Place of Lynn Regis

1797

Thomas Rowlandson English Barracks

Etched by Thomas Rowlandson, 1756–1827

English Barracks

1791

Alexander van Haecken In Her Love-Darting Eyes Awakes the Fires

Alexander van Haecken, 1701–1758

In Her Love-Darting Eyes Awakes the Fires

between 1735 and 1757

unknown artist West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

unknown artist

West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

1798

Victor Marie Picot A Pastoral Scene with Donkey

Victor Marie Picot, 1744–1805

A Pastoral Scene with Donkey

1777

John Faber the Younger Hugh Howard, Esq.

John Faber the Younger, ca. 1695–1756

Hugh Howard, Esq

1737

unknown artist East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

unknown artist

East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

1796

W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Print made by W. Pyott, active late 18th century

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

1792

Samuel Scott Westminster Bridge under Construction

Samuel Scott, 1701/2–1772

Westminster Bridge under Construction

undated

Samuel Scott A Thames Wharf with Westminster Bridge in the Distance

Samuel Scott, 1701/2–1772

A Thames Wharf with Westminster Bridge in the Distance

undated

Edward Dayes Queen Square, London

Edward Dayes, 1763–1804

Queen Square, London

1786

unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

unknown artist

A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

undated